Lines and Colors art blog
  • Eye Candy for Today: Tiepolo's Joseph and Pharaoh

    Joseph Receiving Pharaoh's Ring, Giambattista Tiepolo
    Joseph Receiving Pharaoh’s Ring, Giambattista Tiepolo (Giovanni Battista Tiepolo)

    On Google Art Project. Also downloadable high-res from Wikimedia Commons. Original is in the Dulwich Picture Gallery.



    Categories:
    ,


  • Maike Plenzke

    Maike Plenzke
    German illustrator Maike Plenzke is still in the early stages of her career, as evidenced by the presence of some school related projects on her blog and website, but she is off to a very promising start.

    Her nicely stylized approach uses a muted color palette, theatrical application of lights and darks and a vibrant feeling of texture.

    I particularly enjoy the way she works elements of patterns and graphic shapes into her background objects, fabrics and plant forms.



    Categories:


  • Vermeer's Young Woman Seated at a Virginal on view at Philadelphia Museum of Art

    Vermeer's Young Woman Seated at a Virginal on view at Philadelphia Museum of Art
    Museum goers here in Philadelphia will have a rare opportunity to see a Vermeer at the Philadelphia Museum of Art, as the painting Young Woman Seated at a Virginal, along with work by Frans Hals and Rembrandt pupil Gerbrand van den Eeckhout will be on loan from the Leiden Collection until March, 2014.

    Those of us who live in Philadelphia and love Vermeer have the geographical advantage of being within a few hours travel of twelve of his 36 known works: four in D.C. at the National Gallery and eight in New York (five at the Met and three at the Frick, plus one if you count the current loan of Girl With a Pearl Earring); but it’s rare, if ever, that we get to see one here in town. I haven’t been in to the Museum to visit it yet, maybe this weekend.

    Vermeer’s Young Woman Seated at a Virginal (as distinguished from A Lady Seated at a Virginal in London’s National Gallery) is one of his smaller works, at less than 10×8″ (25x20xm), and is believed to be one of last he painted. It is also the only Vermeer still in a private collection. There was some controversy about the attribution of this work over the years, but it has now come to be accepted as an authentic Vermeer.

    For more on the painting, see the description on the Essential Vermeer website.



    Categories:


  • Eye Candy for Today: Pissarro poplars

    Autumn Poplars, Eragny; Camille Pissarro
    Autumn Poplars, Eragny; Camille Pissarro

    On Google Art Project. Also high-res downloadable on Wikimedia Commons. Original is in the Denver Art Museum.



    Categories:
    ,


  • Common Cause uses comics infographic to explain Verizon's latest attempt to undermine Net Neutrality

    Common Cause uses comics info graphic to explain Verizon's attempt to undermine Net Neutrality
    Common Cause is using a long, scrolling, comics style infographic to explain the latest attempt by Verizon to undermine the principle of Net Neutrality.

    Called Big Deal, Big Money, the graphic was co-produced with Symbolia, and illustration credit is given as “S. Caldwell” (for whom I haven’t been able to turn up a first name or website yet).

    Just in case there is any confusion (and there probably is, because the telcos and other big business interests have done their best to deliberately confuse you on this issue by using bogus terms like “Internet Freedom” to mask their power grab), I’ll state unequivocally that Net Neutrality is a Good Thing (capital “G”, capital “T”), and if big content and the telecommunications companies succeed in undermining it, much of the internet as you know it, including things like Lines and Colors, will gradually disappear.

    No, I’m not being unduly alarmist, and yes, I understand that the technical issues are not straightforward — but the basic principle is.

    Net Neutrality means that the companies responsible for transmitting data across the internet must treat all information equally.

    What Verizon and other telcos want is to allow big business to pay for their data streams to be given preference over those from sources who can’t pay as much, like yours or mine. The end result is that smaller sites will eventually become much slower and harder to access than big ones, and will gradually become marginalized — so gradually that it will be hard to notice until its too late.

    The end goal is that Big Content will essentially be able to co-opt the internet and turn it into another channel of information and entertainment that they control, like television and radio.

    (Think I’m exaggerating? Look up the history of radio broadcasting and how bandwidth once available to the public was given away by congress to big business in return for overt bribery, and the public was eventually banned from broadcasting radio in regular broadcast bands. Why would you think they wouldn’t try the same thing with the internet?)

    Yes, there are issues in which some kinds of internet data may have to be transmitted differently as a practical technical issue (which is where it gets complicated) but that’s not what this is about. This is about the internet equivalent of driving down a highway and having to pull over to let rich people go ahead of you because they can pay more to use the highway.

    But I digress, and I’m rambling on, which is where comics do a better job of explaining…

    [Via BoingBoing]


    Big Deal, Big Money, on Common Cause

    Categories:


  • Nelson Shanks' Four Justices

    Nelson Shanks portrait of women Supreme Court justices: Four Justices
    Noted portrait painter Nelson Shanks, who I have written about previously, has recently completed a life size group portrait of four female justices of the U.S. Supreme Court.

    The painting, which is titled Four Justices (no, not The Supremes — grin) will hang in the National Portrait Gallery in D.C. for three years before going to the collection of the collectors who commissioned the work.



    Categories:


Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics