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Promoting some friends and some clients of my website design business
- Twin Willows T’ai Chi studio in Wilmington DE. Taiji classes with Bryan Davis.
- Ray Hayward, Inspired Teacher of T’ai Chi ( Taiji ) in Minneapolis, Founder of Mindful Motion Tai Chi Academy
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James Gurney’s Unconventional Oil Techniques


Unconventional Oil Techniques is the latest in a series of instructional painting videos by artist and author James Gurney.
While the majority of his previous videos have dealt with various water based media: gouache, casein and watercolor, after numerous requests, this one is devoted to oil painting.
It should be pointed out, though, that this is not an introductory video, but rather a collection of tips and techniques for those who already have some experience with oil painting. (Not that the tips wouldn’t be useful to a beginner, but that’s not the focus here.)
Unlike most of Gurney’s other videos, which go through a fairly complete process of painting a series of paintings in a particular medium — usually 5 or 6 paintings — in which process is discussed; the format here is different: highlights from painting three works, punctuated with a series of short, direct demonstrations of particular techniques. These are usually simplified by using black and white paint, followed by the application of the techniques in color on the actual paintings.
The paintings happen to be dinosaur illustrations Gurney recently did for various publications, but the techniques are general and easily applicable to other subjects.
He uses the paintings as a springboard for discussing a variety of oil techniques that are not as often highlighted in most oil painting videos. These include: using gouache to do preliminary color studies for oil paintings, sealing pencil sketches on paper with acrylic mat medium for painting over in oil, painting thin and thick passages in coordination, making various kinds of brush marks by dragging, scrubbing, rolling and tapping the brush, using a painting knife on edge as well as on flat, pre-texturing with modeling paste, and splaying the bristles of brushes for pouncing and stippling. There are eleven techniques in all.
You can see a preview of several by searching Gurney’s blog for “UnconventionalOil Techniques“.
I’ve pointed out that several of Gurney’s previous instructional videos give the feeling that you’ve chanced on him while plein air painting and he is being generous with describing his process while he works. In Unconventional Oil Techniques, the feeling is that you’ve signed up for a limited attendance workshop in advanced oil painting, and discover to your delight that Gurney is the instructor.
The video is 90 minutes, and is $17.95 as a digital download through Gumroad or Sellfy, or $24.50 on DVD through Kunaki.
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New Argon Zark! webcomic page


It’s not that often that I feature my own work on Lines and Colors, but this is special occasion for me. I’ve just posted the first new page to my webcomic, Argon Zark!, in quite some time.
I’m really pleased to have the comic moving again, and looking forward to continuing the story. (It will not interfere with my work on Lines and Colors. If it garners enough support, it may actually free up more time for writing Lines and Colors posts.)
For those who are familiar with Argon Zark!, you can see the new page here.
If you’re not familiar with the comic, but are curious about my endeavor, start with the first page of the current story, or go to the Zark.com home page.
You can also read my recent Lines and Colors post with a little background about the comic, and about how I’ve gone over the current story and brought it up to date with bigger graphics and current web technology: Argon Zark! remastered.
Enjoy!
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James McIntosh Patrick


James McIntosh Patrick was a Scottish painter active through much of the 20th century. Though he started as an etcher, and also painted portraits, he is known primarily for his landscape paintings of the Scottish countryside, both in watercolor and oil.
His approach was often immediate and painterly but with rich textural detail and often with high chroma passages.
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Les animaux tels qu’ils sont


Les animaux tels qu’ils sont, which Google translates as “The animals as they are” is a book published in France in 1959 that offers 90 plus examples of how to draw animals using simplified geometric forms.
Someone has apparently determined that the book now falls in the public domain, as the pages are available in high resolution on Wikimedia Commons.
There is also a set of pages on this Flickr collection, that makes it easier to view and browse them, but the image files are easier to download from Wikimedia.
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Eye Candy for Today; Rembrandt landscape etching of trees, houses and tower


View of some houses with trees and a tower, Rembrandt van Rijn
Etching and drypoint, roughly 5 x 12 inches (12 x 32 cm); in the collection of the Rijksmuseum, which has a zoomable image on the website (also downloadble if you sign up for a free Rijksstudio account).
This is one of my favorite landscape etchings by Rembrandt, which, for me, is saying something, because I love them all. This one is just so astonishingly beautiful it boggles my mind.
First, there is the composition, the way your eye is unerringly pulled into the scene and then led through it, delighted with linear and textural effects along the way. Then there is the drama of the values, the dense dark of the trees to the left, balanced by the darks in the primary house, the lighter touches on the path in the foreground and the house to the right, and the echo of darker values on the tower in the background.
Such a feeling of space, texture, time and presence.
An etching, for all of the wonderful characteristics inherent in that medium, is still, first and foremost, a drawing. Unlike Rembrandt’s landscape pen and wash drawings — which as far as can be determined, were done for his own pleasure or practice — his etchings were more formal, intended for multiple reproductions, presumably for sale or at least as gifts for valued patrons.
At their best, Rembrandt’s landscape drawings give me an uncanny feeling of being there — of sitting next to him as he sees and draws his subject — focused, aware and contemplative.
Don’t just take my detail crops as an indication of how wonderful this drawing is, do yourself the favor of going to the Rijksmuseum’s page and zooming in at full screen.
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Alyssa Winans


Alyssa Winans is an illustrator and concept artist for the gaming industry based in the San Francisco area. She is also a Google Doodle artist.
Winans often uses restrained palettes, along with subtle graphic and textural elements, to give her subjects presence and focus. I enjoy the way she controls her values in textural passages, usually in contrast to the overall value dynamics of the composition.
Her website has a selection of her illustrations and spot illustrations, as well as Google Doodles (see my posts on Google Doodles).
You can also view a somewhat wider selection of her work on her Behance portfolio, as well as on her Tumblr and Instagram accounts.
Winans has prints of her work available on inPrint.
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Charley’s Picks
Bookshop.org
(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)
John Singer Sargent: Watercolors
Urban Sketching: Understanding Perspective
Charley’s Picks
Amazon
(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)
John Singer Sargent: Watercolors
Urban Sketching: Understanding Perspective











