A bend in the River Amstel near Kostverloren House, Rembrandt van Rijn; pen and brown ink with brown and grey washes, heightened with white bodycolour on oatmeal paper; roughly 5 x 10″ (14 x 25 cm). Original is in the collection of the Chatsworth Estate. Read More …
Rembrandt: The Late Works is a landmark exhibition of paintings, drawings and etchings of the 17th century Dutch master on view at the National Gallery, London, until 18 January 2015. There are some great works in the exhibition, including the two remarkable self-portraits I recently Read More …
In my post on the paintings of the terrific Swedish artist Anders Zorn back in March of this year, I promised to follow up with a post on his amazing etchings. I just love etchings, they have a line quality and visual charm unlike any Read More …
The Traghetto No. 2, James McNeill Whistler Etching and drypoint; eighth state of nine, roughly 9×12 inches (23x30cm). In the collection of the Metropolitan Museum of Art. Like Rembrandt, Whistler never fails to amaze me with how casual he makes his drawing process look in Read More …
The Good Samaritan, Rembrandt van Rijn OK, so the defecating dog was a source of some amusement back in art school, but once you get past that, this etching is just mind-bogglingly superb — a tour-de-force of drawing and the mediums of etching and drypoint. Read More …
A Rembrandt drawing figures in a story in New Scientist today, about the search for the earliest example of an Asian Elephant known to European scientists. It was determined that the previous presumed example was, in fact, an African elephant, and records were searched for Read More …