Lines and Colors art blog

Category: Gallery and Museum Art

  • Alfred Wahlberg

    19th century Swedish landscape painter Alfred Wahlberg studied briefly in Stockholm and in Dusseldorf, but took influence from his exposure to modern French painting in Paris; and his work shows both the dark moodiness of the northern schools and the brighter palette of the French painters. In much of his work, even pieces that I…

  • Leah Lopez

    Though she also works with figurative, landscape and cityscape subjects, still life is the primary focus of New York based artist Leah Lopez. It was a particular quality of her still life paintings that most captured my attention. For lack of a better word, I might call it “presence”. Her still life subjects have immediacy,…

  • Eye Candy for Today: Childe Hassam’s Washington Arch, Spring

    Washington Arch, Spring, Childe Hassam The link is to a zoomable version on the GoogleArt Project; there is a downloadable version on Wikimedia Commons; the original is in the Phillips Collection, Washington, DC. What has always fascinated me about this painting — one of Hassam’s most recognizable works — is the seeming defiance of compositional…

  • Carl G. Evers

    Carl Evers was a 20th century German/American artist, noted in particular for his marine paintings. He is generally considered one of the foremost American marine painters of the century. His evocation of the action of water, particularly roiled by storms and high waves, is just wonderful. Evers was also an accomplished illustrator; his work appeared…

  • Eye Candy for Today: JMW Turner etching and mezzotint

    Bridge and Cows (Liber Studiorum, part I, plate 2), Joseph Mallord William Turner In the Metropolitan Museum of Art; use the zoom or download links under the image. Part of a series of etchings Turner produced, categorized to illustrate the various kinds of landscape (in this case “P” for “Pastoral”), this beautiful etching and mezzotint…

  • Cara Brown

    Cara Brown’s luminous watercolors of flowers, fruit, grapevines and other subjects are awash in sunlight, and resonate with vibrant, but never overdone color. Many of her compositions are closeups of blossoms or fruit still on the plant; in essence they are treated like in-situ still life subjects. She often uses soft edges in her backgrounds…