Lines and Colors art blog
  • Ralph McQuarrie

    Ralph McQuarrie
    Ralph McQuarrie, although now retired, had a long and distinguished career as a pioneering and influential concept artist for the film and TV industries. He is most noted as the design consultant and conceptual artist for the original three Star Wars films.

    It’s hard to overstate the impact he had, not only on the look and design of those three films and all of their attendant phenomena, but on the subsequent generation of concept artists, and the style, influence and role of concept artists in the film industry in general.

    McQuarrie also worked on films like Close Encounters of the Third Kind, E.T. The Extraterrestrial, Total Recall, Indiana Jones and the Raiders of the Lost Ark and Cocoon, for which he won an Academy Award.

    He did not work on the last three Star Wars films. The story is that years after the original triolgy, when the new “prequels” were being discussed, McQuarrie was asked to participate, but was so impressed with the work of the team led by ILM concept artist and design director Doug Chiang, he declined, saying that he didn’t have much additional to contribute. I doubt that would have been true, but it was, of course, his decision to make.

    McQuarrie is a contemporary, and school mate, of another visionary designer and futurist, Syd Mead.

    Early in his career, McQuarrie created “real” space art, as a technical illustrator for The Boeing Corporation and as an illustrator for CBS News during coverage of the Apollo space missions, in some ways picking up the mantle of pioneer space artist Chesley Bonestell. You can see some of this art on his site in the “Early Days” gallery. It was this work that attracted Lucas’ attention when he was planning the first Star Wars film.

    You’ll also find other Film and TV work in the galleries, including concept art for the original Battlestar Galactica TV show that looks better than the show itself ever did.

    You’ll find McQuarrie’s work in numerous books associated with the Star Wars movies, including several that are essentially showcases of his art for particular movies. (Amazon link)

    His site also has extensive galleries of his work on all three of the original Star Wars films. You will be tempted to look at his vivid, beautifully realized images and say “That looks just like a scene from the movie.”, when, in fact, it was the movies that came out looking just like McQuarrie’s paintings.

    Addendum: Dreams and Visions Press has sent out a pre-release announcement of a new book: The Art of Ralph McQuarrie, a 400 page retrospective of his career. The book is a limited edition (2,000 copies) set for release in May of 2007. Pre-orders will begin in January of 2007 and ship in April. See the web site for more details.



    Categories:
    ,


  • Kay Nielsen

    Kay NielsenDanish artist Kay (pronounced “Kigh”) Nielsen was one of the great illustrators of the period from the late 19th to the early 20th centuries that is usually referred to as the “Golden Age of Illustration”.

    Nielsen is often mentioned in the same sentence with two other amazing illustrators, who were at the top of an impressive list of amazing illustrators from that period, Arthur Rackham and Edmund Dulac.

    Like Rackham and Dulac, Nielsen was very influenced by Alphonse Mucha and Art Nouveau, the Pre-Raphaelite painters and romantic art. The terrific Swedish illustrator John Bauer was also undoubtedly influential on all three as well.

    More than the others, however, Nielsen moved into the realm where representational imagery blended with design and the division of parts of the image into patterns and decorative elements. In this he took obvious inspiration from Aubrey Beardsley and Japanese woodblock prints, which were popular in Europe in Victorian times.

    Nielsen, in turn, was influential on other artists at the time, including Rackham and Dulac and later illustrators such as Dorothy Lathrop. You can also see his influence in modern illustrators and even comic book artists like P. Craig Russell.

    Nielsen illustrated a number of classic books of fairy tales and is perhaps most noted for his work on East of the Sun and West of the Moon: Old Tales from The North.

    Late in his career, he became interested in animation and went to work for Disney, contributing designs to Fantasia (notably the Bald Mountain sequence) and its intended follow-up. His style and working methods were not a good match for the high-paced demands of the animation business, however, and his time there was brief.

    There is a collection of his work, Nielsen’s Fairy Tale Illustrations in Full Color, another of work from his estate called Unknown Paintings of Kay Nielsen (David Larkin), and you may be able to find some of the fairy tale books with his illustrations, including East of The Sun and West of the Moon: Old Tales from The North.

     

    Art Passions
    SurLaLane Fairy Tales
    nocloo.com
    imagNETion (4 images – aggressive pop-up ads)
    Illustrated bio on Bud Plant Illustrated Books

    Categories:


  • Qi Baishi (Chi Baishi, Ch’i Pai-shih)

    Qi Baishi
    Qi Baishi was a Chinese painter whose long life and career extended from the mid 19th to mid 20th centuries.

    When he was young his frailty made him incapable of working the lands of his family farm and he was permitted to apprentice to a carpenter. He went on into cabinet making and carving and upon discovering The Mustard Seed Garden, the traditional manual of Chinese painting, determined to achieve a mastery of painting. He studied traditional techniques for many years and at the age of 40 began to develop the style for which he would be known in his mature career.

    His early work, which I like a lot, is more like traditional Chinese landscape painting, his mature style was a turn on the schools that emphasized the portrayal of simple small bits of nature rather than grand landscapes. He combined that ink painting style with modern colors and is renowned for his deceptively simple, colorful and intimate portrayals of flowers, insects, vegetables and grass blades.



    Categories:


  • Esao Andrews

    Esao Andrews’ work fits loosely into a branch of contemporary fantastic art called “pop surrealism”.

    His work often involves portrait-like images of young women in conjunction with odd elements, such as objects that are combinations of plant and animal forms, apparently intended to be a bit disconcerting.

    Some of his paintings are more straightforward, almost like regular portraits (left, bottom), some look a bit like deranged children’s book illustration and some are simply odd. I wouldn’t say that the images I’ve chosen here are necessarily representative of his work, I just happen to like them in particular.

    His web site has a delightfully entertaining Flash interface, one of the most amusing I’ve seen, in which a young woman sits demurely in a room with a few furnishings, and her face follows your cursor as you mouse over objects that pop up or change to reveal the sites sections. The interface is done with style and cheeky wit (she looks right at you and flashes her dress up when you choose “Paintings”) and is full of nicely imaginative details.

    Unfortunately, once past the amusing nature of the interface, it’s actually not easy to navigate, the galleries consist of colored dots with no indication of previews and the images open in pop-up windows. (Who ever told artists that pop-up windows are a good way to display art work?)

    If you like quirky, imaginative and oddball images, though, Esao’s work is worth the trouble to look through the galleries.

    There are sections of paintings, done in oil on board, drawings, illustrations and designs for skateboard decks. There is also an archive to a previous site version. His “News” section mentions an upcoming site redesign (which promises “no pop-up windows”), but I hope he archives this one.

    There isn’t much background or biographical info on the site, but there is a good interview with him on Pixelsurgeon.

     


    Categories:
    , ,


  • Peter Popken

    Peter Popken
    Peter Popken is a concept artist, illustrator, visual development and storyboard artist for the film industry. He has worked on films like V for Vendetta, Aeon Flux and The Bourne Supremacy.

    Many of the film concept images on his site are dramatic landscapes or cityscapes, painted in widescreen ratios. There are also character designs, storyboards and illustrations.

    He utilizes several rendering styles, from the crosshatched linework in some of the storyboards to the direct no-nonsense approach of some of the concept paintings, which can be wonderfully graphic at times with flat areas of color crafted into three dimensional shapes.

    His concept paintings are often almost monochromatic, with areas of more intense color in a different range used for emphasis and focus. Sometimes he will use a more softly rendered approach or the color-filled line style where appropriate.

    Some of the movie work is labeled, but some of the storyboard work is not. I’m curious about a very cool storyboard he did for what is apparently a car ad, in which the car is injected into a patient’s bloodstream.



    Categories:


  • Chet Phillips (update)

    Chet Phillips
    Writing about scratchboard a few days ago prompted me to check back in with illustrator Chet Phillips, who I first posted about back in October of last year.

    Phillips uses Corel Painter to create what he terms “Digital Scratchboard”, using the digital painting programs customizable tools to incise sharp edged linework as if scraping with a real scratchboard tool. (Painter, in fact has built in “scratchboard” tools, the most basic of which is my preferred tool for making digital “ink” drawings.)

    Phillips has done both editorial and advertising illustration and his work has been featured in numerous books on digital painting. He often does wonderfully bold and graphic images of domestic animals in which the “scratchboard” effects start to lean toward a woodcut feeling.

    His portfolios have been revamped and expanded since I last wrote about him. (Unfortunately, they’re still in the tedious “click and click back” arrangement found on so many artist’s sites.) It’s not always obvious that the gallery sections can be split into subsections with links under then main menu, so keep looking around. You can find additional styles of images (fun Tiki images, for example) in the “Merchandise” section.



    Categories:
    ,


Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics