Lines and Colors art blog
  • The Boing Boing Cartoon Circus

    The Boing Boing Cartoon Circus: Swing You Sinners, The Last Roundup, Popeye in Goonland, Tin Pan Alley Cats, Aladdin and the Wonderful LampFor the past week or so, Stephen Worth, Director of the always amazing ASIFA-Hollywood Animation Archive (which I have mentioned on several occasions) has been guest blogger on Boing Boing.

    During that stint he has given us a series of treats including the Boing Boing Cartoon Circus, a list of some wonderful classic cartoons.

    These are almost forgotten gems from an age when cartoon characters, and the imaginations of the artists, were wildly flexible.

    The list includes such bizarre and delightful wonders as Grim Natwick’s Swing You Sinners (which Worth bills as “The Weirdest Cartoon Ever”); Terry-Toons’ The Last Roundup, in which Gandy Goose faces Adolf Hitler in the form of a pig; the Fleischer brother’s Popeye in Goonland, a delightfully looney excursion into weirdness (see my previous posts on Max Fleischer and the studio’s amazing Superman and Betty Boop cartoons); Bob Clampett’s Tin Pan Alley Cats, with a parody of Fats Waller; and the beautifully realized Aladdin and the Wonderful Lamp, a masterpiece by Grim Natwick under the direction of Ub Iwerks, which has some of the character of a Winsor McCay comic strip brought to life.

    All in all a treat for fans of cartoon animation, swing jazz and/or overall weirdness.

    For more, see the links on the ASIFA-Hollywood Animation Archive under item #7 on The Top Ten Reasons to Contribute to A-HAA, for links to even more classic cartoons.

    (Images at left: Swing You Sinners, The Last Roundup, Popeye in Goonland, Tin Pan Alley Cats, Aladdin and the Wonderful Lamp)

     

    The Boing Boing Cartoon Circus (Search return, see links in article for individual posts)
    ASIFA-Hollywood Animation Archive, links to Classic Cartoons.

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  • Sergio Martinez

    Sergio Martinez
    Born in Mexico, Sergio Martinez studied art at the Academie de la Gandre Chaumiere in Paris, and has had a long career in illustration for book and advertising clients in France, Switzerland, Spain, UK, Mexico, the US and other countries in Central and South America.

    That I haven’t encountered his work until recently just boggles my mind, because I think he’s an amazing talent.

    Martinez maintains four separate blogs. Though the distinction in focus between them can be less that clear, it’s of little consequence as they all give you opportunity to view more of his wonderful artwork.

    The two major blogs are Sergio Martinez Linework and Sergio’s Linework.. The others are Sergio’s Line-work Comments and Sergio Martinez Gallery. All of them seem to mix illustration with personal projects and gallery art.

    Martinez has an unusual working method, involving carbon pencils, oil pastels and colored pencils on tracing vellum, worked by dissolution and blending from the back side with careful applications of turpenoid. There are also pieces in charcoal pencil, egg tempera and watercolor.

    The result is a combination of line, texture and color that has some of the best characteristics of both drawing and painting, though I presume that one would call most of the works drawings.

    The fluid, graceful linework, and linear applications of textural lines in colored pencil and oil pastel, give the images a loose, gestural quality; though as Walt and and Roger Reed point out in their introduction, his approach to the work is anything but casual. He often redoes images multiple times until arriving at a final he considers acceptable.

    However free the application of materials may appear, it is always in service of highly accomplished draftsmanship and sophisticated compositions.

    Though he doesn’t always give credits for the project associated with the images, he does give materials for each piece; a wonderful practice considering his unusual approach and variety of technique. One of his major clients appears to be BBC Radio, for whom he has provided illustrations for boxed sets of radio dramas. Other clients include Signet, New American Library, Disney Press NY, and Readers Digest.

    Also a delight, is that most of the images on his blog are linked to larger images, and there are also large images linked to the cover thumbnails of his listed books for Good News and Crossway publishers (click through twice and look for text link to “High-resolution image”).

    You can find a more extensive list of books he has illustrated on Amazon.com, and another on AllBookstores.com.

    [Via Ericka Lugo]



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  • Bill Turner

    Bill Turner
    The landscapes of Bill Turner come with invitations.

    Most of them follow a compositional motif of roads, often central to the image, inviting you to step onto the road and follow it into the landscape.

    Turner lives and works in the Atlanta, Georgia area. His landscapes, painted in oil and acrylic, are softly rendered, at times more suggested than delineated, and frequently cloaked in soft mist or atmospheric haze.

    They are usually painted with a narrow, carefully controlled palette. His compositions, however, are bold in terms of value and shapes, with large dark masses set against bright areas of hazy skies (a hazy sky is actually lighter in value than a sunny blue one).

    His web site includes a multi-page gallery of paintings, as well as a selection of reproductions.

    Turner started as a photographer, and continues to work in that medium, with may of his photographic compositions using the same compositional device of roads to lead your eye, and imagination, into the landscape.

    I cam across Turner’s work obliquely, through an “ambient video” experiment by technology experimenter Doug Siefken and composer Tom Salvatori, in which Turner’s landscape “sewell barn” (image above, bottom) is used as the subject for a piece called The Road to Sewell’s Barn.

    In it Salvatori’s painting has been digitally manipulated to an almost monochromatic state and is very gradually restored to full color (and perhaps “pushed” a bit beyond). The suggestion in this case is of dawn breaking. The changes happen so slowly as to be imperceptible, like a real dawn.



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  • This Is Where We Live

    This Is Where We Live by Apt Studios
    This Is Where We Live is a short stop-motion animation by Apt Studio and Asylum Films.

    It is a promo for 4th Estate Publishers, and the “where” it refers to is the world of books. The designers and animators have taken a literal take on the phrase and created a world made, literally, from books.

    You can see a time-lapse video of the animators preparing materials and another of them arranging a shot for the film here.

    The animation was produced over a three week period in 2008, and was produced to mark the publisher’s 25th anniversary.

    It starts, aptly enough, with a bit of flip book style animation in the pages of a book, and transitions nicely into a walk through the the book world; including nicely atmospheric “night” scenes, in which the darker side of things is displayed.

    Charming, imaginative and beautifully done.

    [Via Metafilter]



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  • Ericka Lugo

    Ericka Lugo
    Ericka Lugo is an illustrator based in Puerto Rico. Beyond that, I know little as her web presence doesn’t include much in the way of bio or a published credits list.

    Her illustrations, done digitally or in ink and gouache, have a whimsical stylized feeling and are often punctuated with passages of bright red. I like her use of outline, which sometimes has a “lost and found” quality.

    Both on her blog an in her space on deviantART, you will also find some nicely direct drawings from life.



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  • Erik Tiemens (update)

    Erik Tiemens
    I’ve written previously about Erik Tiemens, and his blog Virtual Gouache Land.

    Tiemens has recently redone his web site at watersketch.com with an emphasis on his gouache and watercolor paintings and sketches. There are also galleries of oil paintings, drawings and photography.

    Tiemens’ gouache paintings, though sometimes combined with watercolor or pastel, often take advantage of the unique qualities of gouache that allow it to be both painterly and linear at the same time.

    Gouache often gets short shrift as a medium for gallery art, perhaps because it is often associated with design and illustration, or simply seems like the poor bastard child of transparent watercolor.

    Tiemens uses it to great effect, contrasting slabs of flat color with drybrush passages, linear hatching and wonderfully loose and suggestive washes of wetter blending. His paintings and drawings sometimes have a feeling of Dutch masters, and at other times reflect his fondness for Corot and the painters of the Barbizon school.

    The galleries on his site give an overview of his gallery work, but you will find larger versions of may of the images on his blog.

    There is also a brief video demo of gouache sketching in a blog post form 2008.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics