Category: Eye Candy for Today
-
Eye Candy for Today: Samuel Prout street scene
French Street with a Medieval Turret, Samuel Prout In the National Gallery of Art, DC. The National Gallery’s page says this was done in brush and watercolor, as apparently does the artist’s inscription, but I would have assumed an initial drawing in pen and brown ink. Though it exists in that fascinating boundary between drawing…
-
Eye Candy for Today: Carlos Reis Plus de Vin
Plus de Vin, Carlos Reis On Google Art Project; downloadable large file on Wikimedia Commons; original is in the Dionísio Pinheiro And Alice Cardoso Pinheiro Foundation. In this loosely rendered and fascinatingly dark composition, it’s evident that the wine was more in demand than the fruit.
-
Eye Candy for Today: Sassoferrato’s Virgin in Prayer
The Virgin in Prayer, Giovanni Battista Salvi da Sassoferrato This beautiful painting is in the National Gallery, London, where is is currently part of their exhibition on painting materials, Making Color. This is primarily because of the artist’s use of genuine Ultramarine Blue in the robes. Before the formulation of the modern synthetic version, French…
-
Eye Candy for Today: Dean Cornwell’s artist and model
The Artist and His Model, Dean Cornwell This beautiful piece by the brilliant American illustrator Dean Cornwell was in a private collection for years, and was sold at auction last October. The Heritage Auctions site has details. For those who don’t have a Heritage account, you can see the image in high resolution (2.8mb) through…
-
Eye Candy for Today: Ingres pencil portrait
Portrait of a Seated Lady, Jean Auguste Dominique Ingres In the Metropolitan Museum of Art.
-
Eye Candy for Today: Hans Hoffmann’s hare
A Hare in the Forest, Hans Hoffmann On Google Art Project; high-resolution downloadable file (21mb) on Wikimedia Commons; original is in the Getty Museum, which has some background on the painting. Interesting to compare this oil painting by Hoffmann to Durer’s famous watercolor/gouache study of a hare, on which this, and Hoffmann’s own watercolor/gouache study…