Lines and Colors art blog

Category: Illustration

  • Google Doodles

    In the late 90’s (I think it was 1998), in my role as a website designer, I was at a convention for internet professionals called Internet World in New York City. One of the exhibitors was an enthusiastic group at a low-rent table, with a rather bare bones display, handing out leaflets and encouraging people…

  • Greg Betza

    Illustrator, gallery artist and designer Greg Betza works for clients like The Chicago Tribune, E & J Gallo Winery, St Louis Magazine, Utne and DDB. He has received recognition from The Society of Illustrators of LA, Communication Arts and American Illustration. Betza creates wonderfully loose, gestural line drawings filled with bright splashes of watercolor. Interestingly,…

  • Leah Palmer Preiss (update)

    Since I last wrote about the wonderfully eccentric illustrations of Leah Palmer Preiss back in 2007, there haven’t been many additions to her web site (which seems to be in a kind of “under construction” twilight zone), but she has been putting her attention into a blog that she started shortly after my article appeared.…

  • Jack Davis caricatures of NBC’s entire fall lineup for 1965

    The great cartoonist, caricaturist and humorous illustrator Jack Davis is best known for his contributions to Mad Comics and Mad Magazine, particularly during the title’s heyday in the 1950’s and 1960’s, but he was a prolific illustrator and his work appeared in a variety of venues. One of them was TV Guide, for which he…

  • John Haycraft

    I think it’s unfortunate that so much of contemporary architectural illustration has been ceded to the faux photorealism of 3-D rendering. While I actually like well done CGI, when it comes to portraying architecture I very much prefer the beautiful crisp renderings of talented artists working in traditional media. A case in point are the…

  • Kent Barton

    Illustrator Kent Barton works in scratchboard, linocut and woodcut, media that draw their lineage from graphic arts traditions that reach back into the early history of image making. He uses that feeling to advantage in his images, both in subjects for which it seems particularly appropriate to use classical graphic approach, and in modern subjects…