Category: Pen & Ink
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Nicolas Delort
Nicolas Delort, a freelance illustrator based in Paris, creates wonderfully textural pen & ink (on scratchboard) illustrations that take inspiration from greats like Franklin Booth and Gustav Doré — with perhaps a bit of Joseph Clement Coll and Virgil Finlay thrown in for good measure. Delort’s website is essentially just a placeholder at the moment,…
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All Over Coffee on The Rumpus
First of all, if you’re not familiar with Paul Madonna’s wonderful All Over Coffee, you may want to read my previous article on All Over Coffee, or my subsequent post on the second collection, Everything is its own reward, in which I struggle to find sufficient superlatives to describe the feature. Though ostensibly classified as…
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Trail of Steel – 1441 A.D., Marcos Mateu-Mestre
The link between movies and comics is a strong one. Even without the obvious bridge of their wonderful merging in animation, they share numerous qualities. Both are visual storytelling mediums, and share a common concern with establishing shots, close-ups, framing a scene, conveying the spatial relationship of characters one to the other and other elements…
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David Johnson portraits
I wrote about illustrator David Johnson in June of last year. At the time I particularly admired his portraits, wonderfully composed of contrasting areas of intricate line and carefully arranged open shapes. Johnson has launched a Tumblr blog on which he is posting a series of the portraits, titled A Portrait a Day Keeps Myself…
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Mathew Borrett
Mathew Borrett is a Canadian illustrator and visual effects artist who works with architectural illustration and also creates wild and sometimes elaborate imagined structures, some underground, some in cityscapes. His underground structures, with their maze-like and Escher influenced explorations of divided space, may have grown out of his more traditional architectural subjects, some of which…
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Whistler’s etchings (round 2)
Etchings, for me, have a kind of visual magic. There is something about the character of etched lines that is entrancing in a way quite distinct from other forms of drawing or graphics. I find it hard to isolate exactly why. Partly, I suppose, it’s the fine line available with an etching needle and carefully…
