Lines and Colors art blog

Month: May 2011

  • Ruo Li

    Seascapes are rarely subjects that capture my attention. The seascapes of Ruo Li, however, are striking exceptions. Sweeping carpets of foam vibrate over rough edged rocks, throwing up volumetric plumes of spray; or quietly seep through crevices and channels on their way back to join the greater sea. Flat planes of water lay against the…

  • Mattias Adolfsson (update)

    Since I wrote about Mattias Adolfsson back in 2009, he has continued to fill his blog, Mattias Inks, with his marvelously whimsical illustrations, sketches, drawings and watercolors. They range from finished illustrations, a number of which are for Wired, through complex Moleskein drawings to simple but charming doodles. He has recently collected a variety of…

  • Rooms with a View: The Open Window in the 19th Century

    As blockbuster exhibitions have become more prohibitively expensive to mount, museums have had to work to fill their exhibition schedules with more modest shows, usually based on a fairly specific theme. Far from being disappointing, I’ve found this trend to be filled with unexpected delights and often enlightening twists on how the works and artists…

  • M.C. Escher: Impossible Realities

    One of the things that visual art does at its best is allow us to see the world through fresh eyes, reframing the ordinary as extraordinary. Sometimes, however, the artworks become so iconic and familiar as to need reframing themselves in order to be seen freshly. M.C. Escher, despite being treated for years by art…

  • Rembrandt and his School at the Frick

    The Frick Collection in New York, which I wrote about here, is remarkably deep with masterworks for a collection of its size. One area of depth is 3 superb paintings by Rembrandt (images above, top three), as well as a collection of prints and drawings. These form the core of an exhibition ending May 15,…

  • Amy Casey

    In her most recent series of paintings Cleveland based artist Amy Casey takes familiar structures, largely typical urban and suburban houses and commercial buildings, and arranges them in the context of unfamiliar structures — strands of webbing, extended strings, coils of roads or walls — effectively reframing them and forcing us to look at them…