Well along in a successful career as a designer and illustrator, German artist Sebastian Krüger began focusing on painting highly exaggerated caricature portraits of pop and music stars, particularly the Rolling Stones who he had met early in his career.

Since 2005 he has abandoned commercial work and devoted himself to gallery painting. As he has restlessly explored the boundaries of exaggeration possible in a recognizable face, he also began to work at large scale and in increasing degree of detail.

His large canvasses are now often highly realistic even when wildly exaggerated. Someare more straightforward, though often rendered with an intensity that makes them seem more exaggerated than they are.

I thought it was interesting that his portrayal of Jimi Hendrix, who went to lengths to present himself as an outlandish individual, is completely straightforward (and wonderfully realized).

I’m not familiar enough with his career to know if Kruger is moving more toward realism, but many of his recent pieces seem to be in that direction.

Krüger’s website is still in progress, but he has a current blog, and two additional blogs devoted to exhibitions and publications.

The artist occasionally leads workshops, and conducted his first in the U.S. early this year. Krüger works in acrylic on panels, at a scale you can see in the workshop image above.

There is a gallery site here that I think is unofficial, but it gives a nice range of his work and a fascinating tour through the degrees of exaggeration and intensity Krüger has brought to his “personality portraits” over time.

There is an article on Empty Kingdom that gives a good quick overview of his recent work.

Colin Campbell Cooper was an American impressionist painter active in the late 19th and early 20th Centuries. He was, within that rather loose classification, the foremost among them in the portrayal of architecture. He is also one of my personal favorites.

Known for both his later paintings of California gardens and landmarks, as well as his earlier paintings of New York skyscrapers, Cooper also turned his lush palette and virtuoso brush to other subjects.

His painting of Lower Broadway in Wartime (above, 2nd down, right) is in the museum of the Pennsylvania Academy of the Fine Arts here in Philadelphia. I’ll sometimes stand and look at it for 15 or 20 minutes at a time. What’s not obvious from these small reproductions on the web is that Cooper’s paintings can be marvels of texture and color mixing, with luminous transitions of one color passage into another within the surface of a single wall.

Areas that appear highly detailed are in fact very painterly, with much more suggested than overtly painted. (I’ve listed links below to previous auction sales on Sotheby’s and Christie’s that can often be zoomed in to levels of considerable magnification.)

Cooper was born in Philadelphia and studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, as well as training at the Académie Julian in Paris. He taught for a time at the Drexel Insitute of Art Science and Industry (now Drexel University, also home to such noted art teachers as Howard Pyle).

Cooper married Emma Lampert, herself a well known artist, and the couple traveled and painted in Europe and Aisa as well as across the U.S. Notably they traveled to India, at the time far off the track for even the most adventurous American and European travelers, and Cooper returned to create from his location sketches stunning paintings of the Taj Mahal, the palace gate at Udaipur and other locations rarely seen in the West.

After the death of his wife in 1920, Cooper moved to California, perhaps to start over. The move marked a separate phase of his career in which his style and subject matter changed and he exhibited a renewed interest in including figures in his paintings. He taught and later became Dean at the School of Painting at the Santa Barbara Community School of Arts.

There is currently an exhibition of Cooper’s work at the Santa Barbara Museum in California, Lasting Impressions: Colin Campbell Cooper, that runs until October 8, 2010.

As far as I know there is only one in-print book on Cooper’s work: East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist by Deborah Epstein Solon and William Gerdts (Gerdts is a well known authority and author of several books on American Impressionism). The book was from a 2007 exhibition at the Laguna Art Museum. My impression is that this is the same exhibition that is currently at the Santa Barbara Museum.

There is a very nice 10 page article on Cooper and the current exhibition in the August issue of American Art Review, written by Deborah Epstein Solon, co-author of the book mentioned above, and illustrated with numerous images of Cooper’s work. This issue is still on the shelves as of this writing and should eventually be available as a back issue from the publisher. Cooper’s work is also featured on the cover.