Lines and Colors art blog
  • Matthias Grünewald

    Matthias Grunewald
    Little is known about German Renaissance painter Matthias Grünewald. Few of his paintings and drawings survive, and there is very little biographical information. His name, in fact is not even Matthias Grünewald, but Joachim von Sandrart, but his miss-identification as Grünewald by a writer in the 1600’s stuck.

    What is known, however, is the undeniable visual and emotional power of his work. At a time when the European artist’s role was largely in service to the church, and needed to visually impress the doctrine upon a congregation that could not read it for themselves, Grünewald’s emotionally charged images did so with a vengeance.

    The images shown here are from Grünewald’s undeniable masterpiece, the Isenheim Alterpiece, originally done for the hospital chapel of Saint Anthony’s Monastery in Isenheim in the Alsace region of France, and now in the Musée d’Unterlinden in nearby Colmar near the current French German border.

    The altarpiece is a multi-leveled construction, unfolding in three levels. I’ve seen it, and similar multi-leveled altarpieces, referred to as the Renaissance equivalent of hyper-media.

    The top layer of 4 panels shows the crucifixion, concentrating on an agonizingly visceral portrayal of suffering. It opens into a striking series of panels portraying the nativity, some painted into a dramatically detailed trompe l’oiel architectural framework, and the stunning image of the resurrection shown above right, in which the holy aura is portrayed in almost psychedelic intensity, with the force of it hitting the soldiers in the foreground like a wave of special effects in a modern movie.

    It often occurs to me that paintings like this were the equivalent of modern special effects spectacle, even more so, to a populace that often lived in harsh circumstances and would only be exposed to painted imagery in the churches.

    When the second set of panels were opened, they revealed the innermost set, two panels and a sculpted relief in the center. The rightmost panel, directly under the panel of the resurrection, portrayed the temptation of St. Anthony (above, left) with an astonishing array of monstorous, demented figures that strongly recall the horrific visions of Hieronymous Bosch, another visionary artist about whom little is actually known.

    Grünewald was a mystic and the symbolism and messages inherent in all of the panels are still a matter of much scholarly discussion. Ruth Mellinkoff has suggested, in fact, that Grünewald has painted Lucifer as one of the angels in attendance at the nativity. Weird and fascinating stuff.


    Art Renewal Center (altarpiece and details begin on this page)
    Web Gallery of Art (text at bottom links to images)
    Webmuseum
    Artcyclopedia (links)

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  • Frank Brangwyn

    Frank Brangwyn
    Frank Brangwyn was a unique and individualistic painter, water colorist, illustrator, muralist and graphic artist who is hard to categorize. Critics had difficulty classifying him while he was active and writers still have difficulty today. Unfortunately, he often unjustly winds up in the “forgotten Victorian painters” bin.

    From the grays of his early marine paintings, to the rich but muted colors of works inspired by his study of the Dutch masters, to the explosion of light and color that ensued when he followed the popular fascination with “Orientalism” and traveled to Turkey, Spain and Morroco, his style and palette evolved thorughout his career.

    Brangwyn was extraordinarily prolific, creating some 12,000 works. In addition to paintings and watercolors, he created wonderful etchings, woodcuts and lithographs, as well as designs for architecture, interiors, ceramics, jewelry and stained glass. He did numerous book and periodical illustrations and book plates. He also designed posters and was a sought-after muralist, creating dramatic and controversial murals for notable spaces in the UK.

    His murals were an inspiration to the renowned American illustrator Dean Cornwell, who took three years off to travel to England to study and work with Brangwyn before tackling his commission for the murals at the Los Angeles Public Library.

    Brangwyn was also one of the artists, like Thomas Eakins, Maxfield Parrish and Elizabeth Shippen Green, to experiment early on with the use of the new medium of photography for composing studies for paintings.

    His more colorful works utilized broad impressionistic brushstrokes and brilliant hues. His work was influended by, and in turn, influenced, the major art movements of his time: Victorian neo-classicism, the Pre-Raphaelites (he originally studied with William Morris), Art Nouveau and Impressionism.

    He received numerous awards and prizes and was eventually knighted. When asked about his place in the art world, Brangwyn described himself simply as “a designer”.

    Thanks to Carl Critchlow for the suggestion.


    Bud Plant Illustrated Books (illustrated bio)
    Cuidad de la pintura (paintings)
    Fine Arts Museum of San Francisco (many graphics and paintings)
    Art Renewal Center (1 painting)
    Victorian Web (bio and images)
    The Brangwyn Bazaar (extensive scholarly info, few images)
    Artcyclopedia (links)

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  • Gregory Manchess

    Gregory ManchessGregory Manchess is one of the major illustrators in America. The fact that he is represented by Richard Solomon is a clue. His clients include Time, Newsweek, The Atlantic Monthly, Playboy, Smithsonian and The National Geographic.

    He has been featured in articles in Communication Arts, Step-by-Step Graphics (now Step Into Graphics), the Artist’s Magazine and Walt Reed’s The Illustrator in America 1860-2000.

    To say Manchess works in an open, painterly style may be an understatement. His broad, loaded brushstrokes define the forms with luxurious sweeping areas of color. You get the impression that he enjoys the look of the strokes themselves as design elements, the way they overlap and intersect with each other, sometimes in sharp relief.

    You can see the brushstrokes and other details in the images featured on his section of the Workbook Illustration site, thanks to a Flash portfolio feature that lets you zoom way in on the images and pan around at will (image at left, bottom). For larger single images, go to his own website.

    Manchess is also one of the artists featured through Solomon’s Art on a Grand Scale site which is devoted to illustrators who create work to be reproduced as digital murals.

    Link and info courtesy of Jack Harris.

     

    www.manchess.com
    Gregory Manchess on Workbook

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  • Claude Bordeleau

    Claude BordeleauClaude Bordeleau is a Canadian illustrator, designer and cartoonist who has done work for Warner Brothers and Cartoon Networks as well as a number of other editorial and advertising clients.

    Bordeleau has a springy, lively cartoon illustration style with lots of energy and color that is nicely restrained with precision linework. He uses a rich color palette and often accents his color work with touches of texture.

    His site includes examples of his illustration, character design, caricature and comics work.

    Note: the site contains some NSFW material.

     


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  • Zip and Li’l Bit (Trade Loeffler)

    Trade Loeffler
    Zip and Li’l Bit is a webcomic by Trade Loeffler that is simultaneously quite modern and nicely retro. By “retro” in this case, I’m referring to newspaper comics from the early part of the 20th Century (or “Golden Age”, coinciding with the Golden Age of illustration).

    I say that partly because of the excellent drawing, which has echoes of classic strips, particularly in the carefully portrayed backgrounds, and partly because of the gentle, whimsical approach to characters and story. The linework on the characters, although it fits nicely with the backgrounds, is crisp and modern, owing more to Bill Watterson than McCay or McManus.

    This is particularly easy to see because the strip has an absolutely wonderful feature, possible only in webcomics, that allows you to click on any panel and see it enlarged.

    Loeffler also has a subtle, balanced color palette that he uses quite effectively in service of the story, always keeping the focus on the characters. The nice combination of new and traditional sensibilities, along with the artfulness and craft that goes into the strip, put me in mind of Kazu Kibuishi and Rad Sechrist.

    Zip and Elizabeth (Li’l Bit) are a young brother and sister whose first adventure, The Upside-down Me features their friend Officer John and what seems to be a version of Zip who walks on the ceiling. The story takes place while everyone else is sleeping. (As an interesting side note, Zip walks around in his PJ’s, the kind with feet, that have a letter on the front; except that is seems to be a different letter in each panel.)

    The project was originally planned as a printed graphic story, but Loeffler has repurposed it as a webcomic and is posting pages twice weekly, on Thursdays and Sundays.

    There are only 11 pages posted as of this writing, but the strip is beginning to get some well-deserved attention, already garnering mentions on Bolt City and Drawn!.



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  • Illustration Mundo

    Illustration MundoIllustration Mundo is a portal/blog (for lack of better terms) devoted to illustration. It was created by Illustrator Nate Williams because he felt the lack of a portal site specifically for illustration (as opposed to those which included design, photography, film, etc. as well as illustration).

    The site has recently incorporated Erik Olsen’s illustration podcast blog Iconic, which features interviews with working illustrators with a focus on their working process. This is a fascinating angle on illustration that is seldom encountered, hearing the artists comment on their work and process in their own words.

    If you find the main page a bit overwhelming in terms of selections, the site can be accessed in several ways through the navigation at the top. The Articles tab gives you the main articles arranged in reverse chronological order like most blogs (image at left), and you can sort into spotlighted articles, Iconic Audio, print Interviews and so on.

    The articles are brief, but usually showcase several pieces by the illustrator and, if available, some personal photos. The podcasts that have now moved over to Illustration Mundo from the Iconic site are marked by an icon (what else?) in the upper left. There are also tabs for News and community oriented features like Polls and Forums.

    On the About page, Williams and Olson invite you to become involved and encourage you to submit news, participate in the forums and place your work in the Illustrator Database. Most of the articles also allow for comments in the usual fashion for blogs.

    The site also uses a “Favorites” and “User Rating” system to rate the illustrators in the database (by votes, clicks, most tagged as favorites, etc.). I’ve seen this feature on CGI portals and I’m still dubious about the value of such systems. It may help you find something others like and it may cause you to miss things.

    You might actually do better with a feature like Illustration Mundo’s “100” tab, which serves up 100 random illustrators, with links to their websites, arranged simply as squares captured from their images.

     


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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics