Paschalis Dougalis

Paschalis Dougalis, wildlife art, watercolors pen and ink
Originally from Greece, Paschalis Dougalis is an artist and wildlife illustrator currently based in Munich, Germany.

Douglais has a special interest in birds, and owls in particular. He works in watercolor, gouache and acrylic for his finished pieces, and often works from life in zoos and parks, capturing animals in watercolor or pen, often Bic pens.

I particularly enjoy his drawings on toned paper in which he works out from the middle ground with both ink and white gel pens.

Though there are a few images on his website, his blog is more active. Douglais’ YouTube channel includes a number of videos of him working on location.

There is a brief interview with Douglais on Birdingmurcia.

 
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Chris Malbon

Chris Malbon, UK illustrator
Chris Malbon is a UK based illustrator and designer who works in both traditional and digital media.

He has done work for a number of agencies and clients including work for Sony, Coca-Cola, Nestle, Nike and MTV.

Malbon’s approach varies with his project, but is often vibrant with texture and color. He sometimes does complex collage-like compositions with multiple figures and objects intertwined into a graphic design, with strong contrasts of detailed areas to open space.

[Via iSpot]

 
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Inktober

Inktober 2017, Jake Parker, Moemai, Max Dunbar, Meredith Dillman, Abbe Branberg, Camille Marie, Chordephra, Loish, Alyssa Tallent, Jason Chan, Mack Chater, Sweeny Boo, Yuko Shimizu, Paul Heaston, Nick Nikopoulos, Stoaty Weasel, Ian McQue, Ira Sluyterman van Langeweyde
Inktober started as a challenge illustrator and cartoonist Jake Parker set himself in October of 2009, to draw 31 ink drawings in 31 days.

The goal, as in any exercise of this sort, was to get better end develop a more consistent working practice.

He repeated the idea the next year, promoting the notion that others should join him, and since then it has grown into a worldwide endeavor.

If you search on Twitter, Instagram or other social media platforms for #inktober, or #inktober2017, you’ll find the stream of those currently participating.

There is a lot of variation in style and level of ability, from novice to professional, and that’s part of what makes it such a great practice. There is no barrier to entry.

It’s not a contest, there are no real requirements or central authority deciding who can participate.

The rules, such as there are, are simple: do an ink drawing and post it online with the hashtags #inktober and #inktober2017 — repeat every day in October.

Even though this is the fifth day, it’s not too late to join in, I see lots of posts that say “late to the party” or “just joining in”. If you want to, you can throw in a few extra drawings along the way to come up with 31 by the end of the month.

You don’t have to use a dip pen or anything fancy; anything that makes marks in ink counts: ballpoint pens, markers, brush pens, whatever. The drawings don’t have to be elaborate or finished, and you can add color or not as you choose.

If you need suggestions for subject matter, there is an official prompt of 31 subjects on the Inktober website.

You don’t have to follow it, though. Lots of people make their own prompt list, or choose to do a single subject (e.g. cats, cars, portraits or monsters….), or just do whatever comes to you.

You can look through the social media feeds to see what others are doing, or simply for the enjoyment of it.

You will encounter a lot of work by beginners, and this is a Good Thing; part of the value of the practice is encouraging folks to get started. If you’re looking through with the thought of finding professional work, you might do better to seek the more curated experience of following Jake Parker’s Twitter feed, or the @inktober feed.

The images above are just some examples (mostly by professionals) that caught my eye. I particularly enjoy those images in which the artist has included their drawing tools in the photo with the drawing.

(Images above [some of these names are just Twitter handles]: Jake Parker, Moemai, Max Dunbar, Meredith Dillman, Abbe Branberg, Camille Marie, Chordephra, Loish, Alyssa Tallent, Jason Chan, Mack Chater, Sweeny Boo, Yuko Shimizu, Paul Heaston, Nick Nikopoulos, Stoaty Weasel, Ian McQue, Ira Sluyterman van Langeweyde)

 
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Michael Rothman

Michael Rothman, natural science illustrator
Michael Rothman is a natural science illustrator who appears to specialize in complex scenes of plants and animals in their natural environment. His subjects include both extant and extinct species.

Rothman has a superb ability to render highly detailed compositions — with multiple focal points of individual plants and animals — in a way that is both clear and naturalistic.

Some of his paintings are so naturalistic that they have the feeling of nicely painted landscapes that just happen to be intimate in scale. I particularly admire his representation of textures; many of his images feel highly tactile.

Rothman’s online profile mentions that he works both in traditional and digital media, but the individual images in the galleries on his website don’t have an indication of medium.

There is also a selection of his images on Science-Art.com.

Rothman’s clients include publications like The New York Times, Scientific American and The New Yorker, publishers like Random House, Wiliam Morrow and Harper/Collins, and a number of museums, zoos and other institutions.

Some of his book credits as illustrator include: Here Is the Tropical Rain Forest (Web of Life), At Home with the Gopher Tortoise: The Story of a Keystone Species, The Forest in the Clouds and Jaguar in the Rain Forest (Amazon links).

 
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Short Trip, Alexander Perrin

Short Trip, Alexander Perrin, interactive animation
Short Trip is a hand-drawn interactive animation by Alexander Perrin.

The author calls it an “interactive illustration”, and the drawings are done in pencil.

If you would like to be simply and delightfully amused for 5 or 10 minutes, turn your sound on, open your browser to full screen and play with it using the left and right arrow keys.

There is information about Perrin and the project here.

[Via Jason Kottke]

 
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Emily Hare

Emily Hare, illustrations, beasties and creatures
Emily Hare is a freelance illustrator based in the UK who has a wonderful knack for creating beasties and creatures.

These have a nicely strange charm, or a charming strangeness, or, well.. you get the idea.

Though she used to work digitally, she is now working in traditional media, primarily watercolor.

Among the items in her online shop, is the option to preorder her book, Strangehollow.

[Addendum: Creative Bloq has just added an article on Emily Hare’s creature design: How to design believable fantasy beasts.]

[Via Eric Orchard]

 
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