Lines and Colors art blog
  • Henk Helmantel

    Henk Helmantelm, still life and interiors in the Ducth masters tradition
    Henk Helmantel is a contemporary Dutch painter who takes inspiration in the great Dutch masters of the 17th century.

    Though he also paints landscapes and portraits, Helmantel’s emphasis in on still life — much in the tradition of Baroque Dutch still life in subject matter and technique — and interiors, frequently of Gothic churches in the tradition of masters like Pieter Saenredam and Emanuel de Witte.

    While his respect for the masters is evident, Helmantel’s work is actually quite modern in his approach to light, color and composition. In particular, the way he works multiple colors of similar value into a surface or background is much more of a characteristic of 19th century painting than of 17th.

    Unfortunately the images in the galleries of work on Helmantel’s own website are nonsensically small, particularly given the detailed finesse with which he paints and the relatively large size of many of his pieces. The site is in Dutch, but you can find the galleries under the navigation drop-down labeled “schilderijen”.

    There are larger reproductions, which can in turn be clicked on for zoomable versions, on his Artsy page and on the Artsy page of the Swiss gallery Artvera, which hosted a show of Helmantel’s work in 2016.

    I find myself drawn in Helmantel’s still life compositions to the play of light across multiple objects; there is often a kind of visual rhythm in the relationship between the highlights on the objects and the pools of darkest values in between them.



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  • Shae Shatz

    Shae Shatz, concept art and illustration
    Shae Shatz is an illustrator and concept artist based in Los Angeles whose clients include Columbia Pictures, Disney Feature Films, Motiga Games and Sony Computer Entertainment.

    His wesbite portfolio is divided into projects and includes sketches and preliminaries as well as finished concept renderings.

    I particularly admire his handling of the textures of stone and rocky landscapes, in which his approach has a nicely illustrative feel while still looking naturalistic.

    Shatz teaches a course in Landscape Painting at the Concept Design Academy.



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  • Simon Palmer

    Simon Palmer, English landscapes in watercolor, gouache and ink
    Simon Palmer is an English landscape painter who has a fascinating approach somewhere between naturalistic and quite stylized.

    He appears to slightly compress both linear and atmospheric perspective, giving an impression of flatness the belies the textures he gives to his foliage and tree forms.

    This is emphasized by his muted palette, primarily consisting of earth colors and low chroma greens. He paints in watercolor with additions of gouache and pen and ink.

    His approach seems particularly well suited to his subjects of tree-lined country lanes, estate entrances, and those edges where wooded and developed areas meet.

    I can’t find a dedicated web presence for Palmer, but I believe he is officially represented by JHW Fine Art.

    There are somewhat larger images on the Portland Gallery website.

    There is a collection of his work, The Art of Simon Palmer, that was published in the UK in 2011, but I don’t know how easy is is to order from the U.S.



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  • Eye Candy for Today: Watteau chalk studies

    Two Studies of the Head and Shoulders of a Little Girl, Antoine Watteau, trois crayon drawing, black, red and white chalk on buff paper
    Two Studies of the Head and Shoulders of a Little Girl, Antoine Watteau

    Black, red and white chalk on buff paper, roughy 7 x 10 inches (19 x 25 cm); in the collection of the Morgan Library and Museum. Use the Zoom feature or download link.

    Watteau was noted for his “trois crayon” drawings, in which black, red and white chalks are used on toned paper, usually buff or cream, to great effect in quickly rendering figures or faces.

    Here, he has succinctly captured the likeness of his subject with gestural lines, a bit of hatching for shading and some quickly noted white highlights. For all of their simplicity, the drawings have a remarkable presence.



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  • Jean-Claude Mézières

    Jean-Claude Mezieres, French comics artist, Valerian and Laureline
    I haven’t yet seen the new Luc Besson film, Valerian and the City of a Thousand Planets, but I have read a number of the French comics (bandes dessinées) on which the movie was based — Valérian and Laureline (alternately, Valerian: Spatio-Temporal Agent), created by writer Pierre Christin and artist Jean-Claude Mézières.

    Mézières is an influential and highly respected French comics artist, though not well known here in the U.S. except among fans of Franco-Belgian comics.

    He has worked on a number of comics and illustration projects over the course of his career, but is best known for his work on Valérian and Laureline, and as a concept designer for films like Luc Besson’s The Fifth Element (including the designs that inspired the flying taxis).

    Valérian and Laureline is a long running science fiction comics series that was originally serialized in the French comics magazine Pilote. It has been tremendously influential on both comics and film.

    It’s widely recognized to have been a distinct but uncredited influence on George Lucas in his designs and settings for the original Star Wars trilogy. There is an article on Core 77 that points out some of the parallels between scenes from the movies and prior comic panels from Valérian and Laureline. There is another article pointing out what Star Wars took from Valérian and Laureline on Popular Mechanics.

    Mézières’s style is more light and cartoony than the styles usually associated with American super-hero and adventure comics, but it gives the stories and the characters a jaunty, breezy character, and works well with Mézières’s wildly imaginative settings.

    The French Valérian and Laureline comics albums have been translated into English, and most recently are being collected into a series of volumes with three of the original French albums (what might be called “graphic novels” here) in each volume. There are three collected volumes available as of this writing.

    You could start with Valerian: The Complete Collection, Volume 1 (Amazon link), and go from there to Valerian: The Complete Collection, Volume 2, or if you want to get right to the stories on which the film is most directly based (and that are the most overt space opera), start with Valerian: The Complete Collection), Volume 3. Beyond that, there are older printings of individual albums.

    There is an official website for Jean-Claude Mézières, but it’s in French and does not feature as many images as one might hope. It is useful, however, for it’s listing of the Valerian albums (titled as Valerian, sptio-temporal agent).

    The best resource I can find for Mézières’ art is this article from 2015 on Dark Roasted Blend.

    You can also find some originals on Comic Art Fans.

    If you try a Google image search for “Valerian”, it will mostly come up with promo pictures for the movie; try searching for “Valerian comics”, “Valerian and Laureline”, “Valerian et Laureline” or ‘Jean-Claude Mézières”.



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  • Eye Candy for Today: John William Hill watercolor landscape

    Landscape: View on Catskill Creek, John William Hill, watercolor
    Landscape: View on Catskill Creek, John William Hill

    Watercolor and gouache; roughly 10 x 15 inches (25 x 38 cm); in the collection of the Metropolitan Museum of Art. Use the “Download” or “Enlarge” links under the image on their site.

    British-American artist John William Hill was noted for his scientific illustrations of birds and other animals, as well as his landscape and still life subjects.

    I like the way his rhythmic strokes of color give his depictions of foliage both texture and a sense of movement. He’s also given the rocks a surprising degree of solidity and texture considering their economical notation.

    There appears to be a small animal to the left of the figures (images above, third down), but I’m uncertain what it is.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics