Lines and Colors art blog
  • Je Suis Charlie, Charlie Hebdo: Georges Wolinski, Jean Cabut, Charb (Stephane Charbonnier), Tignous (Bernard Velhac)

    Je Suis Charlie, Charlie Hebdo: Georges Wolinski, Jean Cabut, Charb (Stephane Charbonnier), Tignous (Bernard Velhac)

    Among the 12 dead and 11 wounded in today’s cowardly and loathsome attack on the offices of the French satirical newspaper Charlie Hebdo in Paris were four cartoonists: Georges Wolinski, Jean Cabut, Charb (Stephane Charbonnier) and Tignous (Bernard Velhac).

    I dug up what I could quickly find on the four cartoonists, and have included relevant links below. Most of them don’t seem to have a dedicated web presence, but my French is weak, and I’m not certain where to look. (I also have not taken the time to translate the text in the drawings above, so I’m not certain what they say. I was just trying to quickly find some representative artwork.)

    Charlie Hebdo (Charlie Weekly) is known for it’s provocative cartoons and mocking satires of religious fanatics (across the board), political corruption and whatever they find worthy of ridicule. They have pissed off just about everyone, but they have particularly come under attack from professed Muslim extremists (I say “professed” because claiming you are something does not make it true, and certainly does not give you the right to speak for others). The Charlie Hebdo offices were firebombed in 2011, supposedly in response to cartoons about the Prophet Muhammad.

    To those who are tempted to respond to this kind of act with anti-Muslim sentiment, I’ll point out that in doing so, you are handing these terrorists their victory. They want nothing more than to incite kneejerk, reactionary anti-Muslim sentiment in the West, and fan the flames of religious and cultural intolerance on all sides. To do so allows them to think they are warriors in a holy war, rather than the rat-like, delusional petty criminals they are.

    Those who are doing the most to defeat their aims are spreading messages of tolerance and acceptance, not returning hatred for hatred.

    Supporters of freedom of expression are using the phrase “Je Suis Charlie” (I am Charlie) and the hashtag #JeSuisCharlie in messages of solidarity around the world.

    [Images above: “Je Suis Charlie” from Charlie Hebdo website, Georges Wolinski, Jean Cabut, Charb (Stephane Charbonnier), Tignous (Bernard Velhac)]

    [Via The Comics Reporter]

    [Addendum: Slate has been publishing some of the responses to the tragedy, in the form of cartoons, from cartoonists in France and elsewhere: #JeSuisCharlie: Cartoonists Raise Their Pencils in Solidarity With Charlie Hebdo.

    Also, reader julien has contributed an account of Cabu and the history and place of Charlie Hebdo in French society, with insights only available to someone living in France. See this post’s comments.]



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  • Eye Candy for Today: Robert Blum’s silk merchant

    The Silk Merchant, Japan; Robert Frederick Blum
    The Silk Merchant, Japan; Robert Frederick Blum

    Link is to Google Art Project, downloadable high-res file on Wikimedia Commons, original is in the Cincinnati Art Museum.

    After Japan opened relations with Europe and the U.S. in the mid 19th century, many European and American artists were dramatically influenced by imported Japanese art and culture; but Blum was one of the first American artists to actually travel to Japan, spending three years there.

    The information tab on the Google Art Project points out this severely horizontal aspect ratio — rare in European art, and what we might now think of as “cinematic” — was likely due to the influence of Japanese handscroll paintings.

    Though painted in oil, the painting carries some of the textural character of Blum’s accomplished pastels.


    The Silk Merchant, Japan; Google Art Project

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  • Darcie Peet

    Darcie Peet, landscapes, mountains and desert
    Darcie Peet is a painter who divides her time between the Rocky Mountains in Colorado and the Sonora Desert in Arizona, painting her impressions of both in crisp, painterly oils.

    Peet pays particular attention to the character of light as it plays across her landscapes, whether muted or bright, often revealing itself in bands of sunlight and shadow.

    I particularly enjoy those compositions in which she establishes a dominant theme of dark tones, and then makes her statement of the lighter passages as a subtle but dramatic accent.



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  • Kent Barton (update)

    Kent Barton, illustration, scratchboard, linocut and woodcut
    Kent Barton is an illustrator who works in scratchboard, as well as linocut and woodcut. His images carry echoes of graphic processes used in illustration in the past, while maintaining a very up to date sensibility.

    At times he adds color to his line work, applied with a light touch and an eye to keeping the linear character of the drawing foremost.

    Barton finds expressive power in variations in his linear tones, with lines varying in weight, spacing and direction adding to the flow of the composition and textural appeal of the drawing.

    Barton does not, as far as I know, have a dedicated website, instead relying on the site of his artist’s representative, Richard Solomon, as his primary portfolio. The Richard Solomon portfolio also includes a brief section on the artist’s working process.

    I initially featured Barton on Lines and Colors in 2012; since then he has not only posted new material to that online portfolio, but now has a Behance portfolio as well.

    For more, see my previous post on Kent Barton.



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  • Hollis Dunlap

    Hollis Dunlap
    Hollis Dunlap is a painter based in Connecticut, who take influences from the master so the past, but brings incorporates them into an approach with an unmistakably contemporary sensibility.

    Though he also paints landscape and still life subjects, Dunlap’s primary focus if figurative work. His compositions in all cases explore the expression of light in value, from stark chiaroscuro to delicate gradations of afternoon light.

    His surfaces are not shy about stating that they are composed of paint, with brusque paint applications and areas of the background left open to the underpainting.

    Unfortunately, the reproductions on his website are on the small side. You can find larger images on the site of Gallery 1261.

    Dunlap teaches classes in figure painting at the Lyme Art Association in Old Lyme, CT. There is an interview with the artist on Fine Art Connoisseur.

    Dunlap’s work is currently on display in an exhibition at Sirona Fine Art in Hallanale Beach, FL until January 11, 2015.

    [Via Yann ‘Deshoulières]



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  • Eye Candy for Today: Meindert Hobbema watermill

    A Watermill, Meindert Hobbema
    A Watermill, Meindert Hobbema

    In the Rijksmuseum.

    The wonderful 17th century Dutch landscape painter Meindert Hobbema — who studied with Jacob van Ruisdael — gives us an idyllic view of a watermill, set amid trees and reeds bent in a breeze, perhaps in anticipation of a coming storm.

    Hobbema had a masterful touch with foliage, and I love the way he’s created the textural masses of the trees here with loose, gestural paint marks. Seen in close-up, the entire painting is remarkably fresh and painterly.


    A Watermill, Rijksmuseum
    Related posts:
    Meindert Hobbema

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(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

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Sorolla the masterworks
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