Lines and Colors art blog

Category: Drawing

  • Olivia Bouler

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    cparker
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    Eleven year old Olivia Bouler, upset about the ongoing industrial/ecological disaster in the Gulf of Mexico, wanted to help in some way. An aspiring ornithologist, she wrote to the Audubon Society, pointing out that she is a “decent drawer” and asking if it was possible to sell some of her bird images to help raise…

  • Kathryn Rathke

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    cparker
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    I’m just guessing, but I have a notion that Seattle based illustrator Kathryn Rathke’s early fascination with art may have coincided with an interest in hand calligraphy. Her drawings, both black and white and color, are based on wonderfully calligraphic lines — dancing, looping and jogging across the page; at times almost seeming to construct…

  • James Bama Sketchbook

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    cparker
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    James Bama is one of America’s primere “Western” artists, though less in the sense that term is usually applied to artists who depict the landscapes of the American West, and more in the tradition of artists like Frederic Remington who portray the people and character types associated with the traditions of the frontier west and…

  • Brian Boulton

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    cparker
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    There is a style of drawing, that you may see with some frequency on the web, that involves photorealistic rendering in pencil of images from photographs. It is often practiced by people with little or no professional training and, while I find that admirable, there is sometimes an accompanying lack of focus, finesse and artistic…

  • Florian Afflerbach

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    cparker
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    Florian Afflerbach is an architect and architectural artist, and one of the founders of the Urban Sketchers group blog, which I wrote about previously (also here and here). While many artists who sketch architectural scenes rely on a suggestion or informal feeling for perspective, Afflerbach has a masterful command of its nuances, at times tackling…

  • Rome After Raphael

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    cparker
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    Old master drawings are a challenge for conservators. Fragile and damaged over time simply by exposure to light, drawings cannot be placed on permanent display, or even frequent display. Every period of exposure to light must be considered, in effect, a time subtracted from the life of the drawing. Also, drawings, even those by great…