Tonči Zonjić (pronouced TAWN-chih ZAWN-yitch, according to an article on Illustrator’s Lounge) is a contemporary Croatian comics artist and illustrator.
I make a point or mentioning that he is contemporary because of the wonderful feeling his work has for the classic comics artists of the past. His chiaroscuro ink style carries echoes of early 20th century greats like Noel Sickles and Milton Caniff, but melded with the sensibilities of modern European comics and perhaps a touch of Will Eisner.
The blend, however, is definitely Zonjić’s own, and his cinematic approach and visual storytelling skills have made him a favorite of many readers as well as admirers of comics artistry.
Zonjić signs his work “To Zo”, and you will see him under that name.
Here in the U.S. Zonjić is noted in particular for his work on Mike Mignola’s Lobster Johnson (Amazon link, preview pages here), which has a nice “Blackhawk” kind of vibe, and two spy thriller series with writer Nathan Edmondson, Who is Jake Ellis? (amazon link, preview pages here) and Where is Jake Ellis? (Amazon link, preview pages here).
There are lots of examples of his comics and illustration work on his website and blog.
He also has a Tumblr blog on which he produces a short feature that I particularly enjoy, called Not/But (images above, panels on colored backgrounds at bottom), in which he wryly addresses the anxieties and self-doubt that all artists face at some point.
Young Woman Holding a Book, William Strutt
Link is to zoomable version on Google Art Project; downloadable file on Wikimedia Commons; original is in the Art Gallery of South Australia, which also has an larger version on their site, though not as large as the other two.
Pencil and watercolor on paper. The sheet is roughly 15 x 20 in. (38 x 52 cm), but I’ve taken the liberty of cropping in on the drawing, even in the “full” version at top.
This does not look like a preliminary sketch for another work, but like a finished drawing meant to stand on its own. I love the careful, engraving-like hatching in the modeling of the face and hands, and the contrast between that and the more economical rendering of the texture of the girl’s hair and dress.
Light touches of watercolor enhance the eyes and lips and what looks to me to be a pencil with a holder in her hand — making me think it may be a sheaf of drawing paper she holds rather than a finished book. (If it were writing paper, I would expect her to be holding a pen.)
A drawing of great delicacy and refinement, yet bold in the rendering of the folds of the dress, and powerful in its statement of the appearance of the model. Whether it’s intended to be a portrait or a genre piece, I think we can assume from the character in the girl’s face and the superb level of draftsmanship, that the drawing is an accurate likeness of a real person.
A beautiful drawing in every respect.