Author: cparker
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Interview with Jean-Baptiste Monge
Jennifer Oliver was kind enough to write and let me know that she has posted a two-part interview with French fantasy illustrator and concept artist Jean-Baptiste Monge (who I profiled previously here) on her blog Academy of Art Character and Creature Design Notes. An Interview with Jean-Baptiste Monge, Part 1, and Part 2. The blog…
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Velázquez Portrait Restored, Literally and Figuratively
In 1973, for reasons still not clear to me, the Metropolitan Museum of Art in New York undertook a sweeping reassessment of many of its holdings, resulting in the downgrading of 300 old master paintings from attribution to the master to attribution to “workshop of”, “circle of” or “follower of”, removing them from the canon…
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Ian McQue
Ian McQue is a concept artist, illustrator and art director for the gaming industry. He is currently working for Rockstar North, and gaming aficionados will recognize the several Grand Theft Auto titles to his credit, along with an number of other games. McQue works in both traditional and digital media, the latter including Photoshop, Illustrator…
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Confident Color
This is one of those books for which the binding is key. Nita Leland’s Confident Color: An Artist’s Guide to Harmony, Contrast and Unity is published by venerable art instruction book publisher North Light Books. Like Leland’s previous book, The New Creative Artist (which I reviewed here) and Bert Dodson’s Keys to Drawing with Imagination…
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Waterhouse’s Miranda
Whatever the actual reception of the movie itself, I think it’s always good when a new popularly released move brings renewed attention to the works of Shakespeare, which had much more in common with the characteristics of contemporary popular entertainment than your high school English class might have led you to believe. The latest adaptation…
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Xenozoic
Long time readers of Lines and Colors will know of my fascination with dinosaurs and paleo art, my fondness for science fiction and adventure stories and their accompanying illustrations, my admiration for the beautiful ink drawings of classic illustrators, the inspired adventure comic strips from the 1930’s and 1940’s that carried their traditions forward, and…
