Lines and Colors art blog

Category: Vector Art

  • Rhafael Aseo

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    cparker
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    Vincent Rhafael Aseo is an illustrator and designer based in Makati, Phillippines. After graduating from the Asia Pacific College school of Multimedia Arts, he worked with companies like BoNa Coffee Company, Sujivana, Onyx Web Wizards, Bohemian Trading Co and Freespeech Publications, and is currently taking on freelance assignments. Aseo works in vector illustration, creating pieces…

  • Pascal Campion

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    cparker
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    Pascal Campion’s illustrations are, quite simply, a treat. Campion rarely uses line, working directly in areas of color, sometimes augmented with textures, but his images are so fundamentally graphic that his springy, energetic compositions carry much of the visual charm of drawings. At the same time they have the atmospheric qualities of painting. Like Tadahiro…

  • Andreas Aronsson

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    cparker
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    Whenever we look at a representational drawing or painting that appears to have depth or dimensionality, we are looking at a “projection”, a two-dimensional representation of a three dimensional object or scene. There are several types or projections, the most familiar are “perspective projection” (traditional linear perspective), in which lines drawn from the sides of…

  • Arthur Mount (update)

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    cparker
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    What strikes me about Arthur Mount’s crisp, clean illustrations is what he leaves out. I’m not just talking about the degree to which he simplifies his images, extracting from his reference material just those visual elements that are crucial to conveying the subject, but the line he draws (if you’ll excuse the expression) between a…

  • Eric Feng

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    cparker
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    Eric Feng, a.k.a. Freic, draws images of what might be called constructs, combining mechanical elements with stylized forms from humans, birds, insects and other animals. He draws them in elegant vector lines, usually monochromatic, but with delicate traceries of softer tones and transparencies, giving them a feeling of depth and x-ray dimensionality. The resulting drawings…

  • Nancy Stahl

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    cparker
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    Back in the mid-90’s, when the web was maybe 1/1000th of it’s current size, and digital art was in its infancy, I saw an image in a magazine (I think it was an illustration issue of Communication Arts) that grabbed my attention. It was a portrait image. It looked painterly, but with flat colors arranged…