Su Jian

Su Jian, concept art
Su Jian is a concept artist based in Beijing, China and working in the film industry.

Beyond that, I know little. I haven’t found an official website other than a presence on ArtStation, and that has no information on projects of companies worked for.

Su Jian’s illustrations are sometimes in the vein of common concept art themes, but often more eccentric, with interesting subjects and approaches.

 
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Alfred Thörne

Sven Alfred Thorne, Swedish landscape painter
When I came across the work of Swedish painter Sven Alfred Thörne recently, I was surprised that I hadn’t encountered it before, but pleased to have found another Scandinavian landscape painter to add to my list of favorites.

Thörne was active in the late 19th and early 20th centuries. He studied at the Royal Academy in Stockholm and extended his studies on a traveling scholarship to France, Belgium, Germany and Italy.

He painted with an open, painterly realism and nicely naturalistic palette, with lots of water views and scenes of small cottages and houses. I particularly like his handling of the textures of foliage and rocks.

The largest images I’ve found for Thörne are on the Bukowski’s auction site, along with the Elogio di Michelagnolo blog.

 
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Eye Candy for Today: Bartolomeo Montagna Renaissance portrait

Saint Justina of Padua, Bartolomeo Montagna (Bartolomeo Cincani)
Saint Justina of Padua, Bartolomeo Montagna (Bartolomeo Cincani)

In the collection of the Metropolitan Museum of Art. Use the “download or Enlarge links under the image on their site.

Though this is technically a religious work, not a portrait, I think the beautifully drawn and delicately rendered face has the look of a real person, not an imagined ideal.

I like the wonderful detail in the texture of the iris of the eyes, and the highlight in the eye (which, for reasons beyond me, some artists in later centuries would leave out).

The values in which the face is modeled are subtle but the face feels well defined and geometrically strong.

Montagna’s style shows the influence of Venetian Renaissance master Giovanni Bellini, and it’s speculated that he may have been a student or apprentice of Bellini at some point.

 
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Robert Walker Macbeth

Robert Walker Macbeth, 19th century landscape paintings
Robert Walker Macbeth was a Scottish painter, etcher and illustrator, active in the late 19th and early 20th centuries.

He was known for his pastoral landscapes, most of them rural or genre scenes with figures in various activities, and a suggestion of narrative content. His father and younger brother were also artists.

Macbeth was a member of the Royal Watercolour Society, the Royal Society of Painter-Etchers and Engravers, the Royal Institute of Oil Painters and the Royal Academy.

There are a number of scattered sources for his images online, unfortunately few are of high resolution.

 
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Jérémy Soheylian

Jeremy Soheylian, French artist, urban sketching in pen and watercolor
Though he sometimes works monochromatically, when I first came across the ink and watercolor architectural drawings and urban sketches of French artist Jérémy Soheylian the majority of his work at first registered to my eye as full color.

It then dawned on me that they were actually remarkably effective use of simple warm and cool tones — a muted sepia (or perhaps burnt sienna) and a cool, low chroma blue-gray. Soheylian is wonderfully adept at using the power of color temperature and value relationships to suggest distance and variety, with deft touches of pen work adding texture and a sensation of detail.

He occasionally also works in more colors, greens and higher chroma red-browns and blues, but still with a very limited palette. Some of his work is more sketch like, other pieces are more refined and finished. All of them evidence solid draftsmanship and a firm grasp of architectural form.

His website is in French, but is easily navigable by non-French speakers. “Peintures” are his watercolor paintings, “Dessins” are drawings in various media including urban sketches, and “Illustrations” are his more formal architectural drawings.

Soheylian also has a blog, which includes some step-throughs of his process. It’s also in French, and has more text than his website, but you can access it through Google Translate if you want a rough translation.

There is also a step-through of his process on Canson Studio. In addition, there is a brief interview with Soheylian on the French version of the Canson Studio site, Google Translate here (scroll down).

If you do a Google Image Search, you’ll find a number of his images from other sources.

There is a brief video about Soheylian on YouTube that is in Russian, but has a view of him working.

 
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Eye Candy for Today: Corot early Spring landscape

Les étangs de ville d'avray (The Ponds of the Village of Avray), Jean-Baptiste Camille Corot, oil painting, 19th century French landscape
Les étangs de ville d’avray (The Ponds of the Village of Avray), Jean-Baptiste Camille Corot

Link is to Wikimedia Commons; they sourced it from a Sotheby’s auction, so I don’t know the current location of the original — perhaps in a private collection.

Corot gives us an idyllic depiction of the gentle beginnings of Spring, in sharp contrast to the snow and forecast nor’easter on the first day of Spring here on the east coast of the U.S.

The painting isn’t dated, but it carries the look of similar landsapes in Corot’s later career, with the early foliage painted as delicate brush marks that in places are barely visible against the gray of the sky.

You can see the naturalism, free brush work and attention to the effects of light that so inspired the Impressionists.

Happy Vernal Equinox!

 
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