Lines and Colors art blog
  • Blacksad (Juanjo Guarnido)

    Blacksad (Juanjo Guarnido)
    There is a genre of comics and animated cartoons called “funny animal”, referring to animal characters that have anthropomorphic characteristics. Even if the genre name is unfamiliar, some of the characters are among the best known, e.g. Mickey mouse and Bugs Bunny.

    Much less familiar to the general public is a sub-genre, sometimes called “furry”, “furries” or “anthropromorphics”, in which the animal characters are anthropomorphised to a greater degree, often taking on basically a human form with an animal head, as well as human gender characteristics (the latter is sometimes emphasized, to put it politely).

    I can’t say this is one of my favorite comics genres, as I often find the the concept silly to the point of detracting from the story.

    However, there is a series of comics albums from Europe called Blacksad that have upended my take on the subject, simply by being so superbly done.

    The creators, writer Juan Díaz Canales and artist Juanjo Guarnido are Spanish, but the books are published in French by French publisher Dargaud for the extensive comics market in France and Belgium, where they have been tremendously popular, and later released in Spanish language and other editions.

    Fortunately for those of us who speak English, Dark Horse Comics has collected an published in English translations the first three volumes of the series, in a hardcover edition simply titled Blacksad (Amazon link).

    The story is essentially a film noir hard-boiled detective series, John Blacksad being the lead character in that role, who just happens to be portrayed as a black cat.

    Other characters are portrayed as various animals, weasels, hippos, dogs, whatever the authors saw as appropriate for their character. The stories are adult in nature, not children’s fare.

    What swayed me from my usual reluctance to read comics with this kind of characterization was Guarnido’s stunning comic art, wonderfully realized characters, animal heads or no, and beautifully rendered backgrounds and settings.

    Fortunately, there are a number of sources for previewing the pages, both from the Dark Horse book and the European editions, so you can see for yourself what I mean.

    Linked from the Dark Horse page for the book is a 4 page preview. You can also view a preview flip book that is a bit more extensive (though smaller and hampered by one of those annoyingly stupid page flippy widgets).

    There is also an 8 page preview of the Dark Horse volume on Hypergeek, and the Amazon.com listing has a 6 page preview, with covers and additional inner pages.

    There is a Blacksad.com site, which may or may not be official, I don’t know, as well as fan site, Blacksadmania. Both are in French and feature sketches, preliminary art, pencilled pages and more. There is another fan site here, and some non-Blacksad work by Guarnido on The Drawing Board.

    Spanish site Guía del cómic has a page about the newest Spanish language volume, Blacksad #4: El Infierno, El Silenco (French edition is titled Blacksad #4 L’enfer, le silence). They have a 9 page preview, the first three of which are posted larger than the other page previews.

    Additional large pages from that volume have been posted, along with other pages and additional art, on a blog called Blacksad Gallery, another offshoot of the Character Design Blog and The Art Center that I wrote about recently.

    [Suggestion courtesy of James Gurney]



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  • Sir Frank Dicksee

    Sir Frank Dicksee
    Sir Frank Dicksee was an English painter and illustrator active in the Victorian era.

    Originally taught by his father, artist Thomas Dicksee, along with his brother, Herbert, and sister, Margaret, who were also artists of note, Frank Dicksee went on to study at the Royal Academy. There he learned from renowned painters like Frederick Lord Leighton and Pre-Raphaelite master Sir John Everett Millais.

    Like the Pre-Raphaelites and other Victorian painters, Dicksee took much inspiration in literary works, in particular Shakespeare, interpreting scenes like the balcony scene from Romeo and Juliet (image above, top) more than once.

    Dicksee’s lushly colored, richly detailed works evoke the romance of his literary sources, as well as projecting romance into his elegant portraits.

    He was a staunch believer in the traditions and beauty of Victorian High Art, and was vehemently opposed to the dissolution of those traditions at the hands of the early 20th Century Modernists.

    The Google Art Project (see my post here) features a zoomable image of Dicksee’s The Two Crowns from the Tate Britain (image and detail, above, bottom). While not as high resolution as the larger images on the project, it’s probably the largest reproduction of a Frank Dicksee painting you’ll find on the web. (The reproduction is a bit murky; I’ve taken the liberty of color correcting it here.)



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  • The Art Center (blog)

    The Art Center blog: Florian Satzinger, Rad Sechrist, Hat Lieberman, Mark McDonnell, Louie del Carmen, Leighton Hickman, Sam Nielson
    The Art Center is a blog devoted to, as the tagline says, “Sharing Ideas and Tips from Artist to Artist”.

    An offshoot of the Character Design blog, which is devoted largely to interviews with artists working in the film, gaming and illustration fields, The Art Center features tutorials, walk-throughs, how to videos and discussions of process and technique for character design, concept art, storyboarding an other aspects of related visual art.

    It also includes basic tips on painting, drawing, composition and rendering in various media, including digital painting.

    You’ll find a list of the contributors, all working artists in related fields, on the left side of the blog, and a list of topic and artist tags on the right. The artists list is linked to the contributor’s blogs and websites, so you can click through to see more of their art.

    You’ll have to put up with poke-your-eye-out graphic design, trying to read bright green text and bright red titles on a black background (what are they thinking?), but for those working in this vein, the tips and techniques are worth the effort.

    (Images above: Florian Satzinger, Rad Sechrist, Hat Lieberman, Mark McDonnell, Louie del Carmen, Leighton Hickman, Sam Nielson)

    [Via Dave Gibbons on Twitter @davegibbons90]



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  • Hi-res images on Rijksmuseum website

    Hi res images in Rijksmuseum: Vermeer, Rembrandt, Floris van Dijk, Peter de Hooch, Van Gogh, Monet
    One thing I can never seem to get enough of is high resolution images of great art, and it seems like more and more are cropping up each day — one of the little gifts bestowed upon us by the globe spanning lattice of zooming bits we affectionately call the web.

    Peacay, author of the amazing blog, BibliOdyssey (see my posts here and here), was kind enough to point out recently that the Rijksmuseum in Amsterdam, one of the world’s great museums, is now posting high resolution images of almost all of the works featured in their online collections. This practice extends right down to the posters and prints in their shop.

    While not as stunningly high-resolution as the images on the Google Art Project (my post here), these can be viewed whole more easily and they go way beyond the selection offered there.

    You can search the collections, or, as I prefer to do, browse through their lists of artists alphabetically; find someone you’re interested in, say, Vermeer (grin), and see a selection of the works available for viewing online.

    Click on a thumbnail image to access the detail page for a given work, for example, The Little Street, and click on the plus sign or link for “Extra large view of the image” below the preview image to see the larger version (images above, top, with detail crop below it).

    Some enlargements are higher in resolution and have more detail than others, but all I’ve encountered have been large enough to be worthwhile.

    The collection includes artists who are quite famous, like Rembrandt (images above, 3rd and 4th down), a little less famous, like Pieter de Hooch (above, 7th and 8th down), and lesser known but wonderful artists like still life painter Floris van Dijck (above, 5th and 6th down).

    The museum’s online collection also contains gems you might not expect, like one of Van Gogh’s beautifully textural ink drawings, or a stunning Monet.

    It’s also worth coming back through the front of the site and exploring that way, though I find the artist listings the most rewarding in terms of high resolution images. You could spend a lot of rewarding time here just checking out artists with whom you’re not familiar.

    If your taste for great northern European art (and others) is anything like mine, I’ll issue my standard Major Time Sink Warning.

    [Thanks also to Valentino Radman and Lok Jansen for mentions of high res images at the Rijksmuseum.]



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  • Shy the Sun (update)

    Shy the Sun
    Back in 2006 I noticed the delightfully idiosyncratic work of a South African artist and illustrator named Ree Treweek (images above, top).

    In the time since, I have followed with fascination as Treweek and her partners Jannes Hendrikz and Marcus Smit, collectively known as The Blackheart Gang, produced a strikingly original and truly strange animation titled The Tale of How (above, 2nd down), which brought them to international attention, and leveraged that notice into a successful production company for animated commercial spots called Shy the Sun.

    Shy the Sun produced a stunningly bizarre commercial called Sea Orchestra (above, 3rd down) for United Airlines (which was experimenting with exceptionally creative ad spots, like Jamie Caliri’s Dragon).

    After that, I found a commercial not shown here in the U.S. that put their eccentric talents in service of selling Bakers Precious Biscuits (above, 4th down).

    It was in the latter ad that I think they added to their techniques of combining hand drawings with computer coloring and compositing an additional animation style incorporating miniature models and sets. This approach has been very successful for them and they have utilized both approaches, as well as traditional CGI, in a series of terrific spots and promotions, some well known, others more obscure.

    If you’ve ever wondered, as I did initially, who created the psychedelic cat food commercial, Friskies Adventureland (above, 5th down), it was Shy the Sun.

    They applied their miniature set skills to ads for the South African subscription TV service Mnet in Ladybug and Firefly (above, 3rd from bottom). More traditional CGI seems to have been the choice for the darker ads for Electronic Arts’ game Alice: Madness Returns.

    Treweek has been art director on most of the projects and co-director on some. She also contributed character design to the bizarre creatures seen at the end of Pete Candeland and Passion Pictures’ wild promo for Harmonix “The Beatles Rock Band” (above, 2nd from bottom).

    My slightly blurry screen captures don’t begin to tell you what these animations look like in motion, particularly The Tale of How and Sea Orchestra.

    There are now also videos available on The Making of The Tale of How, The Making of Sea Orchestra (above, bottom) and The Making of Bakers.

    I’m looking forward to whatever projects they take on, as their work continues to be imaginative and original.

    Now, if only someone would give them a big pile of money to do a feature length animation…



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  • David Gray

    David Gray
    David Gray paints elegant, refined still life paintings and beautifully realized portraits in the classical realist tradition.

    In both his portraits and still life paintings, he evokes a feeling of stillness and contemplation, though in the portraits that feeling is often pierced by the quiet but intense aliveness projected by his subjects.

    Similarly, Gray works with muted, limited palettes that are often punctuated by a single intense color. That kind of duality, in color, in emotional tone, in light and dark, and in the compositional contrasts of form and negative space that define his compositions, seems to pervade his work.

    Many of his portraits are part of a series in which he explores a fascination with head wraps, and the contrasts of folded cloth against smooth skin. Though I was immediately drawn to a portrait of his daughter that seems very Vermeer-like, echoing the pose and colors from Girl With a Pearl Earring (images above, second down), Gray states that Vermeer was not in his mind when he composed and painted the piece; and that he takes his inspiration for figure and portrait painting most prominently from Jean-Auguste Dominique Ingres.

    Gray was a finalist in the Figurative Category in the ARC 2009-2010 Salon (larger image here), and was an invited artist in the 2010 American Art Invitational.

    David Gray is the subject of a featured article in the March 2011 issue of Southwest Art magazine. The online version of the article, which also includes a gallery of Gray’s work, can be read here.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics