Marianne Preindelsberger Stokes was an Austrian painter active in England in the late 19th eand early 20th centuries.
Her work was primarily figurative. Though many of her paintings are in oil, in her later career she favored egg tempera (as in the Madonna and Child image at top). In these she took stylistic cues from the early Renaissance, perhaps inspired by the Victorian Pre-Raphaelite painters who ware active at the same time.