Odilon Redon (Bertrand-Jean Redon) was a French Expressionist/Symbolist painter and pastel artist whose career in the latter half of the 19th Century was marked by restless experimentation with spare compositions, intense colors and blurred images that suggest more than they reveal.
His dreamlike excursions into shifting mists of color and soft suggestions of form and emotion anticipated the Surrealists fascination with dreams and unconscious imagery.
His textured pastels, often collisions of half hidden shapes and lost edges, presaged the break up of naturalistic forms into geometry that would herald Cubism; and his brilliant intense clashes of undiluted color bridged Impressionism and Fauvism.
Redon was also a lithographer, working in dramatic black and white works that seem to have emotional color under their surface, waiting to be released.
He originally failed his entrance examinations for the École des Beaux-Arts, but later was admitted and studied with Jean-Léon Gérôme. In sharp contrast to Gérôme’s precise renderings, Redon’s images often blend recognizable forms with passages that dissolve into ambiguous intimations of subjects, vague hints of objects and scenes whose definition is left to be filled in by the viewer’s subconscious.
Bert Christensen's Cyberspace Gallery
Bio and images on Wikipedia
Bio on OdlionRedon.net
NY Times article
Artcyclopedia (museum and web resources)
4 Replies to “Odilon Redon”
Thanks for shining some light on Odilon Redon. His work seems so easily overlooked. This piece is especially beautiful.
His flower pastels, so often reproduced on tote bags and tee-shirts only hint at the power of an artist who enjoyed color and imagery in such bold and direct ways.
Here is my favorite:
Great selection – he’s high on my list of under-appreciated masters.
I spent YEARS thinking he was a woman!
That might have been because it was quite difficult to find out about him – until I got a book of his pastel drawings. They’re just so very different from anything you’ll see in a pastel art society!
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