Lines and Colors art blog
  • Arkady & Gennady Pugachevsky

    Arkady and Gennady PugachevskyEngraving is a painstaking and demanding art form that once was widely practiced but today seldom attracts the attention of young artists. It requires a great deal of patience, planning and physical precision, in addition to artistry, but the results can be wonderful. Sometimes a skill like engraving can be passed down from one generation to the next.

    Father and son Arkady and Gennady Pugachevsky are graphic artists and engravers from The Ukraine. Both have distinguished careers and have received recognition in several European countries. They have chosen to display their work on a joint website.

    Arkady (image at left, top) creates small bronzes and color engravings. The engravings are often of animals like dogs, birds, bulls, fish or snakes, with the feeling of iconographic artwork that projects solidity and timelessness. He often chooses muted colors, which adds to the feeling of sculptural solidity and weight, but at times fills his engraved images with bright hues.

    Gennady (at left, bottom) has more emphasis in his gallery on graphic design, but you will find the links for gallery art and prints toward the bottom. Where his father’s work seems steeped in timelessness, Gannady’s is often concerned with time; watches and timepieces figure prominently in several works.

    While you can see the influence of the elder artist’s deep knowledge of engraving techniques, Gennady explores other territory, both in subject and approach. Some of his color engravings have a cubist feeling, others are more straightforward, all have a subtle sense of color and the wonderful qualities of those finely incised engraved lines.

    Both Arkady and Gennady do wonderful bookplate illustrations, another area where attention is not often focused these days, but where you can often find small delights if you take the time to look.

    Link via BibliOdyssey.

     


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  • Jeff Hua

    Jeff Hua is a concept artist for Electronic Arts in Los Angeles, and has worked games like GoldenEye: Rogue Agent and is currently working on an unannounced PlayStation 3 title.

    I don’t know of a repository for his finished concept illustrations, but his blog features his sketches, “doodles”, speed paintings, life drawings and some older finished work.

    Hua works dgitally and you can occasionally find him posting images that are the result of testing newly created virtual brushes.

    Hua is also a participant in the group speed painting blog Sketch Night. There is a brief interview with him on CGExplorer.

     

    http://jhua.blogspot.com/
    Interview on CGExplorer
    Sketch Night

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  • Olga Dugina & Andrej Dugin

    Olga Dugina & Andrej Dugin
    Olga Dugina and Andrej Dugin paint lavishly detailed, richly textured and enthrallingly odd illustrations for children’s books.

    Their intricately detailed paintings can, in turn, carry the feeling of Medieval tempera paintings, the grotesque fantasies of Bosch and Breugel, the carefully arranged tableaus of renaissance tapestries and, in the their collaboration with Madonna (yes, that Madonna) for the fourth in her series of children’s books, a kind of decorative Persian surrealism.

    They say in an interview about their work on that book, The Adventures of Abdi, that they work collaboratively out of necessity, can take anywhere from one and a half to four months to complete an image and tackle a project like Abdi by going straight through, first picture to the last, finishing the cover at the end.

    I haven’t been able to find much information on them or their working methods, but I suspect they are working in opaque watercolor or tempera.

    They are also the authors and illustrators of a retelling of the classic The Brave Little Tailor and The Dragon’s Feathers.

    I can’t find an official site for Dugina and Dugin. There is a small selection of their work on illustrators-online.com and an unofficial archive of the illustrations for The Adventures of Abdi, with nice large images of the paintings.

    Link via Monster Brains.

    Addendum: Reader Tat has found two additional links to excelent resources for their work, here and here. Tat also added a resource to my current post on Russian illustrator Gennady Spirin, who I suggest may have been a influence on Dugina and Dugin. – Charley, 17 November, 2009


    www.illustrators-online.net/dugin
    illustrations for The Adventures of Abdi
    Interview on Calloway.com
    The Adventures of Abdi (Amazon link)

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  • Georges de la Tour

    Somewhere between the emotional drama of Caravaggio and the crystalline stillness of Vermeer lie the intimate, candlelit paintings of Georges de la Tour, a French master whose work was all but forgotten between his death in 1652 and its rediscovery in the early 20th Century.

    I doubt that la Tour was directly influenced by Vermeer (or vice versa), but there is an assumption that Caravaggio’s revelation of form through the use of intense chiaroscuro was a distinct influence on the French painter, particularly in the sharply defined forms in the candlelight scenes of his later career. la Tour painted religious and genre subjects, scenes of everyday life, in his case largely images of the poor arranged as morality tales for amusement of his well-to-do patrons. He refused to indulge in the condescending caricature of his subjects, as was common at the time, and represents them as directly as a portrait.

    The striking characteristic of his later work is the light source, often a single candle or lamp, sometimes with the flame in view but more often with the light source itself hidden by a hand or object in the painting, and the subjects and foreground objects revealed in sharp relief by the simple direct focus of the light.

    Focus seems to be the intent of la Tour’s compositions, most of them have nothing of a background other than the suggestion of shadowed walls and areas of darkness. Just as Vermeer revealed his subjects by capturing a golden moment in the sunlight from a single window, so la Tour grasps a moment of time between the flickers of a candle’s flame, producing a similar feeling of contemplative stillness and of something waiting to be revealed by quiet inspection of the scene.

     

    Web Gallery of Art
    ARC
    Cuiudad de la pintura (ES)
    Artyst.net (FR)
    Louvre (FR)
    National Gallery
    Met
    Frick
    Olga’s Gallery (banner ads)
    John Haber review of 1997 retrospective at National Gallery
    Artcyclopedia (links)

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  • BibliOdyssey

    BibliOdysseyWell, it happened again.

    I was trying once again to bring you this post and I got lost.

    You see, I fell down a rabbit hole, found myself among the very large and the very small, and as everything became curiouser and curiouser, lost myself wandering in wide eyed fascination through a seemingly endless wonderland of the bizarre and beautiful.

    Actually, the rabbit hole, into which I have fallen before on occasion, is BibliOdyssey, a fascinating cornucopia of oddities, obscurities, and delightful discoveries from books (you remember books, that other way of organizing and transmitting information…) and the web.

    BibliOdyssey is a tour-de-force collection of, among other things, bookplates, illustrations, etchings, engravings, color wheels, cloud diagrams, astronomical charts, monsters, angels, flowers, castles, catastrophies, calliopes, cantelopes, velocipedes, gyrocopters, Renaissance fortifications, pop-up books, Persian calligraphy, Art Nouveau posters, Babylonian towers, Japanese woodblock prints, designs for bizarre inventions, medical diagrams, maps, constructions, instructions, deconstructions, all manner of drawings of the strange and wonderful, curiosities and curios, shoes, ships, sealing wax, cabbages and kings.

    peacay (as the author names himself) has an uncanny talent for digging up things, either from books or the Net, that shine out like unexpected and amazing treasures found hidden at the bottom of a forgotten shelf in a labyrinthian antique store (the back door of which possibly opens into another century).

    With a little digging, you will find artists old and new, and often undeservedly obscure, leading to that wonderful, “Wow, I didn’t know about this one!” reaction that I try, when I can, to provide here on lines and colors.

    There is unfortunately (or fortunately, depending on how much time you can afford to spend being fascinated and distracted) no direct way to browse through previous posts by date. There is a link cloud at the bottom of the pages that leads to del.icio.us categories, and peacay has provided a tantalizing row of image links to various and sundry posts on the sidebar.

    As if that weren’t enough, the BibliOdyssey sidebar also provides a fascinating array of links to other internet rabbit holes where you can disappear for hours on end.

    You’ve been warned.

    Addendum: peacay has reminded me that there is, in fact, a collapsible menu of the weekly archive on the sidebar, in the middle of the visual links.

     


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  • Mark Reep

    Mark Reep
    Color, particularly in this era of hyper-kinetic, cathode ray, plasma and LCD display multi-media dazzle, can sometimes make us jaded about our appreciation for the subtle charm of monochromatic works. Like city dwellers taking the time to get away to the country, we might find it worth the trouble to slow down and look for quieter pleasures.

    Mark Reep creates black and white tone drawings of imaginary landscapes. He has repeated themes of stratified cliffs, punctuated with rocky outcroppings or freestanding pillars of rock jutting up through valleys of mist and cloud, often with a lone tree managing to cling to life in the otherwise barren stone formations. The scenes sometimes depict waterfalls and often include stone bridges, arches, stairs or other signs of human structures.

    His works are a combination of ink, graphite and charcoal. Reep works on sheets of acid-free smooth Bristol board, eschewing textured drawing surfaces for the freedom to create his own textures. Ink tones are created with the painstaking process of stipple (see my post on Virgil Finlay). The graphite and charcoal are sometimes applied in their powdered form, allowing the artist to work with them almost like a wash in paint.

    There is a page on his site reprinting a gallery talk in which Reep describes his process, techniques and tools (including those terrific Pigma Micron pens that many pen and ink artists, myself included, swear by). There is also a tutorial by Reep on the WetCanvas site, and notes on altering inked passages and drawing from the imagination on his site.

    Reep also has a blog, Dreams in Black and White, in which he posts recent drawings and discusses process.

    Some of the images on his main site are frustratingly small. (Even though the originals are sometimes small, details are lost in the low-resolution environment of a computer monitor.) The ones on the blog often have larger versions.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics