Lines and Colors art blog
  • Google Art Project

    Google Art Project, Rembrandt, The Night Watch
    Wow.

    There are times I just want to hug the internet, and say “I love you Internet!“.

    Google, that monolithic giant of search, advertising, maps, stats and online software, whose offerings and initiatives have ranged from the amazing (search, maps) to the not-so wonderful (privacy issues), has spun off a new initiative for which I will forgive most of their transgressions.

    Google on Monday unveiled a new feature called Google Art Project that is nothing short of wonderful and amazing, and, if Google’s history is any indication, stands to become even more wonderful and amazing as time goes on.

    The project is an online archive of ultra-high-resolution images of great works of art.

    Google has applied their “Street View” technology, familiar for providing zoomable street-level images within the context of Google Maps, to the display of both the works and the galleries in which they reside.

    Google Street View has been put to unofficial art related use before, notably with the Virtual Paintout (my post here) in which artists virtually “visit” a specified location by way of Google Street View, and use the images as reference for “on location” paintings.

    Here, the technology is being put to much different use by Google, allowing some of the best views of great paintings available online.

    At the moment they are working with 17 museums, each of which has contributed one or more gigapixel level images to the project; and an impressive start it is:

    Alte Nationalgalerie, Berlin – Germany
    Freer Gallery of Art, Smithsonian, Washington DC – USA
    The Frick Collection, NYC – USA
    Gemäldegalerie, Berlin – Germany
    The Metropolitan Museum of Art, NYC – USA
    MoMA, The Museum of Modern Art, NYC – USA
    Museo Reina Sofia, Madrid – Spain
    Museo Thyssen – Bornemisza, Madrid – Spain
    Museum Kampa, Prague – Czech Republic
    National Gallery, London – UK
    Palace of Versailles – France
    Rijksmuseum, Amsterdam – The Netherlands
    The State Hermitage Museum, St Petersburg – Russia
    State Tretyakov Gallery, Moscow – Russia
    Tate Britain, London – UK
    Uffizi Gallery, Florence – Italy
    Van Gogh Museum, Amsterdam – The Netherlands

    Starting from a list that appears on the project’s home page when you mouse over the initial image, you can choose a museum, then browse the museum’s corridors, or go right to an artwork.

    Unlike the stingy feeling so many museums project with tiny preview images and zooming images that have to be scrolled in frustratingly small little windows, the artworks here are available in a full screen zooming interface, and when I say “zoom” I mean it really zooms, down to an astonishing level of detail.

    This is like the Haltadefinizione project that I wrote about here, but with a better interface and without the annoyance of watermarking.

    In the images above, I’ve chosen to visit the Rijksmuseum in Amsterdam and zoom in to a nose-up-against-the-canvas view of Rembrandt’s The Shooting Company of Frans Banning Cocq, commonly known as The Night Watch.

    Though the Flash drop-down for browsing museums and works is a bit glitchy, the interface’s provision for scrolling and zooming is wonderfully fluid, and the ability to get your eyeballs right up to Rembrandt’s textural brushwork is just delicious.

    I’ve left the zooming control in my images just to demonstrate it, but it and other interface elements politely melt away when not in use. In the upper right is a Visitor Guide button, which provides a general introduction to the project (there is also a short introductory video here), and an info (“i”) button which gives access to an information panel with a menu of options for information about the painting, provided by the museum in which it hangs.

    Of note in that menu are links to “More Works by this Artist” and “More Works in this Museum”, which can lead to a nice browsing experience.

    There are some amazing images to be seen, including The Harvesters by Pieter Bruegel the Elder in the Metropolitan Museum of Art, Van Gogh’s The Starry Night at the MoMA, Hans Holbein’s enigmatic The Ambassadors (my post here) in the National Gallery, London and (be still my beating heart) Botticelli’s The Birth of Venus in the Uffizi!

    Wow.

    I’ll give my Major Time Sink Warning and bid you enjoy!

    All art on the internet should be like this.

    [Via MetaFilter]



    Categories:
    , , ,


  • Lan Ying

    Lan Ying
    Lan Ying was a Chinese painter active in the early 17th Century (late Ming dynasty). He was noted for his paintings of flowers, plants and landscapes. The latter were beautiful examples of a kind of Chinese landscape painting I particularly enjoy, with delicate, softly toned calligraphic linework and beautifully handled washes, evocative of mist, atmosphere and subtle suggestions of texture.

    Lan Ying was also noted for his portrayals of fascinatingly complex rocks, of a kind often chosen for gardens as suggestive of miniature mountains (image above, bottom right, featured here).

    He was considered representative of the Zhe School of Chinese painters. I’ve see a number of his works in which the title indicates that he is deliberately painting in the style of particular artists that preceded him whose work he greatly admired.



    Categories:


  • Super Bowl Art Bet

    Super Bowl Art Bet: Gustav Caillebotte, Auguste Renoir, JMW Turner, Claude Lorrain
    It’s long been a tradition for mayors and other representatives of rival American cities to make wagers on the outcomes of major, season-ending sporting events like the Baseball World Series and, in particular, the Super Bowl football game.

    Last year, prompted by a dare from Modern Art Notes writer Tyler Green, two art museums from cities whose teams were in the Super Bowl made a bet of major art loans against the outcome of the game.

    After the New Orleans Saints Beat the Indianapolis Colts in that game, the Indianapolis Museum of Art (see my recent post on the IMA) loaned a significant painting by JMW Turner, The Fifth Plague of Egypt (image above, third down), to the New Orleans Museum of Art, which had wagered the loan of Ideal View of Tivoli by Claude Lorrain (above, bottom).

    The major museums of the rival cities involved in this year’s Super Bowl have taken this idea (and a terrific one it is) into its second year.

    The Carnegie Museum of Art in Pittburgh has wagered the loan of Renoir’s Bathers with a Crab on a Pittsburgh Steelers win, while the Milwaukee Art Museum has put up Boating on the Yerres by Gustave Caillebotte, betting that the Green Bay Packers will take the trophy.

    Personally, I think Pittsburgh stands to get the better end of the deal; though Renoir is considered to be the more “significant” painter, I’d take the Caillebotte any day. (A choice between the Claude and the Turner from last year would be harder.)

    At any rate it’s great fun, and raises the visibility of the museums and their collections in the midst of an event usually far removed from the art scene; so both museums come out winners.

    Here’s Tyler Green’s article about this year’s bet. I’ve included links to some other articles covering the wager below.



    Categories:


  • Olga Dugina & Andrej Dugin (update)

    Olga Dugina & Andrej Dugin
    When I wrote about the intricate, richly textured and wonderfully idiosyncratic illustrations of Olga Dugina & Andrej Dugin back in 2006, they did not have a dedicated web presence.

    Since then, Dugin has established a website, Duginart, that represents both artists (they are married).

    The Gallery has sections devoted to illustration by each artist, as well as the more familiar work done jointly, along with paintings and graphics by Dugin.

    Unfortunately, the reproductions on their site are frustratingly small and don’t give an adequate feeling for the texture and detail in the work.

    I stumbled across this unofficial post of some of their work, another here, an unofficial gallery here (click through twice to larger image), and there is also a selection here.

    For the best look at their work, of course, see it in print. You can find several of the books they have illustrated on Amazon.

    For more, see my previous post about Olga Dugina & Andrej Dugin



    Categories:


  • Un Tour de Manege

    Un Tour de Manege
    Un Tour de Manege (“A Turn of the Carousel”, if I’m interpreting it correctly) is another animated gem that comes out of Gobelins, l’ecole de l’image.

    Credited to Nicolas Athané, Brice Chevillard, Alexis Liddell, Françoise Losito and Mai Nguyen; the short (3 minute) animation deals with a young girl who is separated from her mother and appears to live out her life (or does she?).

    The style is a beautiful mist of pastel and watercolor effects; the animation is fluid and the concept and storytelling imaginative (watch it twice if it doesn’t seem to make sense at first).

    [Via MetaFilter]



    Categories:


  • The Indianapolis Museum of Art

    The Indianapolis Museum of Art: Edmund Tarbell, Richard B. Gruelle, Frank W. Benson, William Merritt Chase, John Sharman, John Cotman Sell, Rembrandt, Jan Brueghel the Elder
    I’ve never been to Indiana, let alone to the Indianapolis Museum of Art, so this is not a first person account. It is rather the happy result of one of my art browsing habits, using the Museum Listing feature of the Athenaeum online art resource to browse a skimming of various museums’ collections (see my post on The Athenaeum).

    The Athenaeum’s page for the Indianapolis Museum of Art caught my attention with pieces by John Singer Sargent, Edmund Tarbell and William Merritt Chase.

    On arriving at the museum’s site, I immediately clicked through to their collection of American Painting and Sculpture to 1945, and from there started browsing through the little interactive slide presentation for American Impressionism, one of my favorite schools of painting.

    Though not the most convenient browsing arrangement (a simple page of thumbnails would be better, but museums seem to love these widgets), it is still a way into the collection, clicking on the thumbnails to particular piece, then clicking through to a page of works by that artist in the museum’s collection.

    To my delight, I found that not only does the museum have a terrific collection of American Impressionism, which is deep for some artists, like William Merritt Chase, they also have a nice method of presentation for works in the collection.

    Thumbnails are linked to a decently sized image that opens in a pop-up, instead of the tiny cramped Zooming windows favored by many museums, letting you get a much better feeling for the work as a whole.

    In addition they often have several photos of the same work, some of which have color and value reference cards in the photos, making it possible to get an accurate take on the color of the image. What a great feature! So many images of artworks on the web are off-color, even those posted by the most prestigious museums.

    My exploration of the site has been brief so far, and the images I’ve chosen to highlight are more representative of my own preferences than the museum’s collections, but I was also impressed with their holdings in European Painting and Sculpture.

    One might wish for a list based browsing feature, allowing an easier grasp of the holdings in a particular area, but you can search the collections for specific artist, or using broader terms like, oh, say… “American Impressionism“.

    The collection online looks well worth investigating in depth, and of course, for those who live close enough to travel to the museum in person, a treat to visit.

    (Images above: Edmund Tarbell, Richard B. Gruelle, Frank W. Benson, William Merritt Chase, John Sharman, John Cotman Sell, Rembrandt, Jan Brueghel the Elder.)



    Categories:
    ,


Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics