Lines and Colors art blog
  • Eye Candy for Today: Prud’hon’s Portrait of Constance Mayer

    Portrait of Constance Mayer, Pierre-Paul Prud'hon, black and white chalk drawing on toned paper
    Portrait of Constance Mayer, Pierre-Paul Prud’hon

    On WikiArt, large version here. Original is in the collection of the Louvre, though I can’t find a listing for it on the museum’s new website.

    I had the pleasure of seeing this drawing in person at a show of Prud’hon’s work at the Metropolitan Museum of Art some years ago, and it is absolutely stunning.

    The drawing is not large —perhaps 12×16″ if I remember correctly — done in black and white chalk on toned paper. Even among the much larger and strikingly beautiful figure drawings in the show, this small, intimate portrait was arresting.

    The sensitivity of the drawing is remarkable, and Prud’hon’s affection for Mayer shines from it with an almost physical presence.

    Mayer was Prud’hon’s pupil, later his contemporary, collaborator and companion. As beautiful and affectionate as the portrait is, the story of Prud’hon and Mayer is a tragic one, as recounted by James Abbott on The Jade Sphinx.

    See my previous post on Pierre-paul Prud’hon.


    Portrait of Constance Mayer, WikiArt, large version here

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  • Stephen Biesty

    Stephen Biesty, cut-away and exploded illustrations
    Ever since I was old enough to stare goggle eyed at them in children’s books, or in my fathers Popular Science magazines, I have always loved cross-sections, exploded views and cut-away illustrations.

    There’s something magical about seeing the inside and outside of a complex structure or vehicle simultaneously, like penetrating the surface of reality with super-human vision.

    Stephen Biesty is an English illustrator whose cut-away and exploded illustrations are among the most fascinating and well done I’ve ever encountered. Often done in ink and watercolor, his drawings project enormously complex subjects with a directness and clarity that make them immediately understandable. This is, I think, one of the less well known strengths of illustration, the ability to communicate complex ideas visually with striking effectiveness, and Biesty is a master of that skill.

    While many of the cut-away illustrations you are likely to encounter elsewhere are straightforward longitudinal cross-sections, Biesty takes on even more daunting challenges, carving complex objects like steamships or locomotives into multiple slices, or joining interior and exterior views of architectural landmarks in a single Escher-like view.

    Unfortunately, Biesty’s website does a poor job of presenting his work. While there is a good selection of his images in various categories, they are only presented at a modest size, with any appreciation of their fascinating detail limited to a wretched excuse for a zooming feature that restricts your view to a little floating box.

    The best I can suggest is to make a Google Images search, and use the Search Tools option to set the image size to “Large“.

    Biesty has authored several very popular books, the best known of which are Castle and Stephen Biesty’s Incredible Cross-Sections.



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  • Michael Godfrey

    Michael Godfrey, landscape paintings
    Michael Godfrey is a painter based in the D.C. area who at one point became fascinated with the landscape and mountains of the western U.S.

    His range of subject matter includes both the eastern and western mountains, their related fields and countryside, and particularly their creeks and streams. These he renders with great attention to the character of reflections, the subtle colors of rocks, both dry and submerged, and the shimmer of sunlight across gently rippled flowing water.

    In all of his work, it’s the play of light that really is his subject, dappled in woods, carving the forms of mountains or sea cliffs, and arrayed across fields and hills in bands of contrasting values. Alternately, Godfrey explores the subtle characteristics of muted, softer light in mist, haze and atmospheric distance.

    Unfortunately, Godfrey’s website does little to display his work — it effectively doesn’t, leaving you to click offsite to the galleries in which he is represented, or his Facebook page, which appears to have taken the place of his largely abandoned blog. (I think artists who concentrate their attention on Facebook buy into the false image Facebook likes to project that “everyone” is on Facebook, and forget that it is essentially a walled garden, largely inaccessible to those who have chosen not to have an account.)

    You can find a range of images of Godfrey’s work in the list of galleries I’ve linked below. Most are on the frustratingly small side. The Saks Galleries in Denver have the largest images I could find.

    There is also an article from 2010, with an online gallery of images, on Southwest Art.



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  • Eye Candy for Today: Jacob van Walscapelle still life

    Still Life with Fruit, Jacob van Walscapelle
    Still Life with Fruit, Jacob van Walscapelle

    In the Rijksmuseum. Image is zoomable (and downloadable if you get a free account). Also a downloadable (but I think oersaturated) image here.

    Not only is this beautifully composed and rendered, with the fruits and stems gradually revealing themselves as you peer into the darker corners, I love the dedication to reality (and perhaps allegory) in the presence of the damaged or dried individual fruits, as well as the attendant insects and snail.

    Look at the shadows the grapes cast on each other, and the variation in light and dark along the winding stems. A marvel of value relationships and restrained color.

    The grapes look good enough to eat — except the ones that don’t.



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  • Tony Auth, 1942-2014

    Tony Auth, editorial cartoonist and illustrator
    For over 40 years, Tony Auth was a glimmer of sanity amid the news of the day, in the form of his cartoons on the opinion pages of the Philadelphia Inquirer.

    In 2012, Auth — a winner of the Pulitzer and Herblock Prizes — moved to the local PBS affiliate, bringing his cartoons to their NewsWorks website.

    Auth’s cartoons, drawn with a wonderfully sketchy line, and little pretense, carried his commentary straight to the point, often skewering left and right alike, though most would count his politics as liberal (if only because he wasn’t rabidly right wing).

    Auth died this month, on September 14, 2014, at the age of 72.

    Tony Auth was also an illustrator of children’s books. You can find a number of them, along with collections of his editorial cartoons, on Amazon.

    I, for one, will miss his visual voice and that occasional breath of sanity amid the screaming and finger-pointing, particularly now.

    For more, see my previous post on Tony Auth (from 2006).



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  • Eye Candy for Today: Theodore Robinson’s Old Bridge

    The Old Bridge, Theodore Robonson
    The Old Bridge, Theodore Robinson

    Image on Wikimedia Commons. Original is in the Museo Thyssen-Bornemisza.

    This is one of my favorites by Robinson, who was among the earliest American painters to adopt the new style of the French Impressionists. It’s one of those paintings that you could divide up into a number of smaller compositions that would all work brilliantly.

    I love the range of hues he’s expressed in the stone of the bridge, and the scumbled, broken color throughout.


    The Old Bridge, Wikimedia Commons

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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics