Lines and Colors art blog

Author: cparker

  • Charles-François Daubigny

    Contrary to the notion you might get from some sources, French Impressionism did not spring full-blown from the brushes of Monet, Renoir, Sisley and Bazille the moment they met in Charles Gleyre’s atelier in the 1860’s. Not only did the fully realized style we know as Impressionism take time to develop among the artists themselves,…

  • Eye Candy for Today: Franz Xaver Winterhalter’s portrait of Maria Beck

    Countess Alexander Nikolaevitch Lamsdorff (Maria Ivanovna Beck), Franz Xaver Winterhalter In the Metropolitan Museum of Art; use the download or enlarge links under their image. Winterhalter’s portrait makes nice use of variation in edges; compare the sharp edges of the cuffs and collar of the dress to the softness at the edges of the hands.…

  • Mario Martinez ( MARS-1)

    Mario Martinez, who also is known by the handle MARS-1, is a painter based in New York who uses exacting representational techniques to paint imaginary objects and spaces. His compositions are often elaborate arrangements of geometric and pseudo-biological forms, intricately detailed and rendered with a palpable dimensionality. They sometimes encompass fantastical landscapes and suggestions of…

  • Eye Candy for Today: Léon Bonvin still life

    Still Life on Kitchen Table with Celery, Parsley, Bowl, and Cruets; Léon Bonvin Watercolor over pen and ink and graphite; roughly 7×9 inches (17 x 22 cm). In the Walters Art Museum, Baltimore which has both a downloadable and zoomable version of the image. There is also a zoomable version on Google Art Project, and…

  • Marc Bohne

    Marc Bohne is a landscape painter originally from Texas and currently based in Seattle, Washington. I’ve admired his work on the web for a number of years, and had it bookmarked for inclusion on Lines and Colors, and I’m frankly surprised I haven’t featured him before now. Bohne is wonderfully skillful in his depictions of…

  • Edgar Maxence

    Edgar Maxence was a French painter active in the late 19th and early 20th centuries. Maxence is generally classed as a “Symbolist”, an artistic movement in which representational images were used to suggest higher truths that could not be directly depicted. In its literary connections and penchant for elegance, the genre bears some similarities to…