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Promoting some friends and some clients of my website design business
- Twin Willows T’ai Chi studio in Wilmington DE. Taiji classes with Bryan Davis.
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Thomas Millie Dow

Scottish artist Thomas Millie Dow, active in the late 19th and early 20th centuries, traveled and painted subjects in The US, Franc, Morocco and Italy, as well as in the UK.I came across his painting Trees, above, top, and was fascinated by it. Unfortunately, I can’t find many examples of his work on the web.
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Ming Fan

Ming Fan (or “fanming” as he is sometimes credited) is a Chinese concept artist and illustrator based in Shanghai.He specializes in environments — fantastical imaginary landscapes and cityscapes. He renders them in lavish detail, often creating compositions in which there is a primary focal point along with two or more secondary areas of interest that, if isolated, would make interesting compositions within themselves.
He never loses the coherent overall focus, however, and accentuates the powerful sense of scale in his images with a command of both linear and atmospheric perspective, as well as a knack for creating multiple planes of content at various distances from the observer.
His own website/blog is in Chinese, and unfortunately plays music and ads at you when you enter, so it’s easier to view his work in his CGHub gallery.
Once you click through a thumbnail to a bigger image, click again for the larger image in a pop-up. Once in the enlargement, you can click through other images with side arrows.
It’s good that he has provided larger images, as much of the delight in his work is in the imaginative details, texture, and the feeling of sweeping scale that he brings to his subjects.
Rather than show a greater number of example images above, I’ve chosen four and included a detail crop from each.
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Eye Candy for Today: Corot’s oaks

Fontainebleau: Oak Trees at Bas-Bréau, Camille CorotIn the Metropolitan Museum of Art. Click “Fullscreen” and use zoom controls or download arrow.
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Draw Mix Paint

Mark Carder, the well regarded painter and portraitist who I profiled in a previous post, at one point participated in and lent his name to a series of instructional painting videos known as “The Carder Method”.These sold for over $100, and were for a time heavily promoted.
Carder is no longer associated with the company that was selling the set, and they have ceased selling the materials as of the end of 2012.
Carder has since been creating his own instructional videos, outlining his teaching methods, and is generously making them available for free on his website Draw Mix Paint.
You can also access them on his Draw Mix Paint YouTube channel, but the website includes additional resources, like his supply list and the discussion forum.
Carder is self taught, and attributes some of his training to study of painters he particularly admires, including John Singer Sargent and Velazquez.
He has codified his teaching method into a process that is based on direct observation, measurement, and constant incremental color checking.
To this end he has created some simple tools to facilitate the process, and gives instructions for making them yourself, including proportional dividers and a pistol grip style “color checker” that allows for sighting across a swatch of paint through an eyelet, to better isolate the color than with the traditional method of simply sighting over a color laden palette knife.
To those of us who have had some formal training, his method may seem laborious, relying as it does on many more steps of color checking and smaller increments of mixing than most approaches to painting.
Bear in mind, however, that this is a method intended to allow absolute beginners to go from 0 to painting in the course of instruction. Carder points out that this isn’t intended to be a method of painting, but a method of learning to paint.
Even if your predisposition is not to the type of direct representation of reality that Carder practices, or you have less patience than required to practice his approach as demonstrated, I think many will still find Carder’s instruction worthwhile.
Although there are areas where experienced painters may disagree (as is often the case between painters) Carder’s methods are pretty much based on sound proven principles.
For an introduction to the essentials of his method, I suggest you watch his video on “How to mix colors with oil paint“. If you like the process, follow up with “How to paint what you see“.
For those with no painting or drawing experience, he recommends starting with the initial videos on drawing.
Carder has additional videos on topics like setting up a studio, making a shadow box, stretching a canvas, making his color checker and proportional dividers, etc. and he continues to add to them.
He has recently introduced two downloadable videos for which he is charging, Painting Portraits, and From Start to Finish: Still Life; but the fee is less than the cost for the original course, and he points out that they are not necessary — they just go into more detail, and you can learn the essentials of his method from the free videos.
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Mark Carder

Mark Carder is a portrait painter who is known for his precise but naturalistic portraits, including commissioned portraits of two US presidents and other officials. He also paints still life, animals and landscape.His web presence is unfortunately limited to about a dozen examples of his work and a very brief bio.
Carder is perhaps even better known for his instructional resources. You may have seen the portrait of the young girl in the image above, bottom, associated with advertisements for the “Carder Method” instructional videos.
Carder is no longer associated with the company that sells those videos, (which I believe has stopped selling them), and he has recently been making his techniques available for free in a series of videos and other resources on a website titled Draw Mix Paint, which I will review in a subsequent post.
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Impressionist bridges

No — it’s not the subject of a real-world exhibit somewhere, though that might be nice — just a thought that occurred to me while looking through some images of Impressionist paintings.One of the things that set the Impressionists apart was their insistence, like Courbet, on painting the real world as they saw it, unromanticized and unfiltered through Academic standards for “proper” subjects for paintings.
Though bridge building had become quite refined before then, it kicked into high gear in the mid 1800’s with the new riveted wrought iron methods of construction, and the Impressionists, often drawn to the water’s edge, captured many of the new bridges along with the old.
You could probably fill a good sized book with paintings of bridges by Monet, Pissarro and Sisley alone.
I’ve broadly expanded the definition of “Impressionist” here to include many artists who were merely influenced by them or who fit the theme stylistically.
Most, though not all, of these images can be found on WikiPaintings.org.
(Images above: Gustave Caillebotte, Eugene Boudin, Alfred Sisley, Camille Pissarro, Claude Monet, Childe Hassam, Pierre-Auguste Renoir, John Singer Sargent, Edward Redfield, Colin Campbell Cooper, Willard Metcalf, Joaquin Sorolla, John Twatchman, Frits Thaulow, Guy Rose)
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Charley’s Picks
Bookshop.org
(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)
John Singer Sargent: Watercolors
Urban Sketching: Understanding Perspective
Charley’s Picks
Amazon
(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)
John Singer Sargent: Watercolors
Urban Sketching: Understanding Perspective











