He who knows how to appreciate colour relationships, the influence of one colour on another, their contrasts and dissonances, is promised an infinitely diverse imagery.
- Sonia Delaunay
Colour is my day-long obsession, joy and torment.
- Colour is my day-long obsession, joy and torment.
 

 

Wednesday, November 5, 2008

Thomas Cole

Posted by Charley Parker at 10:33 am

Thomas Cole - The Oxbow
Though often thought of as a quintessentially American painter, the founder of the Hudson River School of painting and even the father of American landscape painting in general, it is perhaps fitting that Thomas Cole was an immigrant. Born in Lancashire England he moved to the U.S. with his family in 1818, when he was 18.

Cole spent a year on his own in Philadelphia before going on to join his family in Stubenville, Ohio, where he worked as a wallpaper designer for his father’s wallpaper factory. He later returned to Philadelphia for two years, and at the Pennsylvania Academy of the Fine Arts was inspired by the works of Thomas Birch and Thomas Doughty. He then moved to New York and devoted himself to the study of landscape painting.

He did a series of paintings after a sketching trip up the Hudson River that proved to be very successful and he began to accept commissions for works that displayed the grandeur and drama of the still largely unspoiled American wilderness.

Cole took several trips to Europe, refining his distinctly American art with the study of the European masters. He eventually settled in Catskill, New York. There is a Thomas Cole National Historic Site at Cedar Grove.

Cole had a distinct influence on other painters of the time, notably Asher B. Durand, whose famous painting Kindred Spirits was a tribute to Cole and his friend poet William Cullen Bryant; and the renowned painter Frederic Edwin Church, who was Cole’s only formal student.

Cole divided his attention between landscape commissions and large scale allegorical paintings of imaginary views that embodied philosophical ideals, such as a series showing The Voyage of Life, in four stages from childhood to old age.

The most famous of these is his grand sequence of five large canvasses depicting The Course of Empire, from the wilderness of an undiscovered continent to the pastoral beginnings of a young country to the heights of imperial glory and on to the inevitable destruction and collapse of an empire under its own weight.

Cole apparently preferred his ambitious allegorical works, but he is most often admired for his dramatic landscapes, with sweeping views of the wild and open country that still beckoned the American spirit of adventure and discovery.

The image above is alternately titled The Oxbow or The Connecticut River Near Northampton (larger version here and here).

It shows a long view of the American landscape, renewed and glowing in the sun as the darkness of a storm subsides.

2 comments for Thomas Cole »

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  1. Comment by mike
    Wednesday, November 5, 2008 @ 12:33 pm

    I live right by the oxbow in Easthampton, MA, and have seen it dozens of times from Mt Holyoke. A very different place now from when it was painted. The Connecticut River Valley in Western Maaa is a place that has inspired many to paint and be creative.
    They don’t call it the Paradise Valley, and Northampton, Paradise City for nothing… Thanks for the inspiration…

    Mike

  2. Comment by MadSilence
    Saturday, November 8, 2008 @ 4:13 pm

    I’m a fan of the Hudson River School.
    I believe Cole’s Oxbow is in the Met. The image reflects the transformation of the American landscape.
    ~MadSilence

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