Author: cparker
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Eye Candy for Today: Childe Hassam gouache study
Columbian Exposition, Chicago; Childe Hassam Gouache on tan paper, 10 5/8 x 14 in. (27.0 x 35.6 cm). Image on Wikimedia Commons, original is in the collection of the Terra Foundation for American Art. Almost monochromatic — though the tan paper and the use of blue give it a sensation of subtle color —this study…
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Nicolas Martin
While many painters chase the character of light in the landscape, French painter Nicolas Martin more often seeks out the elusive qualities of artificial light in night-darkened streets and filtered sunlight in curtained interiors. His figures are revealed in the light, either as direct portraits or smaller within the context of the composition. Martin studied…
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Vladimir Stankovic
Originally from Serbia, illustrator and designer Vladimir Stankovic is currently based in Denmark. Stankovic’s fascinatingly textural style, rendered in muted colors and close value relationships, often deals with a bizarre bestiary, consisting of fantastical land animals, insects and sea creatures. Among the projects on his sites are subtle animated GIFs and images of a pop-up…
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Ray Roberts (update)
I had the pleasure yesterday of attending a demo by California plein air painter Ray Roberts, who I initially wrote about in 2010. The demo was part of the schedule of the Wayne Plein Air Festival, the major such event here in the Philadelphia area, for which Roberts was this year’s juror. Roberts set up…
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Jakob Rebelka
Jakob Rebelka is a Polish comics artist, illustrator and concept artist for the gaming industry. His interestingly different style combines areas of complex, intertwined forms with more open spaces and applications of texture. Often he will create the sensation of forms within forms by defining surface areas with lightly applied shadows and highlights, in a…
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Eye Candy for Today: Adolph Menzel graphite drawing
Carl John Arnold, Adolph Menzel In the Morgan Library and Museum, use Zoom tab or download link. Menzel gives us a superbly adept rendering in pencil. The drawing feels at once finished and casual. Either the subject had a large head, or Menzel — after focusing on the portrait — compressed the figure somewhat to…
