Ilya Repin was probably the foremost proponent of 19th Century realism in Russia. He studied at the Petersburgh Academy of Arts, and was by reports uncommonly talented from a young age.
His image of Barge Haulers on the Volga (image above, with detail below, sometimes called “The Volga Boatmen”) was begun in his last year as a student (large image here).
He lived and worked in Paris for three years, returned to his home town in Russia and then moved to Moscow. He was a member of the group of Russian painters known as the Itinerants (or the Wanderers), who exhibited in traveling group exhibitions, along with Ivan Kramskoi, Ivan Shishkin and a number of other notable painters of the time. There is a short essay on Repin, Shishkin and Kramskoi by Vern Swanson on the Art Renewal Center.
Repin became head of a studio associated with the Petersburg Academy of arts and later served as the Academy’s director.
He painted landscapes, often combined with figures, still lifes, genre scenes and psychologically incisive portraits, including royalty and state occasions, but he is best known for his portrayal of peasants and subjects involving social commentary.
There is a semi-official web site maintained by the artist’s great great grandson, though one of the best online sources for images of Repin’s work is Wikipedia, which hosts a nice gallery of his paintings, many of them with hi-res versions (click to the individual image, then look for “full resolution version”).
Repin Gallery, with bio and image gallery
ARC (includes some ink and wash drawings)
Ciudad de la pintura (ES)
Olga's Gallery, with bio
Squidoo lens from Sheona Hamilton-Grant
4 Replies to “Ilya Repin”
I love these itinerants russian painters. Great light, great subjects (saw a nice exhibition of them in Paris some years ago).
I’ve loved Repin’s art ever since I stumbled across a large cache of his paintings in a state museum in St. Petersburg. He is highly regarded in Russia but little known here in the US. The famous art critic Clement Greenberg trashed Repin as an example of kitsch art when Greenberg was promoting New York’s abstract expressionists. It later turned out that the painting Greenberg derided was not even by Repin– he had his facts all wrong.
I only recently discovered Repin and have been blown away by his work ever since. So much so I have had to discover more about him and ended up with a blog post and starting a squidoo lens…! Thanks for the post and the links they helped point me in the right direction :)
Other readers can find her recent blog post on Repin here (along with her owen graphite drawings), and her extensive Squidoo lens about Repin here.
I’ve added the Squidoo lens to this post’s list of resources.
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