Rotterdam Ferry-Boat, Joseph Mallord William Turner
In the collection of the National Gallery of Art, DC
A great example of Turner’s textural paint handling and dramatic command of light and atmosphere.
Rotterdam Ferry-Boat, Joseph Mallord William Turner
In the collection of the National Gallery of Art, DC
A great example of Turner’s textural paint handling and dramatic command of light and atmosphere.
This seascape was exhibited in 1833 at the Royal Academy, where Turner taught as the professor of perspective. Conquering the problem of creating a believable sense of space across a featureless expanse of water, Turner anchored the carefully aligned design upon a small passenger ferry. From this foreground focus, a row of larger ships moves backward over the choppy waves on a diagonal line, generating a remarkable illusion of depth. The warship’s Dutch flags and the skyline of Rotterdam pay tribute to Turner’s predecessors, the marine painters of seventeenth-century Holland. In particular, the low horizon and cloud-swept vista derive from harbor scenes by Jan van Goyen and Aelbert Cuyp.
Source: The National Gallery of Art
At seeing the sick passengers on the ferry boat (I know the feeling all too well), at a glance a family of four, father, mother and two small children, I immediately thought of making myself a quick cup of coffee, and simutaneously surfed for coffee paintings, but came up with How to paint with coffee.
http://www.youtube.com/watch?v=j-RKenY0Iy8