Eye Candy for Today: Samuel Palmer ink and watercolor drawing

Oak Tree and Beech, Lullingstone Park, Samuel Palmer, pena nd brown ink drawing with watercolor and gouache
Oak Tree and Beech, Lullingstone Park, Samuel Palmer

Pen and brown ink, with gouache an watercolor on toned paper, roughly 12 x 18 inches (30 x 47 cm); in the collection of the Morgan Library and Museum, NY. Use the “Zoom Image” or “Download Image” links on their page to view larger.

I love the way that Palmer has used a variety of seemingly casual but wonderfully effective marks — squiggles, dots, dashes, calligraphic strokes, blotches, hatching and stipple — to define his textures.

The Morgan’s website indicates that the handling of the background is also quite interesting. The light through the distant trees is indicated with yellow watercolor, painted over an area defined with white qouache and then coated with gum arabic, which would impart a sheen to that area. I assume that this effect would be more noticeable in person, and might resemble the effect of spot varnish as used in modern commercial printing.

 
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6 Replies to “Eye Candy for Today: Samuel Palmer ink and watercolor drawing”

  1. When he worked for the British Museum Palmer was ‘influenced’ by Turner and David Cox.
    After he met his longtime friend Linnell he was persuaded to study Dürer, Lucas van der Leyden and Blake.

  2. Thomas Patrick Keating made a particular speciality out of producing forged water-colours by Samuel Palmer and fine oil paintings by Dutch, Flemish, English and French old masters. The infamous yet loveable British rogue was a remarkable forger who certainly showed up all the experts in a forgery career which landed him in jail charged for conspiracy to defraud!

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