Lines and Colors art blog
  • Eye Candy for Today: Jan van der Heyden View in Cologne

    A View in Cologne, Jan van der Heyden
    A View in Cologne, Jan van der Heyden (possibly with help on the figures by Adriaen van de Velde).

    The structure on top of the cathedral (unfinished at the time) is a crane.

    In the National Gallery, London. Use the fullscreen and zoom controls to the right of the image.

    I haven’t seen the original painting, but in this photograph it looks a bit distorted to me, particularly in the lower left, as though the photo was taken from an angle below the painting.

    Still, a beautiful painting, very evocative of time and place.



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  • ArtBabble relaunch

    Art Babble
    Longtime Lines and Colors readers may have noticed my tendency to be cranky about art museums that are seemingly without clue in their approach to using their website to best advantage (though I take great delight in pointing out those who are using them well, as in the case of the Metropolitan Museum of Art and the recent makeover of the Rijksmuseum website).

    It’s sometimes not for lack of trying. Museums often put effort into producing articles, interactives, videos and other projects in various media aimed at engaging their audience and encouraging people to be more informed and involved in the appreciation of art and art related topics.

    Short documentary video, in particular, is an area into which a number of art museums have put time and energy, whether accompanying particular exhibits, highlighting collections, exploring topics related to conservation and curation or simply general forays into art history.

    ArtBabble, which I mentioned not long after its initial launch back in 2009, is a website produced by Indianapolis Museum of Art (whose own website I praised here) that provides a centralized source for browsing and viewing short video productions about art related subjects by a number of partner museums.

    The site has just been relaunched after a major redesign, with a more efficient and elegant interface, better search features and an expanded variety of browsing paths. You can browse videos by themes, medium, period and style, location, people and more, including a list of artists.

    Pages within a particular category are accompanied by an excellent set of sub-menus on the left sidebar of the other subcategories at the level you’re browsing.

    I actually find the Partner Channels page, which features the growing list of participating institutions, to be one of the most fruitful sections from which to browse. I find that some museums produce materials more of interest to me personally than others.

    What’s still missing is a more sophisticated search feature, with options for narrowing your search, though the current one does make provisions for filtering your results. You can also filter pages that offer browsing within topics.

    Most of the videos are professionally produced to one degree or another. Many simply take the form of curators, conservators and other museum staff commenting on particular works. Others delve into the process of a particular medium, like the Museum of Modern Art’s short series “Pressure + Ink: Introduction to Printmaking“. The videos on mediums and techniques are generally overviews and not specifically instructional.

    Some of the videos are aimed at engaging children in looking at art, and there is a video type “For Kids” that will let you filter for them; though I don’t see a way to filter them out of the results (which would be convenient).

    Also, though most of the videos are in English, a number are in various languages (sometimes with subtitles). These are usually from particular museums (e.g. Prado, Van Gogh Museum).

    A few of the features are longer, such as the series of recorded lectures “Wyeth Lecture in American Art” from the National Gallery, Washington.

    How fascinating you find the kinds of videos offered will, of course, vary depending on your interests, but if you like them, the Art Babble site, particularly in it newly energized form, is a cornucopia of short documentary art videos and worth a Timesink Warning.

    (Images above: Art babble interface; Dallas Museum Of Art Collection: The Seine at Lavacourt by Claude Monet – Dallas Museum Of Art; The Landscape Painter Martín Rico – Prado, Madrid; Pressure + Ink: Introduction to Printmaking – MoMA; Vincent Van Gogh In Paris: Montmartre – Van Gogh Museum, Amsterdam; Conserving Norman Rockwell’s “United Nations” – Norman Rockewll Museum; Wyeth Lecture In American Art: Ground Swell: Edward Hopper In 1939 – National Gallery, Washington)



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  • Eye Candy for Today: Monet still life

    Chrysanthemums, Claude Monet
    Chrysanthemums, Claude Monet.

    Many who are fond of Monet’s Impressionist landscapes are unfamiliar with his still life paintings. A number of these were of floral subjects.

    In the Metropolitan Museum of Art. Click “Fullscreen” under image, then use zoom controls or download arrow.

    Notice the colors in the table top.


    Chrysanthemums, Claude Monet

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  • Creative Illustration by Andrew Loomis

    Creative Illustration by Andrew Loomis
    I’ve written before about my admiration for the classic instructional books by the early to mid 20th century American illustrator Andrew Loomis.

    In particular I’ve enthusiastically reviewed two of the superb new editions from Titan Books of his too long out of print classics, Figure Drawing for All it’s Worth and Drawing the Head and Hands (links to my reviews).

    My recommendation for the relevance for these volumes from the 1940’s and 1950’s to contemporary artists comes under two principles: “What’s old is new” (or fashionably retro) and “Some things are timeless.”

    The latter, of course, is the primary qualification for Loomis’ teachings; they go to the heart of figure drawing, and in his signature work, Creative Illustration, he also goes to the heart of composition, line, tone, narrative imagery and creative idea generation.

    The book, published in 1947, was aimed at professional illustrators; and while some of the advice about the nature of the business may be dated, some is not, and the principles of composing and creating illustrations in various media are essential and timeless.

    Some may find Loomis’ style “old fashioned” — others, myself included, find it both timeless and wonderfully retro, as fresh as when he was working.

    There is plenty of it to be seen in Creative Illustration. Loomis has packed it with instructional drawings, layout diagrams, sketches, process sequences, paintings and illustrations in diverse media. It’s a visual treat as well as a treasure of art instruction.

    He even goes into his admiration for the work of the great American illustrator Howard Pyle, including some tone studies he made of Pyle’s works (above, 7th down).

    Once again, Titan Books has gone beyond a respectful reproduction and brought us a beautiful edition of this classic work, from the facsimile cream-colored paper to the color reproductions to the crisp black and white and tone illustrations.

    The images above are rough scans from an old edition and don’t by any means do the current volume justice. So far I’ve been unable to convince Titan to provide more in the way of previews. In lieu of that, see the reviews that include previews on Parka Blogs (including a video flip-through), Parka Blogs Flickr stream, Boing Boing and Wings Art.

    Creative Illustration is a 300 page tome bursting at the seams with essentials of image creation and Andrew Loomis’ beautiful work, sage advice and straightforward instruction.



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  • Painting en Plein Air: Resolving the Landscape, Thomas Kegler

    Painting en Plein Air: Resolving the Landscape, Thomas Kegler
    Thomas Kegler is a Western New York State painter and senior member of the Hudson River Fellowship who was the subject of a Lines and Colors post in October of this year.

    In addition to the instructional materials and short videos on his website, Kegler demonstrates his painting techniques in an “instructional documentary” titled Painting en Plein Air: Resolving the Landscape.

    This is an hour long video, professionally produced by Black Horse Videography that follows Kegler through a two day location session in which he paints the aged maple tree in the composition shown above, bottom.

    The artist provided me with a review copy.

    One of the flaws I frequently find in a number of the painting instruction videos I’ve seen is the tendency to rush, fast forward and compress time too aggressively, as though those with a desire to watch an instructional art video would somehow be bored by watching someone paint.

    This is not the case here, and in fact, I was tempted at first to think that the video started too slowly. I soon realized it was in keeping with one of Kegler’s major suggestions to those painting outdoors: to slow down— look, sketch and draw and immerse yourself in nature before rushing to begin painting.

    The video follows Kegler’s process from initial thumbnail sketch to prepared drawing to the stages of painting on location, throughout which the artist comments and describes his working methods as well as his philosophical approach to painting technique.

    Even though there are aspects of Kegler’s process that I would personally have trouble adopting, such as the use of an armature for composition and a relatively broad palette of colors, I found the entire process informative.

    I’m perhaps not the most experienced of plein air painters myself, but I was introduced to several points of technique with which I was previously unfamiliar, such as drawing a preliminary sketch on the canvas by using a rubber tipped shaper tool to pull lines out of a wet imprimatura, (also used to make marks and adjustments within the actual painting at later stages), as well as the approach of making slightly tinted grays by starting with a neutral tube gray and adding touches of color rather than mixing down to a chromatic gray from complementary colors.

    Kegler also demonstrates his approach to applying an overall glaze of warm color to a landscape in its later stages using Oleogel medium, pulling the glaze away from selected passages.

    The instruction is aimed at experienced painters rather than beginners, and is a good foray into a naturalistic but painterly approach to landscape

    Painting en Plein Air: Resolving the Landscape is available from the artist’s website as both a digital download and a physical DVD.

    There is a brief trailer on the wesbsite and YouTube, and another, preliminary trailer on Vimeo.

    There is also a review on Gurney Journey.



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  • The Story of British Art on The Guardian

    The Story of British Art on The Guardian: John Constable, Hans Holbein, William Blake, (unknown), Hans Holbein, Joseph Wright, Lucian Freud
    While not exactly fulfilling its title, The Story of British Art is nonetheless an interesting series of articles, accompanied by an image slideshow, on artists from (or related to) British history by Guardian art writer Jonathan Jones.

    While I don’t always see eye to eye with Jones, I always find his articles worth reading, and he usually has something interesting to point out about the artists he covers.

    The individual articles have larger images, many of which can be enlarged. The slideshow is somewhat the opposite — starting with close-up crops that can be zoomed out to reveal a smaller image of the entire work with a control at the upper left of the image.

    (Images above: John Constable, Hans Holbein, William Blake, (unknown), Hans Holbein, Joseph Wright, Lucian Freud)



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Vasari Handcraftes artist's oil colors

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Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
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Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics