Lines and Colors art blog

Author: cparker

  • Kevin Muente

    Kevin Muente is an artist based in Kentucky, who is also a professor of art at Northern Kentucky University. His work focuses on landscape and figures in landscape, the latter often engaged in some kind of activity, or a state or situation with some emotional resonance. Muente’s approach is one of clear observation and focused…

  • Kim Parkhurst

    Kim Parkhurst is a Massachussetts based illustrator who loves to paint animals, whether in childrens’ book style illustrations or as anthropomorphized versions of particular individuals. In her anthropomorphized animal portraits, she attempts to capture the personality of the individual with her selection of an appropriate animal, usually cats and dogs. A particular series of these,…

  • Eye Candy for Today: Canaletto’s Capriccio with monumental staircase

    A capriccio with a monumental staircase, Canaletto (Giovanni Antonio Canal) Pen and ink with gray wash, roughly 14 x 21 inches ( 36 x 53 cm). Link is to zoomable version on Google Art Project; downloadable file on Wikimedia Commons; original is in the Royal Collection, which also has a a zoomable version and a…

  • Oleg Kozak

    Oleg Kozak is a painter from Lviv, Ukraine who paints bright, crisp watercolors of landscapes and portraits. Throughout his landscapes runs a fascination with the play of light and shadow; with dappled light, in particular, theatrically spotlighting key elements while others recede into darkness. I’m especially fond of his portrayals of smaller, more intimate portions…

  • Eye Candy for Today: Dürer’s St. Eustace

    St Eustace, Albrecht Dürer Engraving, roughly 14 x 10 inches (35 x 26 cm). Link is to zoomable version on Google Art project; downloadable file on Wikimedia Commons, original of this impression is in the National Gallery of Victoria, which also has a zoomable image. In this tour-de-force engraving — created at the dawn of…

  • Cecilia Beaux (update)

    Cecilia Beaux — an American portrait painter active in the late 19th and early 20th centuries — is, like her contemporaries John Singer Sargent and William Merritt Chase, receiving something of a revival of appreciation for her place in the history American Art. Unlike them, however, she still suffers from the fact that her contribution…