Eye Candy for Today: Winslow Homer watercolor & gouache

Fresh Eggs, watercolor and gouache painting by Winslow Homer
Fresh Eggs, watercolor and gouache painting by Winslow Homer

Fresh Eggs, Winslow Homer; watercolor and gouache on paper; roughly 9 x 8 inches (24 x 19 cm). Original is in the collection of the National Gallery of Art, DC, which has both zoomable and downloadable images on their site.

In this simple, unassuming study of a commonplace chore, Homer shows us the ability of art to elevate the ordinary into the extraordinary, as well as demonstrating his apparently effortless command of watercolor and gouache.

The NGA provides a nicely high-resolution image (higher than in my detail crops) in which you can see his individual brush marks and the way he has mixed opaque and transparent passages with economy and flair.

 
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The Artist’s Magazine – Imaginative Realism

The Artists magazine March-April 2022- Imaginativ Realism
The Artists magazine March-April 2022- Imaginativ Realism

The March/April issue of The Artists Magazine is devoted to imaginative painting and magical realism. The cover and lead article feature the beautiful painting by James Gurney shown in the images above, and a step-through of his process in creating it.

I’ve had the pleasure of seeing this particular painting in person, and it’s a strikingly beautiful example of Gurney at his best in combining the styles of the Victorian painters with modern fantasy subjects. (Imagine if you will, Lawrence Alma-Tadema painting dinosaurs!)

This is a very good issue of a good magazine. Unfortunately, the Artists Network website, for reasons that elude me, is not very effective in promoting the physical magazine. (They don’t clearly associate the cover with a list of contents and excerpts specific to that issue, and from there link to the ordering page.)

If you’re fortunate enough to have a bookstore in your area that carries a relatively wide array of magazines, you may still be able to find a copy.

You can order a physical copy here, and a digital copy here.

You can also access Gurney’s article, complete with images, online if you’re willing to give them your email address. You can link to the article from this page, and once on this page, enter your email address and you’ll have immediate access to the article.

The entire issue (and the magazine in general), are worthwhile.

James Gurney was a particularly appropriate artist to tap for this issue, given that he’s the author of an excellent book devoted to the subject: Imaginative Realism: How to Paint what Doesn’t Exist (Lines and Colors review here).

 
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