Lines and Colors art blog
  • Patrick Arrasmith (update)

    Patrick Arrasmith
    Since I first wrote about illustrator Patrick Arrasmith back in 2008, he has become best known as the illustrator of the Last Apprentice series by Joseph Delaney.

    Arrasmith works in the difficult but rewarding medium of scratchboard, in which line and tone are created by scratching black ink from the surface of clay-coated board on which it has been applied, leaving white areas or lines where the ink has been scratched away (in Arrasmith’s case, with a #16 X-acto blade).

    His technique allows him to create appropriately spooky imagery for the series, not only in working from black to white, but also because it produces that wonderfully textural line and tone quality, somewhere between pen and ink and wood engraving, that is unique to scratchboard.

    In a number of the chapter headings, Arrasmith has carried forward the older tradition of allowing areas with the illustration for the incorporation of the initial block of text that starts the chapter, sometimes knockout text in white against a block background, sometimes in white areas, often with an inventive take on how the text is blended into the art.

    For color work, such as the series covers, Arrasmith scans the scratchboard drawings and applies color digitally in Photoshop.

    Since my initial post, Arrasmith has updated his website with a new design and nice large images that allow you to see some of the detail and textural characteristics of his approach. When viewing his online portfolio, be aware that there are several sections, accessed from small text links at the bottom right of the main Portfolio page.

    There are a couple of videos on YouTube of Arrasmith discussing his work for the series, in one he talks briefly about his process, in the other he highlights some of his favorites among the illustrations.

    There is also a brief interview with Arrasmith from 2008 on Irene Gallo’s The Art Department, and a gallery of his work in Tor.com.

    [For more background on scratchboard, a Lines and Colors search for scratchboard will bring up other posts in which the medium is discussed.]



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  • Eye Candy for Today: Morisot’s mother and sister

    Portrait of the Artist's Mother and Sister, Berthe Morisot
    Portrait of the Artist’s Mother and Sister, Berthe Morisot

    An intimate family portrait by an underappreciated member of the Impressionist circle.


    Portrait of the Artist’s Mother and Sister, Berthe Morisot, on WikiPaintings

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  • Cayce Zavaglia

    Cayce Zavaglia
    Cayce Zavaglia creates her portraits in a novel variation on the time honored traditions of tapestry, using crewel embroidery wool in a method in which the direction of the threads are not blended into a uniform pattern, but given direction within the creation of the form — like brushstrokes, producing a much more “painterly” (“threaderly”?) surface.

    Zavaglia was trained as a painter and in her statement indicates that she still thinks of herself as a painter, simply working with a different medium.

    The images on her site, once you click through to the individual works, are supplemented with close up crops in which you can better see the directional and dimensional qualities of the threadwork.

    In addition, some of the works are displayed as they look from the reverse of the surface, with a feeling of abstracted underlying form and a decidedly different direction and texture to the threads.

    [Via High-Fructose by way of Dan van Bentheuysen: @vanbenth]

    www.caycezavaglia.com



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  • Sargent watercolors at the Brooklyn Museum

    John Singer Sargent watergolors at the Brooklyn Museum
    John Singer Sargent, long dismissed by the art establishment as a facile painter of society portraits, has finally in recent years been getting something of his due as a painter.

    Beyond the technical mastery and delicious painterly flourish of his formal work in oil, Sargent was one of the great masters of the medium of watercolor; and it was in his watercolors, often painted while vacationing or traveling, that he found his greatest joy as an artist.

    The Brooklyn Museum and the Museum of Fine Arts, Boston have put together an exhibition that draws on the Sargent watercolors in the collection of both museums.

    Titled simply John Singer Sargent Watercolors, it consists of ninety-three works in watercolor with mixtures of opaque watercolor, bodycolor, graphite and whatever else Sargent could find to achieve his goals. To these they have added nine of Sargent’s oils — just in case the watercolors aren’t enough to leave you completely dazzled.

    I consider this a must-see show if I can possibly make it, and hope to give you a subsequent first-hand report.

    In the meanwhile, there is a catalog from the exhibition, John Singer Sargent Watercolors, that James Gurney reviews here.

    I can also recommend an older book, The Watercolors of John Singer Singer Sargent by Carl Little, but judging from Gurney’s review, I would go for the new catalog first.

    The exhibition will be at the Brooklyn Museum until July 28, 2013. (Incidentally, the Brooklyn Museum, as I write here, is a terrific museum in general, often unfairly overshadowed by its more famous counterparts in Manhattan.)

    The exhibition then moves to the Museum of Fine Arts, Boston, where it will be on display from October 13, 2013 to January 20, 2014. The last stop will be at the Museum of Fine Arts, Houston, for which dates have not yet been set.

    There is a small slideshow on the Brooklyn Museum page for the exhibit, but with a bit of clicking you can search their collections for John Singer Sargent Watercolors and access more works. Use the blue arrow at right of the top section of thumbnails to access more objects (their search interface needs work). On the page for an individual work, click on “Download” and choose a large size for larger images.

    The MFA has an easier to navigate search; click on “Zoom” for larger images.

    [Via Gurney Journey]



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  • Rodin’s Gates of Hell

    The Gates of Hell, Auguste Rodin, photo by J.W. Kern
    The Gates of Hell was an ambitious and astonishing work by the French sculptor Auguste Rodin that was never realized in his lifetime.

    The sculpture exists in two versions, one of which was cast in bronze posthumously from reconstructed plaster casts. The work stands almost 30 feet (6m) high and 12 feet (4m) wide, with over 180 figures representing themes from Dante Alighieri’s Devine Comedy.

    The sculpture contains many figures and sets of figures that were eventually developed into independent works by Rodin, including his famous The Thinker. Rodin worked on the doors off and on for 37 years, never actually finishing the work.

    There is a video here that discusses the the work and the two different versions created by Rodin.

    There are three original bronze casts, at the Musée Rodin in Paris, the Rodin Museum here in Philadelphia and the National Museum of Western Art in Tokyo.

    Three more were subsequently cast by the Musée Rodin, and are in Zurich, Seoul, Korea and Stanford University in California.

    Microbiologist and photographer J.W. Kern has taken a rather remarkable high-resolution (112 megapixel) photograph of the Stanford casting and made it available on Flickr (click on “Original” for the high-res version, which is 18mb). Here is Kern’s article about the sculpture and the photo.

    [Via MetaFilter]



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  • Cartoon Kevin

    Kevin McShane
    Cartoon Kevin” is a project by Kevin McShane in which he has over a period of two years drawn cartoon self portraits in the style of 100 different animation artists, from Winsor McCay to this year’s fascinating Disney short, Paperman (my post here).

    When viewing the images, hover for the style, click for the larger version.

    [Via Cartoon Brew]



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics