Lines and Colors art blog
  • Eye Candy for Today: Feeding the Dog, Giovanni Battista Piazzetta

    Giovanni Battista Piazzetta
    Feeding the Dog, Giovanni Battista Piazzetta

    Chalk on paper, highlighted with white. In the Metropolitan Museum of Art.


    Feeding the Dog, Met Museum

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  • Frank Mason

    Frank Mason
    Frank Herbert Mason was an American artist and highly regarded teacher noted for his reverence for the work and techniques of the old masters.

    This was evident in his own work and teaching, as well as in his determined efforts to oppose modern restoration and cleaning of great artwork that a growing number of artists and other professionals of the time felt was overzealous to the point of causing irreparable damage. His efforts in this regard led to his his role as a cofounder, along with with James Beck, professor of art history at Columbia University, of the organization, ArtWatch International.

    Mason’s dedication to art was evident at an early age, and at 16 he was awarded a scholarship to study at the Art Students League in New York. There he became a pupil, and later a colleague and lifelong friend, of the noted American painter Frank Vincent DuMond. (Some of DuMond’s other students included artists like Charles Hawthorne, Georgia O’Keeffe, John Marin, Andrew Loomis, Norman Rockwell, Frank J. Reilly and Ted Seth Jacobs.)

    After DuMond’s death in 1951, Mason was appointed to teach as DuMond’s successor at the Art Students League. He went on to be one of the League’s most popular and influential instructors.

    In his own work, Mason defied the currents of Modernism, remaining true to the traditions of representational art.

    There is an official website devoted to Mason and his work. When looking through the galleries, be aware that in addition to the categories listed on the right for Landscape, Portraits, etc., each of these sections is divided into sub-sections, accessed from the bottom of the page (this is easy to miss).

    On the site you will also find mention of a book of his work that portrays the life of Christ, as well as two documentaries on Mason, one of them a full-length film.

    One of Mason’s paintings, Little Italy, was acquired by the State Hermitage Museum in Saint Petersburg, Russia.



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  • Collaborating with a 4-year old

    Mica Angela Hendricks and daughter
    While drawing in a toned paper sketchbook, which she had carefully selected for its nice middle ground for adding highlights as well as darks, illustrator Mica Angela Henrdicks was reminded by her 4-year old daughter that kids always want to play with grown-ups’ toys.

    She reluctantly acquiesced, and the 4-year old proceeded to “finish” a face her mother had drawn by adding a body, a dinosaur body, of course, which made it all the more perfect, and Hendricks was so impressed with the results that she began to do a series of faces, encouraging her daughter to add bodies, and then occasionally going back in with a bit of color in acrylics.

    You can read Hendricks’ article about the series on her blog, and see more of them on her Society6 page. You can see Mica Angela Henrdicks’ professional work here.

    [Via MetaFilter]



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  • Syd Mead Blade Runner concept art

    Syd Mead Bladerunner concept art
    Fans of the reality-bending fiction of Philip K. Dick, among whom I count myself, generally acknowledge the the best film made from his source material is Ridley Scott’s superb 1982 “future noir” thriller, Blade Runner.

    One of the best features of that film was the art direction, cinematography and overall look and feel, much of which was due to designs by the brilliant visual futurist and concept artist, Syd Mead.

    As part of a series of articles under the heading of Fragments of a hologram rose: Re-seeing Blade Runner, Chris Rogers takes a look at some of Mead’s concept art. The article is accompanied by a gallery of images.



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  • The Unicorn Magical Drawing and Painting Horse

    The Unicorn Magical Drawing and Painting Horse
    As I mentioned in my 2007 article on “The Drawing bench (horse)“, I’m fond of the arrangement provided by these usually simple benches that allow for a “sight-over” position when seated and drawing.

    I say “usually simple”, because I got a kick out of comment recently posted to the article on this amazingly deluxe variation, apparently suitable for a Gilded Age drawing room. The manufacturer’s site, for the bench, which they call the “Unicorn LE” and describe as “a magical drawing & painting horse”. I’m not exactly sure about its specific magical properties, but it has a delightful tagline that reads: “Elegant enough for the living room and sturdy enough for the studio”. I suppose you could get matching ones for either side of the couch.

    I had to chuckle a bit, as this is a far cry from the normal plain arrangement of three or four boards, even when factory bought rather than cobbled together from scrap lumber. I haven’t tried one, of course, but the padded seat and handy storage drawer look just dandy.

    The website doesn’t list a price, suggesting you contact the company (display and graphics firm, Scale 2) for information, so maybe you have to hock your car and sign away hour first born to afford one, I don’t know.

    Sure is pretty, though.

    (Aside: I found out that the term “drawing room” as often used in Victorian times, has nothing to do with artists, but is rather a shortened version of “withdrawing room”, a room to which one withdraws after a meal for conversation and other diversions.)

    [Suggestion courtesy of Layil Umbralux]



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  • Eye Candy for Today: Jean-Baptiste Greuze ink and wash drawing

    Madame Greuze on a chaise lounge with her dog, Jean-Baptiste Greuze
    Madame Greuze on a chaise lounge with her dog, Jean-Baptiste Greuze

    Rijksmuseum, ink and wash over chalk on paper, 13×18″ (34x47cm)

    In this seemingly casual but beautifully realized drawing of his wife relaxing with her dog, Greuze achieves a subtle portrayal of light and form — a reminder of the surprising versatility of the humble medium of ink and wash, which often shares characteristics of both drawing and painting.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics