Category: Eye Candy for Today
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Eye Candy for Today: Walter Dexter still life
Still Life, Walter Dexter; oil on canvas; 14 x 18 inches (35 x 46 cm), in the colection fo the King’s Lynn Town Hall. Engliah painter Walter Dexter was active in late 19th and early 20th centuries, and was known for his landscapes in oil and watercolor. He also painted other subjects, including still life;…
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Eye Candy for Today: Auguste Lepere etching
Old Housea at Amiens, Auguste Lepère, etching. This is in the collection of the National Gallery of Art in DC, which has a high resolution downloadable and zoomable image file. For some reason, they don’t list the etching’s physical size. My guess from the size of the needle marks would be around 5×7″ (13 x…
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Eye Candy for today: Jean-Etienne Liotard pastel portrait
Portrait of Maria Frederike van Reede-Athlone at Seven Years of Age, Jean-Étienne Liotard, pastel on vellum, 22 x 18 in. (55 x 45 cm), in the collection of the Getty. 18th century Swiss artist Jean-Étienne Liotard gives a beautiful demonstration of the sensitivity and finess possible in pastel. There is a subtle teture throughout, likely…
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Eye Candy for Today: Egyptian encaustic portrait
Portrait of the Boy Eutyches, Egypt, Roman Period, encaustic on wood panel, 15 x 8 in. (38 x 19 cm), in the collection of the Metropolitan Museum of Art. What appears at first glance to be a sophisticated contemporary oil portrait, is, in fact, an encaustic painting that is roughly 2,000 years old. Painted in…
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Eye Candy for Today: Charles Ethan Porter watercolor still life
Still Life with Corn, Charles Ethan Porter; watercolor on paper, 11 x 17 in, (27 x 43 cm); in the collection of the Metropolitan Museum of Art Though watercolor and gouahe are common in botanical art, they are infrequently usesd for still life paintings. There’s something I particularly like about those that I’m familiar with,…
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Happy Leyendecker Baby New Year 2026!
As I’ve done on every New Year’s Eve for the last 20 years(!), I’ll wish all Lines and Colors readers a Happy New Year with one of J. C. Leyendecker’s New Year’s covers for the Saturday Evening Post. In most of these, Leyendecker commented on events of the time, In this one he’s marking the…
