Leonard Campbell Taylor

Leonard Campbell Taylor, British painter, portraits and figures in interiors
Leonard Campbell Taylor was a British painter active in the late 19th and early 20th centuries. He is know for his portraits and in particular for his interiors with figures, many of which are also portraits.

He was a war artist during WWI, and also did some illustration.

Many of his portraits and figures are beautifully refined, some with an academic naturalism, some showing the influence of Impressionism.

 
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Luke Buck

Luke Buck, landscapes in acrylic, watercolor and gouache
Luke Buck is an Indiana native who paints crisp, bright landscapes in acrylic, watercolor and gouache.

In addition to painting subjects in his home state, Buck is working on a project to paint in every state of the union.

You will find both original paintings and limited edition reproductions on his website.

Many of his paintings have a compositional device in which the primary image is in a crisp rectangle, created by setting off the image with tape, from which key elements extend outside of that area, often with the addition of drip effects at the bottom.

Buck has a step-through demonstration of his process here. He also conducts workshops, demonstrations and art talks, both in Indiana and other states.

His website also has a listing of shows and plein air events in which he is participating.

 
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Eye Candy for Today: Ignacio Zuloaga portrait

Portrait of the Countess Mathieu de Noailles, Ignacio Zuloaga, oil on canvas, Bilbao Fine Arts Museum
Portrait of the Countess Mathieu de Noailles (Anna Elisabeth de Brancovan), Ignacio Zuloaga y Zabaleta

Link is to page with high resolution image on Wikimedia Commons. Original is in the Bilbao Fine Arts Museum.

Spanish painter Ignacio Zuloaga, who was active in the late 19th and early 20th centuries, brings together the traditions of Spanish painting from preceding centuries and the Post-Impressionist flavor of his time in this beautiful reclining portrait of a well known Parisian poet and novelist Anna de Noailles, who was the subject of portraits by a number of other artists.

Zuloaga’s portrait is dramatically theatrical, not just in the curtain-framed setting, but in the striking warm light that sweeps across her face, shoulders and gown. The face is framed by the sitter’s shock of dark hair, which is echoed in the dark tones in the cover of the setee.

 
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Benjamin Williams Leader

Benjamin Williams Leader, English landscape painter
Benjamin Williams Leader was an English landscape painter active in the late 19th and early 20th centuries. He was born Benjamin Leader Williams, but later changed his name to Benjamin Williams Leader to stand out from a number of other painters active at the same time with the last name of Williams.

Benjamin Leader’s father, Edward Leader Williams, was an amateur artist and a friend of John Constable, and Benjamin got to go out sketching with Constable, though I don’t know that there was any formal guidance on Constable’s part.

As a young man, Leader studied part time at the Worcester School of Design, and later enrolled in the Royal Academy. His early work proved so popular with influential buyers that he didn’t bother to finish his studies at the Academy.

Leader often painted on location, and his work was initially inspired in part by the fidelity to nature espoused by the Pre-Raphaelite painters. As his style matured, however, he moved toward a looser, more painterly approach that proved to be even more popular with his patrons.

 
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Eye Candy for Today: Anders Zorn portrait of Freida Schiff

Portrait of Frieda Schiff, Anders Zorn
Frieda Schiff, Anders Zorn

In the collection of the Metropolitan Museum of Art.

Given the relatively weak greens in the curtain and background, I suppose it’s possible this was painted with Zorn’s famously eponymous palette.

The “Zorn Palette”, with which the Swedish artist is presumed to have painted many (though certainly not all) of his paintings, consisted of Ivory Black, Vermillion, Flake White and Yellow Ochre. It is essentially a portrait palette, and Zorn’s effective use of it is a testament to the power of a limited palette.

The seemingly casual but astonishingly effective brush strokes in the dress are indicative of Zorn’s position as one of the “masters of the loaded brush”, a short list that also includes John Singer Sargent and Joaquín Sorolla (I would personally add Cecilia Beaux to that list, but hey, that’s just me).

 
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Eye Candy for Today: Carlo Crivelli’s Mary Magdalene

Mary Magdalene, Carlo Crivelli, Tempera on panel, 60 x 19 inches (152 x 49 cm), in the collection of the Rijksmuseum, 1480
Mary Magdalene, Carlo Crivelli

Tempera on panel, 60 x 19 inches (152 x 49 cm), in the collection of the Rijksmuseum.

This beautifully realized late Gothic work (painted in 1480) is as much decorative object as it is representational image.

I love how stylized it is, from the intricately rendered strands of hair to the expressive, heavy-lidded eyes, to the hands for which gesture and expression outweigh any concern for realistic proportions.

 
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