Lines and Colors art blog
  • Brian Boulton


    There is a style of drawing, that you may see with some frequency on the web, that involves photorealistic rendering in pencil of images from photographs. It is often practiced by people with little or no professional training and, while I find that admirable, there is sometimes an accompanying lack of focus, finesse and artistic judgement.

    The graphite drawings of Brian Boulton, on the other hand, are an exception. His current series of drawings is rendered in detail and is the result of close observation, but Boulton’s command of texture, value and compositional emphasis puts the rendering in the service of his artistic vision, well beyond the realm of mere photorealist representation.

    His figures are most often turned away from the viewer, inviting us to grasp the figure as a human form, but without the obvious point of focus of a face with which to interact. The result is a different point of view, that of an unseen observer.

    We are invited to see textures of cloth and leather, hair and areas of skin as surfaces, materials as well as forms. The details of folds in the clothing, essentially in the lineage of drapery in classical compositions, are presented with the kind of importance usually given to surfaces in still life drawings.

    Boulton is based in Vancouver. He studied architectural rendering at the College of New Caledonia, in British Columbia and Film and Art History at Langara College in Vancouver.

    The original concept for this series of drawings began in a previous series, “10 Drawings“, completed in 1999. Boulton returned to the subject, and expanded on it, in 2008 and 2009, and in apparently continuing to explore the approach.



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  • Marcus Stone

    Marcus Stone
    Marcus Stone was an illustrator and painter who was active in the latter part of the 19th Century.

    Stone was trained by his father, Frank Stone, who had been a noted illustrator was a friend and companion of Charles Dickens (and antagonist of the Pre-Raphaelite painters).

    Marcus Stone was exhibiting at the Royal Academy at the age of eighteen, and was illustrating books by Dickens and other noted authors a few years later.

    After finding himself frustrated with the restraints of illustration and reproduction techniques of the time, he transitioned into gallery paintings. He was elected to the Royal Academy as an associate and later as an academician, and was the recipient of awards and praise from the artistic establishment.

    He focused at first on history painting and later specialized in scenes of romantic drama, often set in lush formal gardens.

    His later work shows a brighter and more painterly approach, as the influence of the new styles of painting spread through Europe and the UK.



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  • Malcolm Sutherland

    Malcolm Sutherland
    I love the immediacy and visual charm of location sketching, in which quickly realized sketches can often carry more feeling of place and time than elaborate drawings.

    Canadian illustrator and animator Malcolm Sutherland has managed to capture, and animate, some that feeling of informal charm and casual rendering, along with a strong sense of “being there” in his short animation La Fete (top two images, above).

    This is an observation of passers by at an event called La Fête Nationale (essentially, the “National Holiday”) in Montreal, Quebec.

    If, like me, you love to watch people pass by, particularly at events and gatherings where they are often deliberately putting themselves on display, you will immediately recognize that sense of observed life in his simply realized outline and color fill drawings. He uses clever fades and transitions to isolate members of the crowd, just as your attention might pick out individuals or small groups an focus on them.

    You will find a numerous of other short animations on Sutherland’s Vimeo page. They feature a variety of subjects and approaches, from the simplicity of his “Untitled Drawings” in which he creates stream-of-consciousness drawings as if in stop-motion, to more elaborate pieces like The Astronomer’s Dream, a ten minute tour de force of surreal imaginings (above, third down).

    Among his other shorts on Vimeo are his nicely bizarre reimagining of Star Wars scenes, his contributions to the Star Wars Uncut project.

    There are a number of additional short animations, along with a gallery of illustration, on his web site. On the Theatre page, I was particularly taken with the animation Birdcalls and its fascinating use of pictographic representation of sounds.

    Sound plays an important role in Sutherland’s work, for which he turns to the assistance of several collaborators.

    He experiments with several forms of animation, such as the combination of stop-motion, hand drawn shapes, abstract rotoscoping, animation projected against 3-D objects, and jazz-like improvised collaboration with contributing musicians of Forming Game, for which there is an accompanying “Making Of” short documentary.



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  • Kent Barton

    Kent Barton
    Illustrator Kent Barton works in scratchboard, linocut and woodcut, media that draw their lineage from graphic arts traditions that reach back into the early history of image making.

    He uses that feeling to advantage in his images, both in subjects for which it seems particularly appropriate to use classical graphic approach, and in modern subjects that, when cast in that style, become somehow iconic and set out of time.

    All three are media that require thoughtful preparation and involve a painstaking process.

    Barton does “environmental” works, intended to be reproduced in large scale and incorporated as part of an architectural space. These are often collage-like panoramas of historical images. You can see some of them, and some images of the spaces in which they’re installed, both before and after, on the Art on a Grand Scale site of artist’s representative Richard Solomon.

    For his more involved compositions, Barton works up his sketches with multiple layers of tracing paper, allowing him to reposition elements until the composition works properly (I’ve also seen comic book artists and other illustrators work this way).

    For the final he renders in scratchboard, laying color over it in the final stages, frequently working back and forth between scratching out, inking in, and altering the surface with materials like steel wool.



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  • Concept Art World

    Concept Art World: Frank Hong, Herve Groussin, Dehong He, Daryl Mandryk, Alex Broeckel
    Concept Art World is a blog (or blog-themed magazine) devoted to film and gaming concept and production art and related disciplines.

    It features artists from around the world, and offers articles on concept art from particular projects and a listing of artists and studios, as well as resources like books and some how-to features.

    You can browse featured articles and recent artists, or go to News and work your way back through the posts. The individual artist features show a sampling of each artist’s work and a brief bio statement, and links to the artist’s web site and/or blog.

    (Images above: Frank Hong, Herve Groussin, Dehong He, Daryl Mandryk, Alex Broeckel)



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  • The Arts Map

    The Arts Map
    The Arts Map is a new site, still in BETA, that uses a version of Google Maps to list artists, arts organizations, galleries, and other arts related people, places and things in a geographical context.

    Other than those who operate their own gallery or offer instruction in their studios, I’m not sure how useful it would be for artists to list themselves (I didn’t see any reason to list myself at this point); but if this catches on and fills out significantly with galleries, art schools, art supply stores, museums and related subjects, it could become a very useful resource for artists to consult.

    The site is still young, and the listings sparse particularly compared to what I know exists in areas I’m familiar with, like Center City Philadelphia. This becomes obvious to almost anyone when viewing the map of lower Manhattan. Though art museums and art schools, for example, exist on the map as location highlights, as they would in any Google Map of an area, they are not yet pins, or clickable entries, on the Arts Map.

    It’s apparently up to each institution to enter their information, just as an individual artist might, and participation is at an early stage.

    According to the founders, “The Arts Map is about inclusion, not exclusion. Our goal is to provide a resource which will benefit the entire arts community.”

    Listings are free, and you can be non-specific about address if you want to (street address is optional), providing other locations or ways to see and access your art, including galleries, websites or blogs. So in that respect, it may be worth listing for artists who don’t have a reason for someone to come to their location, just know where they are in a general sense.

    [Via Jeanette Jobson’s Illustrated Life]



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
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The Art Spirit
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Urban Sketching: Understanding Perspective
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Daily Painting
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Understanding Comics
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Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics