This is a painting by English painter Aurthur Robinson commissioned by sculptor Alfred Gilbert as part of an album to record an elaborate commission for the tomb a royal. The tomb took longer than expected to complete and the watercolor album was never finished, but we have this beautiful example of Robinson’s work for the project.
Thursday, July 13, 2017
Wednesday, July 12, 2017
Comments about Net Neutrality can be filed with the FCC up until July 17, 2017.
When I posted this originally, I actually shut the site down and only this message was accessible against an otherwise black screen. I’ve reposted it as a regular article, both because it’s still vital, and so you can comment if you want.
Opposing viewpoints are welcome in this post’s comments if you actually have something valid to add to the discussion of Net Neutrality, but I won’t tolerate typical partisan political flaming, and off-topic comments will simply be removed.
This is just a hint of what can happen to “little” sites like Lines and Colors if the big telecom companies, Congress and the current administration’s FCC chairman (a former Verizon lawyer) get their way, and sell your internet to the highest bidder.
They want to gut the Net Neutrality rules that, imperfect though they may be, offer some protection for sites like mine from being squeezed out of existance by requiring that the telecoms treat data from sites like this one essentially the same as sites for the big media companies.
The telecoms want to charge the big media companies more to give their sites preference, effectively turning the internet into a toll road for the benefit of powerful corporations, and pushing “insignificant” sites like Lines and Colors — who can’t afford to pay — into the slow lane, and eventually off the net altogether.
If you want the internet to just be more like TV, a one-way stream of whatever the big media companies want to spoon feed you (that you pay more and more for), than relax and do nothing.
But if you want sites like Lines and Colors to survive, and the telecoms to be restrained from treating your internet like their personal cash cow, at your expense, then we need to take action.
Given the current political climate of “corporations get whatever they want and screw the public”, it may be difficult, but our best chance to protect Net Nutrality right now is to create such an overwhelming response to the FCC that it becomes politically embarrasing to gut the rules at this point in time.
Please consider filing a comment with the FCC in support of keeping the Net Nutrality rules in place.
Here’s an article from Ars Technica on How to write a meaningful FCC comment supporting net neutrality.
If you’re pressed for time, here is a site that can automate the process for you: https://www.battleforthenet.com/#widget-learn-more
You can also use the form on the front of the Boing Boing site today.
If you’re still uncertain about why this is important, here is some additional informaition about the principle of Net Neutrality and why it’s vital to protect it.
Lines and Colors will be back tomorrow, and hopefully, with your help, in the future as well.
(Image above: Thomas Nast)
Tuesday, July 11, 2017
Zhong Biao is a concept artist and illustrator based in The Prople’s Republic of China (not to be confused in Google searches with another painter, a Chinese Neo-Surrealist gallery artist whose name also resolves to Zhong Biao in English).
Zhong Biao’s digital paintings are imaginative, lively and rich with color and texture. They are best viewed in the larger versions available on the websites, and reward careful inspection with subtle details that often aren’t obvious at first glance.
Ocean Life, Christian Schussele
Watercolor and gouache, roughly 19 x 28 inches (48 x 70 cm), in the collection of the Metropolitan Museum of Art.
This illustration was painted by 19th century painter Schussele for inclusion in a scientific pamphlet, and likely under the guidance of the pamphlet’s author, James M. Sommerville, an amateur naturalist.
Sommerville was also an artist and was a trustee of the Pennsylvania Academy of the Fine Arts, where Schussele was a professor in drawing and painting.
Schussele’s sensitive but bold rendering of the strange undersea life makes for a lively tableaux of complex and colorful forms.
Monday, July 10, 2017
Hector Caffieri was a British painter active in the late 19th and early 20th centuries. Though adept at both oil and watercolor, he is known primarily as a watercolorist.
His refined, academic style is sometimes tinged with hints of Impressionist color, but his approach is largely straightforward. His subjects included still life and interiors, but most frequently were of figures in landscapes.
I particularly like his handling of the textures of woodland scenes.
Friday, July 7, 2017
Bamboo in Wind and Rain, Shitao (Zhu Ruoji)
Hanging scroll, ink on paper, roughly 88 x 30 inches (223 x 76 cm). In the collection of the Metropolitan Museum of Art, NY.
Shitao, who was active in what Europeans would call the 17th century, was known for his paintings of bamboo, and his style was influential on other painters.
It is in exquisitely beautiful and deceptively simple ink paintings like this one that we can see the use of value as a kind of color. Monochromatic ink paintings of this type are sometimes referred to as having “colors”, meaning the tones of the ink.
Each leaf has been painted with exacting care and superb confidence. I love the almost drybrush effects at the base of the culms, and the wonderful shapes of the new shoots behind them.