Lines and Colors art blog
  • Elizabeth Traynor (update)

    Elizabeth Traynor
    I first wrote about Elizabeth Traynor in a post in 2006, in which I expressed my admiration in particular for her scratchboard illustrations (and gave a brief description of the scratchboard process).

    In addition to her scratchboard work (images above, 1 & 4), her online portfolio also showcases her work in pen and ink, often used with watercolor (images above, 2 & 5), as well as her straightforward watercolor pieces (3 & 6, with detail, 7).

    Traynor says that her clients appreciate her ability to work in all three mediums and that much of her work recently is in the latter two.

    She was kind enough to pass on to me three recent illustrations, that are not yet on her site, to share in this post (4, 5 & 6, above, plus detail at bottom).

    I initially encountered Traynor from her previous association with the Delaware College of Art and Design, where she was at one time the head of the Illustration Department, and where I taught (and continue to teach) a class in Adobe Flash.

    Since then Traynor has been based in Massachusetts, but she was born in Alabama, and still has family and friends there who live in an area that was in the path of the extremely destructive storms that recently ripped through the U.S. south.

    In a letter which I have quoted below with her permission, she offers a way for those who would like to help to contribute to a local, all volunteer, non-profit group; assuring that your help will go directly to communities in need and not be compromised by the overhead and administrative costs inherent in established relief agencies.

    Dear Friends and Family,

    I don’t have to tell any of you about the devastation from the tornados last week in Alabama. If you want to help, though, I can tell you a direct way to do so — without red tape.

    You may not know that I am a native of Alabama (even though I grew up in Delaware too). My mother, son, five brothers, and ten nieces and nephews live there. Thankfully, no one in my family was injured, although they all have suffered damage in varying degrees. It has been a terrible week for all of us, even those of us far away trying to get word about our loved ones.

    My mother is the President of the St. Vincent de Paul Society (St. William’s Conference) in Guntersville, Alabama (in the northeast section of the state).

    The Society is providing aid for all residents of Marshall County who are in need, especially in the towns of Guntersville, Arab, Albertville, and Boaz. Each of these towns, as well as other areas of this rural county, suffered direct hits by multiple tornados.

    (One tornado ripped up 1,000 trees from a long scenic stretch on the shore of Lake Guntersville, less than 1/2 mile from my mother’s house.)

    The St. Vincent de Paul Society is running out of money. If you would like to make a donation to help, the Society would be extremely thankful. 100% of donations are used directly for feeding, sheltering, and repairs. There are no administrative costs, since this is an all-volunteer group with headquarters in St. William’s Catholic Church.

    Donations can be made to St. Vincent de Paul Society (St. William’s Conference) and are fully tax deductible. The address is:
    St. Vincent de Paul Society
    c/o St. Williams Church
    929 Gunter Avenue
    Guntersville, AL 35976

    You are under no obligation to make a donation. If you do so, any amount is welcome, and I thank you from the bottom of my heart.

    Sincerely,
    Elizabeth



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  • Simon Schubert

    Simon Schubert
    German artist Simon Schubert works in the novel medium of creased paper, using the sharp creases as lines, and apparently letting the differences in surface provide tones under the controlled lighting in which the piece is photographed.

    His subjects for this sequence of works are largely architectural interiors of a particular villa. They often include patterned floors and recursive repetition of spaces in facing mirrors.

    His online gallery also includes installations and sculpture.

    [Via BoingBoing]



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  • Hobo Lobo of Hamlin

    Hobo Lobo, Stevan Zivadinovic
    Hobo Lobo of Hamlin is a side-scrolling webcomic by Stevan Zivadinovic that uses multiple planes scrolling at different rates to give a nice dimensional effect, augmented with other touches of animation.

    My screen captures above attempt to give some idea of the changing relationship of the planes, but they’re inadequate to the task; you need to see the actual effect.

    You can use the controls at top to move through the panoramic images one “scene” at a time, or just grab the horizontal scrollbar at the bottom of the window and have at it.

    The animation and multi-plane scrolling are apparently created in HTML and JavaScript rather than Flash, which means you should be able to view the effects on the iPad, but outdated desktop browsers may have issues.

    On his “What is this thing?” page, Zivadinovic implores users of Internet Explorer to get a real browser, as well as explaining a few other technical considerations and indicating his intended update schedule; according to which an update should be coming 1:25am (CDT) on this Friday, April 29th, 2011.

    The strip, which appears to be loosely based on The Pied Piper of Hamlin, is only two sections long at the moment, but looks promising to be watched for coming updates.

    Zivadinovic also has a primary website called The Nihilist Canary, where you can see more of his work.

    [Via Scott McCloud]



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  • Rachel Constantine

    Rachel Constantine
    Contemporary realist Rachel Constantine is based here in Philadelphia, where she studied at the University of the Arts, The Fleisher Art Memorial and the Pennsylvania Academy of the Fine Arts.

    Her work is featured in Alla Prima: A Contemporary Guide to Traditional Direct Painting by Al Gury, current chairman of the Painting department at PAFA; as well as in a number of other features and mentions in various periodicals.

    Constantine has a nicely painterly approach, with rough edged areas of color contrasting with smoother passages in her definition of form.

    She focuses primarily on figurative and portrait subjects, but you will also find lively still life subjects and muted, quiet landscapes, as well as a selection of drawings, on her website.

    [Via Mike Manley]



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  • Ray Morimura

    Ray Morimura
    Tokyo born artist Ray Morimura creates woodblock and linocut prints that manage to feel at once traditional and modern.

    His crisp, sharp edges of color delineate forms that often repeat or combine to form patterns, at times varying in size to suggest perspective and distance.

    Morimura studied painting at Tokyo Gakugel University. He originally worked in abstraction but, inspired by the prints of Shigeru Hatsuyama and Sumio Kawakami, he took up the study of woodplock prints.

    [Via BibliOdyssey, on Twitter @BibliOdyssey]



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  • Jonathan Jones’ top five rabbits in art

    Titian (Tiziano Vecellio), Albrecht Durer, Sir John Tenniel, Jeff Koons, Robert Givens
    I don’t know how small long-eared mammals (not to mention the shelled embryos of certain avian species and similarly shaped confections) came to be associated with the Christian holiday observance of Easter, but there they are, popping up in popular culture all over the place.

    Jonathan Jones, writing in his OnArt blog on Guardian.co.uk, uses that association with the upcoming holiday to suggest his top five rabbits in art.

    It’s a fun idea, but for one reason or another, his article is only accompanied (at least online) by a single image. I won’t second guess his choices (as I’m all onboard with four out of five), but I’ve take the liberty of supplementing his article with images and, where possible, links to better examples of the works he mentions.

    Images above: The Virgin and Child with Saint Catherine and a Shepherd, known as The Madonna of the Rabbit by Titian (Tiziano Vecellio), Young Hare by Albrecht Dürer, the March Hare from Alice’s Adventures in Wonderland by Sir John Tenniel, Rabbit by Jeff Koons, early Bugs Bunny model sheet by Robert Givens.



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Vasari Handcraftes artist's oil colors

Charley’s Picks
Bookshop.org

(Bookshop.org affilliate links; sales benefit independent bookshop owners; I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics

Charley’s Picks
Amazon

(Amazon.com affiliate links; sales go to a larger yacht for Jeff Bezos; but I get a small percentage to help support my work on Lines and Colors)

John Singer Sargent: Watercolors
John Singer Sargent: Watercolors

Sorolla the masterworks
Sorolla: the masterworks

The Art Spirit
The Art Spirit

Rendering in Pen and Ink
Rendering in Pen and Ink

Urban Sketching: Understanding Perspective
Urban Sketching: Understanding Perspective

World of Urban Sketching
World of Urban Sketching

Daily Painting
Daily Painting

Drawing on the right side of the brain
Drawing on the right side of the brain

Understanding Comics
Understanding Comics