Category: Pastel, Conté & Chalk
-
Eye Candy for Today: Roelant Roghman drawing
View of castle Groenewoude, Roelant Roghman Chalk, with brush on paper; roughly 14×19″ (35x49cm); in the collection of the Rijksmuseum. Roughman’s seemingly simple — but precise and deftly rendered — 17th century drawing is described on the Rijksmuseum’s site with chalk as the material and brush as the technique. I assume from the look of…
-
Stanislas Lepine
Though he participated in the first Impressionist exhibit — and shared with them a move away from the conventions of academic landscape and a search for the atmospheric effects of light and color — 19th century French painter Stanislas Lépine largely stayed outside of their circle. Lépine worked outside of most artistic social life, for…
-
Alice Pike Barney
American painter and pastellist Alice Pike Barney was active in the late 19th and early 20th centuries — a time when outspoken, involved, skilled and independent-minded women like herself were the model for what was seen by proponents of early feminism as the “New Woman”. Based in Washington, DC, she travelled to Paris, where her…
-
Tom Dickson
Originally from Hamilton, Ontario, Tom Dickson lived and worked for a time in Nova Scotia, and then in British Columbia. On summer trips to Mexico, he discovered a rich source of subject matter and inspirstional culture, and he eventually moved to San Miguel de Allende, where he and his wife, painter Donna Dickson, set up…
-
Eye Candy for Today: Johann Tischbein chalk portrait
Profile Portrait of Miss Wieling, Johann Heinrich Wilhelm Tischbein Red chalk on paper, 14 x 10 inches (35 x 26 cm). In the Metropolitan Museum of Art This forceful but delicate profile portrait is made graphically strong by the artist’s use of dramatic value contrast between the face and background. His approach is precise, with…
-
Denise La Rue Mahlke
Texas artist Denise La Rue Mahlke works in pastel and charcoal in creating her sensitive, atmospheric landscapes. She uses the character of her mediums to advantage to create soft-edged, textural compositions that often have a tonalist feel, particularly when combined with her subtle color sense and often restrained value ranges. My personal reaction to many…
