Lines and Colors art blog
  • Audubon’s wild turkeys

    Great American Hen & Young. Vulgo, Female Wild Turkey. Meleagris gallapavo, John James Audubon, from Birds of America
    Great American Hen & Young. Vulgo, Female Wild Turkey. Meleagris gallapavo, John James Audubon

    Image from Wikipedia, original source: University of Pittsburgh.

    The American wild turkey is so removed from the rotund form of contemporary commercial farm turkeys as to be almost unrecognizable as related. Like most of our commercial poultry, the latter have been bred through narrow genetic strains over many generations to be essentially walking meat factories.

    Audubon portrayed both the male and female of the wild turkey, Meleagris gallapavo, for his ambitious Birds of America, and used the male (above, top) as the first plate.

    I actually find the image of the hen and chicks more interesting, however, and I’ve provided some detail crops from the version in the University of Pittsburgh collection here.

    These are engravings hand-painted in watercolor, and they vary enough that each can be considered an individual work. The one from the University of Pittsburgh collection is available on Wikipedia as a very high resolution file (80mb) as well as in zoomable form on the university’s website (along with the male, and all of the other plates from their copy of Birds of America).

    There are also versions of the plates from the collection of the Amon Carter Museum of American Art on Google Art Project, male and female. The color difference in this case is due to different paintings on engravings, not the usual internet color inconsistencies (though they may be at play as well).

    See my post an Audubon’s Birds of America.

    I also came across mention in the Wikipedia article that the common notion that Ben Franklin proposed the wild turkey as the national bird of the new republic, rather than the bald eagle, is essentially untrue — in that he never declared as much publicly. It has a basis in a letter Franklin wrote to his daughter in which he criticized the choice of the bald eagle for the crest of the Society of the Cincinnati.

    Franklin said of the wild turkey: “…the turkey is in comparison a much more respectable bird, and withal a true original native of America… He is besides, though a little vain & silly, a bird of courage, and would not hesitate to attack a Grenadier of the British Guards who should presume to invade his farm yard with a red coat on.”

    And of the bald eagle: “He is a bird of bad moral character. He does not get his living honestly. You may have seen him perched on some dead tree near the river, where, too lazy to fish for himself, he watches the labour of the fishing hawk [osprey]; and when that diligent bird has at length taken a fish, and is bearing it to his nest for the support of his mate and young ones, the bald eagle pursues him and takes it from him.”

    Hmmm…. given the current economic structure of the U.S., maybe the bald eagle is an apt choice for the national bird after all.



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  • Eye Candy for Today: John William Hill’s Plums

    Plums, John William Hill
    Plums, John William Hill

    Watercolor, graphite, and gouache on Bristol board, 7 x 12 inches; in the Metropolitan Museum of Art. The enlargement on the museum’s website is actually in greater detail than the crops I’ve provided here.

    I love the rendering of the fruit in this simple, direct study: fastinatingly textural close-up, but naturalistic at an appropriate distance.


    Plums, Met Museum

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  • Marie-Laure Cruschi (Cruschiform)

    Marie-Laure Cruschi (Cruschiform), Cabins and other vector illustrations
    Marie-Laure Cruschi is a French illustrator and designer, who often goes by the name of her Paris studio, Cruschiform.

    Cruschi’s work crosses the boundaries of her two areas of expertise, veering from vector illustration to design — and back again; the two inextricably intertwined in many images. Her strengths are obvious in those elements that are most strongly shared by the two disciplines: subtle color relationships and composition.

    There are a variety of projects on the Cruschiform website and Behance galleries.

    Of particular interest are her striking series of vector illustrations for Taschen’s Cabins book (images above, top two and bottom); you can see selections on both the website and Behance.

    There is also a Cruschiform blog (FR), on which you will find more projects and additional images.

    There is an article on her process on Creative Bloq.

    [Via Eric Orchard]



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  • Dina Brodsky

    Dina Brodsky
    Originally from Balarus, Dina Brodsky moved to the U.S. with her family at an early age. She studied at the University of Massachussets Amherst and New York Academy of Art.

    In her most recent series, Brodsky revels in the rich textures, subtle colors and muted value changes in abandoned buildings. She infuses these with a haunting narrative element in the form of repeated themes of birds and sometimes other animals, making the spaces seem at once inhabited and more empty.

    Most of her work is fairly small, approximately 8 inches (20 cm) across, painted in oil on mylar or plexiglass. I’m aware of mylar as a surface for drawing and painting, but oil on plexiglass is new to me. I don’t know if it has relevance to the way the pieces are displayed, or if she just likes the surface.

    A number of her paintings, like the three shown above, bottom, are outright miniatures, 2 inches (5 cm) across. I get the impression that the circular motif of some of the most recent larger series may have developed out of a miniature titled “Demolition Spyhole”, from which larger versions of the subject and composition may have evolved.

    Her website has archives that go back several years.

    There is a fascinating article by Daniel Maidman that goes into the way her miniature series “Desert Places” was displayed in a miniature museum setting.

    Jessica Roy has an article on Fusion that delves into Brodsky’s process. There is a “Studio Visit” video on Vimeo from 2012.

    Dina Brodsky’s work is currently on display at Sirona Fine Art in Hallandale Beach, FL, in a dual show with sculptor Wesley Wofford, titled “Miniature & Majestic”, that runs until January 11, 2015.

    [Via American Art Collector]



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  • Eye Candy for Today: Gussow’s Old Man’s Treasure

    Old Man's Treasure (Das Katzchen), Karl Gussow
    Old Man’s Treasure (Das Katzchen), Karl Gussow

    On Google Art Project, downloadable file on Wikimedia Commons, original is in the Walker Art Gallery, Liverpool.

    Awwwwww…

    Gussow was criticized at times for being sentimental.

    Well, yes, but… look at that wonderfull brushwork, the controlled color, nuanced values and wonderful attention to texture and detail — right down to the old man’s dirty fingernails. The man could paint, friends and neighbors.

    And the kitten is cute. I mean, really.

    Awwwwww…



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  • Mingiue Helen Chen

    Mingiue Helen Chen
    Mingiue Helen Chen is a visual development artist, art director and illustrator who has worked in feature animation on titles like Frankenweenie, Wreck-it Ralph, and Big Hero 6. She also worked on the experimental Paperman short, which explored a convergence of GCi and the look of hand drawn animation.

    Chen’s style ranged from bright and engagingly cartoony, to moody and atmospheric. You can find some of her work and personal pieces on her sketchblog, and some archives of older pieced on her old blog.

    There is an article on Muddy Colors, and an accompanying video on YouTube

    [Via Concept Art World]



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

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Sorolla: the masterworks

The Art Spirit
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Rendering in Pen and Ink
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Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics