Lines and Colors art blog

Author: cparker

  • Cosmé (Cosimo) Tura

    Active in the mid-15th Century, Cosmé Tura (AKA Cosimo Tura, AKA Cosimo di Domenico di Bonaventura) was an Italian painter of the early Renaissance. Tura was born in Ferrara, in north-central Italy, on the road between Venice and Florence. Though not as commonly mentioned as the other major centers of the Renaissance, Ferrara was home…

  • Michael Phipps (update)

    When I wrote about Utah illustrator Michael Phipps back in February I mentioned that I was hoping to see more of his work. Phipps has just launched a completely revised web site with additional illustrations. His site, which I believe he designed himself, is a rare example of a “clever” concept site that still manages…

  • Birgit Amadori

    Birgit Amadori is an illustrator and designer living in California. She was born near Frankfurt, Gremany and her influences seem to reach from Europe and the Art Nouveau artists to the woodblock artist of Japan, leaving her geographic location as a nice metaphor. Amadori weaves design and figurative elements together, often incorporating richly detailed pattern.…

  • Christopher Evans

    In his latest series of paintings, currently on view at the Fischbach Gallery in New York, contemporary realist Christopher Evans creates broad sweeping vistas of serene landscapes. Rolling hills bask in the California sun under skies dappled with cumulous clouds; dawn cuts across the tops of mountains, opening the curtain on cloud filled valleys; and…

  • Raymond Swanland

    Raymond Swanland has spent much of his career as a concept artist wih the gaming company Oddworld Inhabitants, working in various capacities from conceptual design to art direction and even marketing. Now that Oddworld is transitioning into film development, Swanland is following suit. Outside of his Oddworld work, Swanland has created illustrations for fantasy and…

  • The Pre-Raphaelites

    Perhaps, like me, you grew up frequenting an art museum in your area and have come to think of some of the works there as familiar “friends”, that you visit periodically; and, just like actual friends, you would miss them if they go away away, on loan to other museums. I had the good fortune…