Lines and Colors art blog
  • Charles Courtney Curran

    Charles Courtney Curran
    I was happy I had the opportunity to see the terrific Americans in Paris exhibit at the Met in New York this Fall (continues to January 28, if you get a chance, see my previous post).

    In the midst of being dazzled by dramatic, large scale works by such luminaries as John Singer Sargent, John White Alexander, James McNeill Whistler and Childe Hassam, I found myself drawn to two small scale works by an artist with whom I was only marginally familiar, Afternoon in the Cluny Gardens, Paris (image above) and In the Luxembourg Garden by Charles Courtney Curran. (The links for the two images are to pages related to the exhibit on the Met’s site.)
    [Addendum, 2012: Americans in Paris archive at the Met is now here.]

    On returning home, I looked up Curran and was a bit disappointed to find only a relatively small amount of material on the web, but there is some.

    He was born in Kentucky, spent his youth in Ohio, trained in New York City at the National Academy of Design and the Art Students League and eventually settled in Cragsmoor in New York State. He was a leader of the Cragsmoor Art Colony. He obviously spent some time in Paris, where he studied at the Académie Julian.

    His subjects are often well-dressed young women amid gardens and flowers. He was very popular during his lifetime and is one of the artists credited with reviving the tradition of genre painting (the depiction of everyday scenes) in American art at the time.

    His painting sensibilities seem to carry some flavor from both French Impressionism and Salon style Academic art. Contrast works like Lotus Lilies and Ladies on a Hill with The Goldfish and Fair Critics.


    Charles Courtney Curran on ArtMagick (9 images)
    Athenaeum (23 images)
    CGFA (2 images)
    Art Renewal Center (13 images)
    Afternoon in the Cluny Gardens, Paris (Met special exhibit)
    In the Luxembourg Garden (Met speial exhibit)
    Bio on Lawrence J, Cantor & Company
    Artcyclopedia (links to other resources)

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  • Bob Eggleton

    Bob EggletonRegular readers of lines and colors know that I try to keep a nice mix of art and artists from across many genres of art. I find it particularly interesting when artists cross those boundaries themselves, and have a web presence that showcases more than one artistic path.

    Bob Eggleton is a well known fantasy and science fiction illustrator and movie and TV concept artist. He has done concept art for projects like Jimmy Neutron and The Ant Bully, and his paintings of fantastic subjects have garnered him 9 Hugo Awards, 2 Locus Awards and 12 Chesley Awards (named for the brilliant space artist Chesley Bonestell).

    Eggleton also enjoys painting from life and has recently started a blog called Bob’s ART du jour, and is exploring the “painting a day” style “paint, post and comment” type of personal painting journal.

    Eggleton has done illustration for numerous books and periodicals in several veins of fantastic art, whether it’s the dark fantasies of H. P Lovecraft and Brian Lumley, illustrations for fantasy or “hard” science fiction, space art (often spectacular of views from the surface of other planets or moons without the science fiction trappings), or paintings that revel in his fascination with dinosaurs (and dragons, their fantasy art counterparts).

    His main web site also includes a section of “Earthscapes”, images of dramatic geological events and uphevals, fun images of monsters from those wonderfully cheezy Japanese monster movies (the ones that usually had “vs” as part of the title) and a selection of covers and other paintings fitting into the categories of “Femmes Fatale” and “Dragon’s Domain”.

    In addition the “Sketches” section includes preliminary sketches in pen and pencil, both for finished works and versions that were not finals. (I can’t give you direct links to the sections because the site is in frames.)

    The site also includes a “For Sale” section, now supplemented with a new blog, Bob’s Art for Sale.

    Unfortunately, it’s difficult to get a real feeling for the rich detail and brilliant colors of Eggleton’s illustrations from his web site. Although, there are plenty of images and you can get a general sense of the style and range of subject matter, the images are too small to get a real feeling for the paintings.

    If you’re not familiar with his illustrations, check out one of the collections of his work. Greetings From Earth: The Art of Bob Eggleton, and Cartouche Primal Darkness Art of Bob Eggleton are both in print. Alien Horizons: The Fantastic Art of Bob Eggleton is out of print, but still available from online sources.

    Or you could do a search for some of the many other books for which he has done covers and other art.

    Fortunately, the images are somewhat larger on his daily painting site, and the original paintings are smaller, more immediate and painterly, so you don’t lose as much when viewing his paintings from life as you do when trying to get a feeling for his larger illustration work.

    The paintings from life are done in oil in contrast to his illustration work, for which he usually works in acrylic. His subjects include the small still life subjects common in painting a day circles, juxtaposed with landscapes from travel photos and from his local area in New England. Note in particular the rich brushstrokes and patterns of texture and color that often comprise the backgrounds of his small still life paintings.

     


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  • Mark Summers

    Mark Summers
    Mark Summers is a Canadian illustrator who works in the time-honored, but infrequently used, medium of scratchboard. (See my posts on Virgil Finlay and Elizabeth Traynor.)

    There is just something about the balance between black and white and the characteristics of the scratched lines that gives well-done scratchboard drawings a particular appeal. Summers is one of the best modern practitioners of the art.

    He has done illustrations for major publications like Time and The Atlantic Monthly and has received three gold medals from the Society of Illustrators and was the recipient of the Hamilton King Award in 2000.

    Summers is also the artist for the Barnes and Noble bookstores’ literary figures portraits. You can see them in the Prints and Posters section of the online bookstore. [2010 Update: Link is no longer valid]

    Though he doesn’t seem to have his own dedicated site, you can see his work on the Richard Solomon Artists Rep site.

    Addendum: 2010 update: Mark Summer’s illustrations are featured in the new book, Vanity Fair’s Presidential Profiles: Defining Portraits, Deeds, and Misdeeds of 43 Notable Americans–And What Each One Really Thought About His Predecessor.


    www.richardsolomon.com (Click on Mark Summers in right column)
    The iSpot

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  • Mélanie Delon

    Melanie DelonMélanie Delon is a French artist who trained in art history and archeology. She later attended school for game design, but decided that wasn’t the path for her. According to her site, she began to work digitally in Photoshop about a year ago.

    Since then has been doing digital painting in Photoshop and Painter. Digital painting, for those who are not familiar with the practice, involves using a pressure sensitive stylus and painting software to emulate the way one draws and paints in traditional media. This is in contrast to the other major branch of digital art, which involves the creation of “3-D” models and rendering.

    Since Delon began digital painting she has posted a number of images to her site. In most of them she portrays young women, usually in a fantasy or science fiction setting. She seems particularly fascinated with faces, and within the bounds of the fantasy or science fiction settings, paints them like portraits, though I don’t know if she is painting from live models.

    For someone who has only been painting digitally for a year or so, she seems quite accomplished and has created a tutorial for ImagineFX magazine. There is a zipped tutorial available on her site on the Misc page, along with avatars, wallpapers and prints. In addition to those sections and the main gallery, there is a Quicks section of sketches and exercises. There is also a “Close Up” section that is of particular interest because of the detailed nature of her work.

    Suggestion courtesy of Jack Harris

     

    www.eskarina-circus.com/
    Melanie Delon search on CGSociety
    Artist of the Month gallery on Infinitee
    Gallery on CG Channel
    Gallery on Epilogue.net

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  • Koji Morimoto

    Koji Morimoto is one of my favorite animators and directors working in the field of “anime” (essentially just meaning Japanese animation).

    Morimoto is well respected in Japan, but not well known in the U.S., possibly because he has directed mostly shorts and short segments of films rather than feature length animations.

    I first noticed him as the director of a segment called “Franken’s Gears” in Robot Carnival, a collection of short anime devoted to the subject of robots. There was just something about his handling of light and detail that made his segment stand out above the rest. At the time I didn’t think to try to find more about his work, and didn’t notice him again until years later when I came across his work in another collection.

    Contrary to popular belief, there actually was a good sequel to the original movie The Matrix , it just wasn’t one of the theatrical releases. In 2003, there was a DVD release called The Animatrix, a collection of short animations by various directors, mostly anime directors, dealing with subjects within the Matrix setting.

    The best of these was a wonderful short called “Beyond”, about a girl who goes looking for her lost cat and finds a “haunted house” where the normal rules of physics are broken. It’s a terrific short piece that is well written, beautifully drawn, luminously colored and smartly directed. As soon as I saw it, I said “Wow! Who was that?”, immediately played it again and looked to see who had directed it — Koji Morimoto.

    I then found out that in addition to directing several other shorts, Morimoto had, in fact, worked as an animator on a couple of of my favorite anime, Katsuhiro Otomo’s Akira and Hayao Miyazaki’s Kiki’s Delivery Service (see my post on Miyazaki).

    Morimoto has directed a number of memorable, imaginative and very different short animations.

    I don’t think he has an official site, but there is an extensive and professional level French site (that I assume is unofficial) at kojimorimoto.net. The English version isn’t online yet, but the French version isn’t too difficult for English speakers to navigate.

    I found the version of the site not in a popup easier to deal with. Once you enter any of the interior pages, you will see a link at lower left for the site map (“plan du site”) that opens in a convenient little pop-up window. Go to any of the sections under “Panorama” to see images and information about many of his shorts.

    Each section for an animation features a short video clip, preliminary drawings, scene backgrounds and screen caps; enough to get a feeling for the beauty and imaginative variety of his work. In particular, check out Beyond, Noiseman Sound Insect, Tekkon Kinkurito and Magnetic Rose (images above, top to bottom).

    There is also a page on Catsuka.com where you can download clips and trailers of Morimoto’s work.

     

    www.kojimorimoto.net (FR)
    Trailers on Catsuka.com (FR)
    Interview on intothematrix.com
    Bio on Pelleas.net
    Videography on IMDB
    The Animatrix (website) (Amazon link)

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  • Sergei Bongart

    Sergei Bongart
    Sergei Bongart was a Russian painter who was born in the Ukraine, studied at the Russian Academy of Arts in Kiev, and went on to paint and study in Prague, Vienna and Munich. He emigrated to the U.S. in the middle of the 20th Century, lived, painted and taught in Idaho and then in California, where he established the Sergei Bongart School of Art and administered it for many years.

    He is admired for his richly colored and emotionally expressive landscapes, still lifes and portraits. He was best known as a colorist, working in exaggerated color, using dynamic but carefully controlled color relationships and extolling the virtues of approaching painting as “color first, subject last”.

    There is a book, Sergei Bongart by Mary N. Balcomb, that you can read excerpts of here and find more information about on Balcomb’s site.

    Bongart’s approach looks like an intersection between Russian impressionist style painting (see my previous posts on Russian galleries in the U.S. here and here) and Cézanne’s oblique path into the distillations of modernism. Bongart’s brusquely applied strokes of vibrant color create representational images, but you can tell that it is not the objects but color itself that is the subject of his paintings.

    Link via Art Notes – Interesting Art Stuff


    Site for Sergei Bongart by Mary N. Balcomb (15 images)
    Post on Art and Artistry (several of the same images)
    Excerpts from Sergei Bongart by Mary N. Balcomb
    Artnet (3 images)
    Old Utica Art Company (3 images)

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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics