Lines and Colors art blog

Author: cparker

  • Eye Candy for Today: Hanna Hirsch Pauli invites us for breakfast

    Breakfast-Time, Hanna Hirsch Pauli There is an often overlooked sub-genre of painting that I particularly enjoy; for lack of a better term, it might be called “outdoor still life”. I’m hard pressed to think of a better example than this stunningly beautiful painting of a 19th century breakfast table in a sun-dappled garden by Swedish…

  • Cherngzhi Lian

    Cherngzhi Lian is an artist based in Singaapore who works primarily in acrylic and watercolor, as well as drawing media. There are galleries on his website, largely of scenes from his travels in Bhutan. There is a drop-down menu for subjects, accessed from “Painting” on the left (though I found it cranky in my copy…

  • Miranda Meeks

    Utah illustrator Miranda Meeks conveys her often dark-edged subjects with a subtle touch, and a refined sense of value and color. She works in both traditional and digital media. Her website arranges her work in several categories (accessed from a drop-down), but unfortunately relies on you to use the browser’s back button rather than allowing…

  • John O’Reilly

    In urban scenes of walls, corridors, alleys and car parks — that most of use might pass by unnoticed — Irish artist John O’Reilly finds fascination with geometric shapes, muted color, weathered textures and patterns of light and shade. O’Reilly’s website has example of his urban landscapes, as well as wall art and murals. I…

  • Eye Candy for Today: N.C. Wyeth illustration

    The Passing of Robin Hood, N.C. Wyeth On Wikimedia Commons. If I’m reading the Brandywine River Museum’s N.C. Wyeth Catalogue Raisonné correctly, the original is in the New York Public Library. The illustration is from The Adventures of Robin Hood by Paul Cheswick and N.C. Wyeth. The full edition can be found used; but you…

  • Henri Biva

    Henri Biva was a French painter of landscapes and floral subjects active in the late 19th and early 20th centuries. Biva’s naturalistic but somewhat romanticized landscapes often used a theatrical framing device, inherited from Claude Lorrain: dark foreground elements provide a kind of curtain, past which lighter passages beckon the viewer to enter the picture.…