Lines and Colors art blog
  • USDA Pomological Watercolors Digital Collection

    USDA Pomological Watercolor Digital Collection: Charles Steadman, William Henry Prestle, Bertha Heiges, M. Strange, Harriet L. Thompson, Ellen Isham Schutt, Deborah Griscom Passmore, L.C.C. Krieger

    The U.S. Department of Agriculture has placed online and extensive digital collection of late 19th and early 20th century watercolors of fruit varieties that were commissioned both as a botanical resource and as illustrations for the department’s publications.

    “Pomology” the study of fruit breeding and production.

    There are over 7,000 images of watercolors by two dozen artists, almost half of whom are women. Essentially botanical illustrations, the paintings are beautiful and sensitively rendered in delicate detail.

    Many of the fruits are represented in various stages of decay, presumably to illustrate specifics in the articles they were to accompany, as well as providing visual documentation of the varieties themselves.

    There is an introductory page and a search page from which you can explore the collection.

    I found it easiest to browse by clicking on “Limit your search: Artist” in the left column, and then simply clicking on the artists’ names to bring up their work. They are listed in order of number of images in the database.

    There is an article on Slate (by Rebecca Onion, no less) that focuses on the portrayal of less familiar apple varieties. More than 3,000 of the watercolors are of apples.

    (Images above: Charles Steadman, William Henry Prestle [with detail], Bertha Heiges, M. Strange, Harriet L. Thompson, Ellen Isham Schutt, Deborah Griscom Passmore, L.C.C. Krieger [with detail])

    [Via Slate]



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  • Matt Rhodes

    Matt Rhodes is lead concept artist on Dragon Age: Inquisition at Bioware
    Matt Rhodes is lead concept artist on Dragon Age: Inquisition at Bioware.

    In both his professional and personal work, Rhodes combines economy of notation in his line with atmospheric application of color. If he weren’t kept busy by his concept art schedule, I’d love to see his style applied to comics.

    As one of his personal projects, Rhodes came up with a delightful take on the characters from Dune, imagined in the style of TV animation.

    [Via BoingBoing]



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  • Hans Heysen

    Hans Heysen
    Hans Heysen is another of those wonderful turn of the 20th century Australian artists that we just don’t hear enough about here in the U.S.

    Born in Germany, Heysen came to Australia with his parents at the age of 7. He studied in Australia and for four year, in Europe.

    He worked in oil, charcoal and was a printmaker, but is renowned for his watercolors. Though his subjects included still life, figures and landscapes of many kinds, Heysen is known primarily for his luminous, beautifully handled scenes that incorporate the wonderful gum trees native to Australia.

    You can see his influence on contemporary Australian painters like John McCartin.

    There appear to be only a few sources online for images of Heysen’s work. The largest images I could find are on the National Gallery of Victoria and the Christies auction site. Images on the Art Gallery of New South Wales website are not as large, but still good sized. The Art Gallery of South Australia has a wide selection of images, though they are not large (scroll down on that page, if link doesn’t work, try a search).

    There is a collection of his work from 2008 that may be available used.

    [Via Making a Mark]



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  • Eye Candy for Today: Tiffany glass mosaic

    Garden Landscape, Louis Comfort Tiffany & Studio
    Garden Landscape, Louis Comfort Tiffany & Studio

    Favrille-glass mosaic, 103×114 in (263×290 cm); in the collection of the Metropolitan Museum of Art.

    Tiffany may have made this in preparation for work on the even larger Dream Garden mosaic, here in Philadelphia, on which he collaborated with Maxfield Parrish.

    I love the subtle, painterly representation of the clouds.



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  • Shushana Rucker

    Shushana Rucker
    Like a musician who prefers the emotional tone of downtempo compositions, Philadelphia based painter and printmaker Shushana Rucker finds visual fascination in the muted contrasts of overcast skies and the overlooked subjects of industrial buildings, railways and related structures.

    Having had a fascination with railroads as a child, I particularly respond to her evocative portrayals of railroad tracks, along with the power lines, bridges and embankments that accompany them. In these, Rucker’s subtle palette and compressed values often emphasize the geometric and textural elements of her subjects.

    Her prints likewise emphasize strongly geometric compositions and textures in her depictions of industrial buildings, rail beds and bridges, as well as the kinds of houses that one finds along the railways here in southeastern Pennsylvania.

    Rucker’s work will be on display at the F.A.N. Gallery in Philadelphia in a solo show titled “Shushana Rucker – Connections and Observations“, that runs from today to October 31, 2015, with an opening reception tonight, October 2, 2015, from 5-9 PM.



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  • Eye Candy for Today: Botticelli idealized portrait

    Idealized Portrait of a Lady (Portrait of Simonetta Vespucci as Nymph), Sandro Botticelli
    Idealized Portrait of a Lady (Portrait of Simonetta Vespucci as Nymph), Sandro Botticelli

    Tempera on wood panel, 32×21 in (82×54 cm)

    Link is to zoomable version on Google Art Project; downloadable file on Wikimedia Commons; original is in the Städel Museum, Frankfurt. There is also an article devoted to the painting on Wikipedia.

    This exquisite 15th century tempera portrait is listed as “generally accepted” to be by the famous master Sandro Botticelli. I’m no expert, but it has the feeling of the few Botticelli’s I’ve had the pleasure of seeing, and certainly appears to be at that level of mastery.

    There is also a generally accepted assumption that the model for the painting was a well known Florentine noblewoman named Simonetta Vespucci, here in elaborate costume as a nymph (a spirit or minor goddess representing a place or aspect of nature).

    Though the face is in profile, as was often the custom in Renaissance portraits, the shoulders are turned three quarters toward us to display the medallion she wears, recognizable as cameo known as “Nero’s Seal“, that was in the possession of Lorenzo de’ Medici at the time.

    The zoomable and downloadable versions of the image are wonderfully large and allow us to see the precise but elegantly handled tempera technique up close.


    Idealized Portrait of a Lady, Google Art Project

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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
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Rendering in Pen and Ink
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Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
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Drawing on the right side of the brain
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Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics