Lines and Colors art blog

Framed Perspective, Marcos Mateu-Mestre

Framed Perspective,  Marcos Mateu-Mestre
Just to put things in… context, the history of graphical perspective goes back further, but the system of geometric perspective we use today can be traced to an important point in the beginning of the 15th century, when Filippo Brunelleschi — the brilliant Renaissance architect and designer who solved the seemingly intractable problem of spanning the world’s largest cathedral dome space with an ingenious solution — codified a system of graphical persepctive that was immediately adopted by almost every artist who was made aware of it, and most artists since.

Like his solution for the dome of the Florence cathedral, the model of geometric perspective Brunelleschi demonstrated solved problems that had previously seemed impossibly difficult.

Artists and art students have either been thanking or cursing him ever since, depending on whether they see graphical perspective construction as an an incredibly powerful tool or as a burdensome learning process akin to school studies of math or chemistry.

Linear perspective study can seem difficult when ill-presented, but when taught properly, it can be a golden key to drawing and painting with a strength, solidity, accuracy and realism impossible to achieve without it.

Short of taking a course with a good instructor, those interested in mastering perspective are left to find their own way with books that are too often poorly presented, overly obtuse and almost as boring to look at as a mathematics textbook.

While there are some pretty good perspective books out there, I’ve just received review copies of a new two-volume set on perspective that has shot to the top of my personal list of best books on the subject.

Framed Perspective Vol #1 and Vol #2, are new books from Marcos Mateu-Mestre, a concept artist and illustrator who I have written about previously and whose drawing style I have always found particularly appealing.

As in his previous book: Framed Ink: Drawing and Composition for Visual Storytellers (link to my review), he tackles the the subject within the framework of real world use and practical application.

Also like that book, Mateau-Mestre has not only used real-world type examples to illustrate the concepts, he has also used them to make his books something that perspective books rarely are: visually appealing and entertaining.

Framed Perspective Vol. 1 is subtitled: “Technical Perspective and Visual Storytelling”. In it Mateau-Mestre starts at the ground floor (so to speak) and takes you from the basic concepts through solutions for some reasonably complex challenges, including multiple vanishing points, staircases, three-point perspective, arches and domes, and the application of perspective to freehand sketching.

At over 200 pages, it’s packed with information and techniques and a reality-based approach that stays focused on what’s really useful.

Framed Perspective Vol. 2 is subtitled “Technical Drawing for Shadows, Volume, and Characters”, and deals with the too often neglected subjects of applying shadows in perspective and applying perspective to the human figure, including the representation of clothing and folds, and the application of shadows to figures.

Though not as extensive as Volume 1, this one still weighs in at over 120 pages, and is jammed with useful information, as well as Mateu-Mestre’s wonderful drawings and illustrations.

Throughout both volumes, the illustrations, diagrams, text and book design are clear, concise and well thought out.

Any artist with an interest in comics, graphic storytelling, concept art or illustration — as well as painting and drawing of any kind that involves linear perspective — should look into these superb volumes.

If you’ve found books on perspective daunting and/or boring, Framed Perspective may open your eyes to a world of possibilities for understanding and using one of an artist’s most powerful tools.


6 responses to “Framed Perspective, Marcos Mateu-Mestre”

  1. Just the art itself is worth the price of admission.
    Even when you learn it all it is easy to forget what we don’t use everyday.
    I had a great teacher but some of the really complicated perspective I forgot because I don’t have to access it enough.
    Perspective can be daunting but as you point out this is “…focused on what’s really useful.”

    1. Thanks, David. I had the advantage of a good teacher also, but if you don’t use the knowledge it tends to fade. These books are a great refresher.

  2. Martin Hoade Avatar
    Martin Hoade

    A Russian anthropologist once said there were three things that existed in the West that made the invention of Science as a method of inquiry possible. The old Hebrews gave us the first, the concept of linear time, the world was created…once. The second came from polyphonic liturgical singing, the precise division of time into small, uniform bits. And the third, from the Renaissance, is perspective drawing, the systematic projection of 3 dimensional space onto a 2 dimensional plane. Right or wrong I don’t know but there’s a magic in it nonetheless.

    1. Thanks, Martin. What a great thought.

  3. Can I actually learn perspective from these books? As a newbie and someone who does not normally learn from books? I am currently trying to get past chapter 3 … maybe im overthinking.

    1. As with any books on perspective, you need to follow through and do the drawings. Just reading is not enough. Books like this are meant to be a self-guided course — like an art school course in which you would study and practice over weeks.